“Miruga Vidhushagam:” Contemporary Theme And Haunting Idioms
S. Murugabhoopathy’s Miruga Vidhushagam is a comment on civil society that stands mute spectators...
Read MorePosted by T. Saravanan | 27th Jan 2018 | India, Review, Theatre and Politics
S. Murugabhoopathy’s Miruga Vidhushagam is a comment on civil society that stands mute spectators...
Read MorePosted by Diane de Beer | 26th Jan 2018 | Review, South Africa, Theatre and Politics
It’s the perfect storm when the playwright, director, and actor all come together this sweetly as...
Read MorePosted by Kee-Yoon Nahm | 26th Jan 2018 | Review, South Korea, Theatre and Politics
This is Part 2 of a two-part article. Read Part 1 here. From Caregiver to Citizen The Nurses, Who...
Read MorePosted by The Theatre Times | 25th Jan 2018 | Festivals, New York, Prototype 2018, Review, Theatre and Opera, Theatre and Politics, United States of America
As the theatre world pushes boundaries and redefines genres, it has become exceedingly rare to...
Read MorePosted by Aleks Sierz | 25th Jan 2018 | London, Review, United Kingdom
The marvelous is a dangerous place. Especially in memory. Today I still remember seeing the first...
Read MorePosted by Asen Terziev | 24th Jan 2018 | Bulgaria, Review
Delhi Dance by Ivan Vyrypaev; directed by Galin Stoev; set design by Nikola Toromanov; costumes by...
Read MorePosted by Lola Proaño Gomez | 23rd Jan 2018 | Argentina, LGBTQ+ Theatre, Review
The desired body vis a vis tradition, and institutional normative sedimentation. ...
Read MorePosted by Jonas McLean | 23rd Jan 2018 | Canada, Review, Theatre and Opera
Jonas McLean reviews Mr. Shi and His Lover, Wong Teng Chi and Njo Kong Kie’s contemporary Mandarin...
Read MorePosted by Davide Cioffrese | 22nd Jan 2018 | Adaptation, Italy, Review
American Buffalo is the story of a failure. A foretold, almost desired conclusion, an inescapable...
Read MorePosted by Patrick Langston | 22nd Jan 2018 | Canada, Musical Theatre, Review, Theatre and Opera
A word of advice: If you’re going to see this superlative chamber musical, take the time to read...
Read MorePosted by Sandra D'urso | 21st Jan 2018 | Adaptation, Australia, Melbourne, Review
The National Theatre’s production of The Curious Incident Of The Dog In The Night-Time, currently...
Read MorePosted by Kee-Yoon Nahm | 20th Jan 2018 | Review, South Korea, Theatre and Politics
The word dongpo, a term that refers affectionately to the sizable Korean immigrant community...
Read MorePosted by Nobuko Tanaka | 20th Jan 2018 | France, Japan, Review, Theatre and Dance
Is the French choreographer Jerome Bel a trailblazer or an enfant terrible of the contemporary...
Read MorePosted by Wes Drummond | 17th Jan 2018 | Chicago, Review, Theatre and Politics
“Democracy is messy.” As we sit in our seats waiting for the show to begin we fix our gaze on a...
Read MorePosted by Vikram Phukan | 16th Jan 2018 | Dramaturgy, Review
A man in all-black production attire shoots an audience with a camcorder in an almost...
Read MorePosted by Vikram Phukan | 16th Jan 2018 | India, Review, Theatre and Gender
This week marks five years since the nationwide Nirbhaya protests sparked off in the country, with...
Read MorePosted by Iris Winston | 13th Jan 2018 | Canada, Directing, Review
Social responsibility and time, two of J.B. Priestley’s major preoccupations, are at the center...
Read MorePosted by Kee-Yoon Nahm | 13th Jan 2018 | Review, South Korea, Theatre and Art, Transmedia
In 2007, visual artist Jewyo Rhii and curator Hyunjin Kim held an unusual exhibition titled Ten...
Read MorePosted by Sarah O'Connell | 11th Jan 2018 | Las Vegas, Review, United States of America
What happens in Vegas theatre is too unique to let the story of it stay there anymore. There is...
Read MorePosted by Aleks Sierz | 11th Jan 2018 | Immersive Theatre, London, Review, Theatre and Politics, United Kingdom
Refugees, it is said, have no nationality—they are all individuals. This new docu-drama, The...
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