Review Archives - Page 117 of 143

“Ada/Ava”: Silent Film In The 21st Century

Posted by Jane Baldwin | 28th Jan 2018 | Boston, Puppetry, Review, Theatre and Film

ArtsEmerson is dedicated to bringing compelling and experimental theatre from all parts of the...

“887”: A Shared Collective History About the Nature of Memory Itself

Posted by Laurie Fyffe | 28th Jan 2018 | Canada, Playwriting, Review

Like pinpoints of light scattered across the map of shows, I have attended over thirty years,...

OLT’s “An Inspector Calls”: Dark Comedy or Impactful Social Drama?

Posted by Natasha Lomonossoff | 28th Jan 2018 | Canada, Directing, Review

The Ottawa Little Theatre’s production of An Inspector Calls, the classic mid-20th-century drama...

The “Very Last Wedding” At The Divine Comedy Festival

Posted by Lauren Dubowski | 27th Jan 2018 | Divine Comedy Festival 2017, Festivals, Playwriting, Poland, Review

Traditionally, the veil of a Polish bride—removed at the end of the ceremony to mark her passage...

A Stark, Beautiful “Uncle Vanya” from the Vakhtangov Theatre and Stage Russia HD

Posted by Jessica Hinds-Bond | 27th Jan 2018 | Review, Russia, Russian Theatre Abroad

Amid the deep velvety gloom that submerges the entire upstage in Rimas Tuminas’s Uncle Vanya, the...

“Miruga Vidhushagam:” Contemporary Theme And Haunting Idioms

Posted by T. Saravanan | 27th Jan 2018 | India, Review, Theatre and Politics

S. Murugabhoopathy’s Miruga Vidhushagam is a comment on civil society that stands mute spectators...

Actor Sello Maake kaNcube’s Can Themba Speaks His Truth In Mahala’s “The House Of Truth”

Posted by Diane de Beer | 26th Jan 2018 | Review, South Africa, Theatre and Politics

It’s the perfect storm when the playwright, director, and actor all come together this sweetly as...

Leaving for Good: Two New Plays on Korean Immigrants and the Cold War | Part 2

Posted by Kee-Yoon Nahm | 26th Jan 2018 | Review, South Korea, Theatre and Politics

This is Part 2 of a two-part article. Read Part 1 here. From Caregiver to Citizen The Nurses, Who...

“Fellow Travelers”: A Prototype for Contemporary Opera

Posted by The Theatre Times | 25th Jan 2018 | Festivals, New York, Prototype 2018, Review, Theatre and Opera, Theatre and Politics, United States of America

As the theatre world pushes boundaries and redefines genres, it has become exceedingly rare to...

“Tiny Dynamite” at Old Red Lion Theatre

Posted by Aleks Sierz | 25th Jan 2018 | London, Review, United Kingdom

The marvelous is a dangerous place. Especially in memory. Today I still remember seeing the first...

The Dancing Pulse Of The Heart: “Delhi Dance” in Hospital Waiting Room

Posted by Asen Terziev | 24th Jan 2018 | Bulgaria, Review

Delhi Dance by Ivan Vyrypaev; directed by Galin Stoev; set design by Nikola Toromanov; costumes by...

“Millions Of Seconds” by Diego Casado Rubio: On Being Transgender in Argentina

Posted by Lola Proaño Gomez | 23rd Jan 2018 | Argentina, LGBTQ+ Theatre, Review

The desired body vis a vis tradition, and institutional normative sedimentation. ...

Review: “Mr. Shi and His Lover” Blurs Time and Allusion Through Contemporary Opera

Posted by Jonas McLean | 23rd Jan 2018 | Canada, Review, Theatre and Opera

Jonas McLean reviews Mr. Shi and His Lover, Wong Teng Chi and Njo Kong Kie’s contemporary Mandarin...

See Naples And Die! Marco D’Amore’s “American Buffalo”

Posted by Davide Cioffrese | 22nd Jan 2018 | Adaptation, Italy, Review

American Buffalo is the story of a failure. A foretold, almost desired conclusion, an inescapable...

“Mr. Shi And His Lover:” A Tautly Executed Superlative Piece of Musical Theatre

Posted by Patrick Langston | 22nd Jan 2018 | Canada, Musical Theatre, Review, Theatre and Opera

A word of advice: If you’re going to see this superlative chamber musical, take the time to read...

“The Curious Incident Of The Dog In The Night-Time” Trades Deadpan For High-octane

Posted by Sandra D'urso | 21st Jan 2018 | Adaptation, Australia, Melbourne, Review

The National Theatre’s production of The Curious Incident Of The Dog In The Night-Time, currently...

Leaving for Good: Two New Plays on Korean Immigrants and the Cold War | Part 1

Posted by Kee-Yoon Nahm | 20th Jan 2018 | Review, South Korea, Theatre and Politics

The word dongpo, a term that refers affectionately to the sizable Korean immigrant community...

Jerome Bel and His Amateurs Test the Limits of Contemporary Dance in Saitama Show

Posted by Nobuko Tanaka | 20th Jan 2018 | France, Japan, Review, Theatre and Dance

Is the French choreographer Jerome Bel a trailblazer or an enfant terrible of the contemporary...

Steppenwolf’s Savage New Play -“The Minutes”

Posted by Wes Drummond | 17th Jan 2018 | Chicago, Review, Theatre and Politics

“Democracy is messy.” As we sit in our seats waiting for the show to begin we fix our gaze on a...

The Importance Of Dramaturgical Design

Posted by Vikram Phukan | 16th Jan 2018 | Dramaturgy, Review

A man in all-black production attire shoots an audience with a camcorder in an almost...

Review

“Ada/Ava”: Silent Film In The 21st Century

“887”: A Shared Collective History About the Nature of Memory Itself

OLT’s “An Inspector Calls”: Dark Comedy or Impactful Social Drama?

The “Very Last Wedding” At The Divine Comedy Festival

A Stark, Beautiful “Uncle Vanya” from the Vakhtangov Theatre and Stage Russia HD

“Miruga Vidhushagam:” Contemporary Theme And Haunting Idioms

Actor Sello Maake kaNcube’s Can Themba Speaks His Truth In Mahala’s “The House Of Truth”

Leaving for Good: Two New Plays on Korean Immigrants and the Cold War | Part 2

“Fellow Travelers”: A Prototype for Contemporary Opera

“Tiny Dynamite” at Old Red Lion Theatre

The Dancing Pulse Of The Heart: “Delhi Dance” in Hospital Waiting Room

“Millions Of Seconds” by Diego Casado Rubio: On Being Transgender in Argentina

Review: “Mr. Shi and His Lover” Blurs Time and Allusion Through Contemporary Opera

See Naples And Die! Marco D’Amore’s “American Buffalo”

“Mr. Shi And His Lover:” A Tautly Executed Superlative Piece of Musical Theatre

“The Curious Incident Of The Dog In The Night-Time” Trades Deadpan For High-octane

Leaving for Good: Two New Plays on Korean Immigrants and the Cold War | Part 1

Jerome Bel and His Amateurs Test the Limits of Contemporary Dance in Saitama Show

Steppenwolf’s Savage New Play -“The Minutes”

The Importance Of Dramaturgical Design

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