Review Archives - Page 117 of 142

Theatre Play “Surrender” Sheds Light On New Egyptian Talents Ready To Enter Acting Scene

Posted by Ossama Lotfy Fateem | 9th Jan 2018 | Acting, Egypt, Review

Staged by the Actor’s Studio, an initiative housed by the Creativity Centre, Surrender is a...

“Akhmatova. Poem Without A Hero”- Akhmatova for a New Generation At Moscow’s Gogol Center

Posted by Molly T. Blasing | 9th Jan 2018 | Playwriting, Review, Russia, Russian Theatre - Featured, Theatre and Politics

Akhmatova. Poema Bez Geroia (Akhmatova. Poem Without A Hero) has been nominated for a 2017 Golden...

Tom Rachman’s “Basket Of Deplorables”

Posted by Rajka Stefanovska | 8th Jan 2018 | Adaptation, Books, Review, United States of America

Basket Of Deplorables By Tom Rachman at Gladstone Theatre. If the definition of satire is: “the...

A Year Filled With Standing Ovations

Posted by Nobuko Tanaka | 7th Jan 2018 | Japan, Review

While 2017 featured many great stage productions and performances, these were among the standouts:...

“Daisy Pulls It Off” at The Park Theatre

Posted by Aleks Sierz | 7th Jan 2018 | London, Review, United Kingdom

History is a good place to talk about our contemporary concerns. And British theatre loves plays...

“Tosca” at The Theatre Comunale di Bologna

Posted by Massimo Malavasi | 7th Jan 2018 | Italy, Review, Theatre and Opera

If you perform Puccini, and Tosca even more, you’re sure of success. The Theatre Comunale di...

Subjects For Some Short Stories: Acting Character In Postdramatic Chekhov

Posted by Michael Breslin | 6th Jan 2018 | LGBTQ+ Theatre, New York, Review, Russia, Russian Theatre Abroad, Theatre and Gender, United States of America

Twenty years after the Wooster Group’s seminal Three Sisters-inspired Brace Up!, contemporary New...

“The Virgin Suicides” Dying In The Age Of Suicide

Posted by Yana Meerzon | 6th Jan 2018 | Adaptation, Germany, Review

A Production of the Munich Kammerspiele winner of XIV Europe Prize Theatrical Realities, 2017...

A Stunning, Though Questionable, “Turandot” At Chicago’s Lyric Opera

Posted by Kristin Tomecek | 6th Jan 2018 | Chicago, Review, Theatre and Opera, United States of America

Giacomo Puccini’s final and unfinished opera, the exotic fantasy Turandot, gets the Lyric Opera...

Lucy Kirkwood’s “The Children” – The Environmental Disaster and Ethics

Posted by Jonathan Kalb | 5th Jan 2018 | London, Playwriting, Review, United Kingdom

Annoying as it is, I have to start with a spoiler alert. That’s because what’s most interesting to...

“Roma Arnee” Doing it Right! Production Of Maxim Gorki Theater, Berlin

Posted by Yana Meerzon | 4th Jan 2018 | Directing, Germany, Israel, Review

Doing It Right! Yael Ronen, an Israeli theatre director working for the Maxim Gorki Theater in...

Monster Mashup: Mabou Mines Takes On Tennessee Williams

Posted by Jessica Rizzo | 3rd Jan 2018 | New York, Playwriting, Review, Theatre and Age, United States of America

The ghost of Mary Shelley keeps rudely interrupting Mabou Mines’s Glass Guignol: The Brother And...

Clowning Around: An Unconventional “Heungbo-ssi” Misses the Mark

Posted by Kim Hyang | 31st Dec 2017 | Adaptation, Musical Theatre, Review, South Korea, Theatre and Opera

Audiences laughed throughout Ko Sun-woong’s new work Heungbo-ssi (written and directed by Ko...

“La armonía del silencio” By Lola Blasco. When Little Red Riding Hood Set Fire To The Forest Of Memories

Posted by EfeJota Suárez | 30th Dec 2017 | Review, Spain

Silence. From the Latin “silentium”. The RAE (The Royal Spanish Academy) defines it as...

“A Special Day” by Ettore Scola-Pure Theatrical Plot

Posted by Lorena Meeser | 30th Dec 2017 | Adaptation, Italy, Mexico, Review, Theatre and Politics

A Special Day is based on the 1977 film Una Giornata Particolare by Ettore Scola, starring Sophia...

“No 43-Filth” Trapped In Our Useless And Muddy Reality Of Being?

Posted by Yana Meerzon | 29th Dec 2017 | Estonia, Review, Theatre and Politics

A production from Tallin, Estonia: the winner of XIV Europe Prize Theatrical Realities, 2017. The...

“FCUK’D” at The Bunker Theatre

Posted by Aleks Sierz | 29th Dec 2017 | London, Review, United Kingdom

Is Britain’s welfare system unfit for purpose? Well, all the news channels seem to suggest that...

A Mountain of One’s Own: “Taking the High Ground” by Jan Bolwell

Posted by David O'Donnell | 29th Dec 2017 | LGBTQ+ Theatre, New Zealand, Review, Theatre and Gender

Since Sir Edmund Hillary and Tenzing Norgay became the first to climb Mount Everest in May 1953,...

“Nie Mów Nikomu” (Do Not Tell Anyone) – Performing Sign Language

Posted by Jacob Juntunen and Dagmara Krzyżaniak | 28th Dec 2017 | Poland, Review, Theatre and Disability, Theatre and Politics

“Freedom, Equality, Theatre” The motto of Scena Robocza (Working Scene) is, “Freedom, Equality,...

“Lucy McCormick: Triple Threat” at Soho Theatre – Mad Genius at Work

Posted by Duška Radosavljević | 27th Dec 2017 | Review, Theatre and Gender, United Kingdom

There are some shows that can simply never be made by men. I don’t mean in the sense of subject...

M	T	W	T	F	S	S
		1	2	3	4	5
6	7	8	9	10	11	12
13	14	15	16	17	18	19
20	21	22	23	24	25	26
27	28	29	30

Review

Theatre Play “Surrender” Sheds Light On New Egyptian Talents Ready To Enter Acting Scene

“Akhmatova. Poem Without A Hero”- Akhmatova for a New Generation At Moscow’s Gogol Center

Tom Rachman’s “Basket Of Deplorables”

A Year Filled With Standing Ovations

“Daisy Pulls It Off” at The Park Theatre

“Tosca” at The Theatre Comunale di Bologna

Subjects For Some Short Stories: Acting Character In Postdramatic Chekhov

“The Virgin Suicides” Dying In The Age Of Suicide

A Stunning, Though Questionable, “Turandot” At Chicago’s Lyric Opera

Lucy Kirkwood’s “The Children” – The Environmental Disaster and Ethics

“Roma Arnee” Doing it Right! Production Of Maxim Gorki Theater, Berlin

Monster Mashup: Mabou Mines Takes On Tennessee Williams

Clowning Around: An Unconventional “Heungbo-ssi” Misses the Mark

“La armonía del silencio” By Lola Blasco. When Little Red Riding Hood Set Fire To The Forest Of Memories

“A Special Day” by Ettore Scola-Pure Theatrical Plot

“No 43-Filth” Trapped In Our Useless And Muddy Reality Of Being?

A Mountain of One’s Own: “Taking the High Ground” by Jan Bolwell

“Nie Mów Nikomu” (Do Not Tell Anyone) – Performing Sign Language

“Lucy McCormick: Triple Threat” at Soho Theatre – Mad Genius at Work

Like Us On Facebook

Most Popular Posts

Recent Posts

SEARCH OUR ARCHIVES

Pin It on Pinterest