Review Archives - Page 119 of 144

The Pointed Irreverence Of Konstantin Bogomolov’s “An Ideal Husband: Comedy”

Posted by Chip Crane | 10th Jan 2018 | LGBTQ+ Theatre, Review, Russia, Russian Theatre - Featured

June 12 is Russia Day, a day of patriotic celebration that is the rough equivalent of America’s...

Showstoppers That Ran The Show: Top 14 Stage Performances Of 2017 in India

Posted by Vikram Phukan | 10th Jan 2018 | India, Review

As the year draws to an end, Vikram Phukan lists 14 of his favorite performances from the stage....

Far From Being In Crisis, 2017 Was A Great Year For Australian Musical Theatre

Posted by Trevor Jones | 10th Jan 2018 | Australia, Musical Theatre, Review

In June this year, the annual Helpmann Award Nominations sparked concern that original Australian...

Theatre Play “Surrender” Sheds Light On New Egyptian Talents Ready To Enter Acting Scene

Posted by Ossama Lotfy Fateem | 9th Jan 2018 | Acting, Egypt, Review

Staged by the Actor’s Studio, an initiative housed by the Creativity Centre, Surrender is a...

“Akhmatova. Poem Without A Hero”- Akhmatova for a New Generation At Moscow’s Gogol Center

Posted by Molly T. Blasing | 9th Jan 2018 | Playwriting, Review, Russia, Russian Theatre - Featured, Theatre and Politics

Akhmatova. Poema Bez Geroia (Akhmatova. Poem Without A Hero) has been nominated for a 2017 Golden...

Tom Rachman’s “Basket Of Deplorables”

Posted by Rajka Stefanovska | 8th Jan 2018 | Adaptation, Books, Review, United States of America

Basket Of Deplorables By Tom Rachman at Gladstone Theatre. If the definition of satire is: “the...

A Year Filled With Standing Ovations

Posted by Nobuko Tanaka | 7th Jan 2018 | Japan, Review

While 2017 featured many great stage productions and performances, these were among the standouts:...

“Daisy Pulls It Off” at The Park Theatre

Posted by Aleks Sierz | 7th Jan 2018 | London, Review, United Kingdom

History is a good place to talk about our contemporary concerns. And British theatre loves plays...

“Tosca” at The Theatre Comunale di Bologna

Posted by Massimo Malavasi | 7th Jan 2018 | Italy, Review, Theatre and Opera

If you perform Puccini, and Tosca even more, you’re sure of success. The Theatre Comunale di...

Subjects For Some Short Stories: Acting Character In Postdramatic Chekhov

Posted by Michael Breslin | 6th Jan 2018 | LGBTQ+ Theatre, New York, Review, Russia, Russian Theatre Abroad, Theatre and Gender, United States of America

Twenty years after the Wooster Group’s seminal Three Sisters-inspired Brace Up!, contemporary New...

“The Virgin Suicides” Dying In The Age Of Suicide

Posted by Yana Meerzon | 6th Jan 2018 | Adaptation, Germany, Review

A Production of the Munich Kammerspiele winner of XIV Europe Prize Theatrical Realities, 2017...

A Stunning, Though Questionable, “Turandot” At Chicago’s Lyric Opera

Posted by Kristin Tomecek | 6th Jan 2018 | Chicago, Review, Theatre and Opera, United States of America

Giacomo Puccini’s final and unfinished opera, the exotic fantasy Turandot, gets the Lyric Opera...

Lucy Kirkwood’s “The Children” – The Environmental Disaster and Ethics

Posted by Jonathan Kalb | 5th Jan 2018 | London, Playwriting, Review, United Kingdom

Annoying as it is, I have to start with a spoiler alert. That’s because what’s most interesting to...

“Roma Arnee” Doing it Right! Production Of Maxim Gorki Theater, Berlin

Posted by Yana Meerzon | 4th Jan 2018 | Directing, Germany, Israel, Review

Doing It Right! Yael Ronen, an Israeli theatre director working for the Maxim Gorki Theater in...

Monster Mashup: Mabou Mines Takes On Tennessee Williams

Posted by Jessica Rizzo | 3rd Jan 2018 | New York, Playwriting, Review, Theatre and Age, United States of America

The ghost of Mary Shelley keeps rudely interrupting Mabou Mines’s Glass Guignol: The Brother And...

Clowning Around: An Unconventional “Heungbo-ssi” Misses the Mark

Posted by Kim Hyang | 31st Dec 2017 | Adaptation, Musical Theatre, Review, South Korea, Theatre and Opera

Audiences laughed throughout Ko Sun-woong’s new work Heungbo-ssi (written and directed by Ko...

“La armonía del silencio” By Lola Blasco. When Little Red Riding Hood Set Fire To The Forest Of Memories

Posted by EfeJota Suárez | 30th Dec 2017 | Review, Spain

Silence. From the Latin “silentium”. The RAE (The Royal Spanish Academy) defines it as...

“A Special Day” by Ettore Scola-Pure Theatrical Plot

Posted by Lorena Meeser | 30th Dec 2017 | Adaptation, Italy, Mexico, Review, Theatre and Politics

A Special Day is based on the 1977 film Una Giornata Particolare by Ettore Scola, starring Sophia...

“No 43-Filth” Trapped In Our Useless And Muddy Reality Of Being?

Posted by Yana Meerzon | 29th Dec 2017 | Estonia, Review, Theatre and Politics

A production from Tallin, Estonia: the winner of XIV Europe Prize Theatrical Realities, 2017. The...

“FCUK’D” at The Bunker Theatre

Posted by Aleks Sierz | 29th Dec 2017 | London, Review, United Kingdom

Is Britain’s welfare system unfit for purpose? Well, all the news channels seem to suggest that...

Review

The Pointed Irreverence Of Konstantin Bogomolov’s “An Ideal Husband: Comedy”

Showstoppers That Ran The Show: Top 14 Stage Performances Of 2017 in India

Far From Being In Crisis, 2017 Was A Great Year For Australian Musical Theatre

Theatre Play “Surrender” Sheds Light On New Egyptian Talents Ready To Enter Acting Scene

“Akhmatova. Poem Without A Hero”- Akhmatova for a New Generation At Moscow’s Gogol Center

Tom Rachman’s “Basket Of Deplorables”

A Year Filled With Standing Ovations

“Daisy Pulls It Off” at The Park Theatre

“Tosca” at The Theatre Comunale di Bologna

Subjects For Some Short Stories: Acting Character In Postdramatic Chekhov

“The Virgin Suicides” Dying In The Age Of Suicide

A Stunning, Though Questionable, “Turandot” At Chicago’s Lyric Opera

Lucy Kirkwood’s “The Children” – The Environmental Disaster and Ethics

“Roma Arnee” Doing it Right! Production Of Maxim Gorki Theater, Berlin

Monster Mashup: Mabou Mines Takes On Tennessee Williams

Clowning Around: An Unconventional “Heungbo-ssi” Misses the Mark

“La armonía del silencio” By Lola Blasco. When Little Red Riding Hood Set Fire To The Forest Of Memories

“A Special Day” by Ettore Scola-Pure Theatrical Plot

“No 43-Filth” Trapped In Our Useless And Muddy Reality Of Being?

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