A Mountain of One’s Own: “Taking the High Ground” by Jan Bolwell
Since Sir Edmund Hillary and Tenzing Norgay became the first to climb Mount Everest in May 1953,...
Read MorePosted by David O'Donnell | 29th Dec 2017 | LGBTQ+ Theatre, New Zealand, Review, Theatre and Gender
Since Sir Edmund Hillary and Tenzing Norgay became the first to climb Mount Everest in May 1953,...
Read MorePosted by Jacob Juntunen and Dagmara Krzyżaniak | 28th Dec 2017 | Poland, Review, Theatre and Disability, Theatre and Politics
“Freedom, Equality, Theatre” The motto of Scena Robocza (Working Scene) is, “Freedom, Equality,...
Read MorePosted by Duška Radosavljević | 27th Dec 2017 | Review, Theatre and Gender, United Kingdom
There are some shows that can simply never be made by men. I don’t mean in the sense of subject...
Read MorePosted by Lauren Dubowski | 27th Dec 2017 | Design, Italy, Poland, Review, Theatre and Art
Three gramophones affixed to angular wooden boxes stood tall, almost animal-like, on wiry metal...
Read MorePosted by Aleks Sierz | 26th Dec 2017 | London, Review, Theatre and Politics, United Kingdom
George Bernard Shaw was a theatrical superman. A critical attack dog, as well as a creator of...
Read MorePosted by Mae Smith | 25th Dec 2017 | Canada, Immersive Theatre, Review
Toronto, Ontario. Mae Smith reviews DopoLavoroTeatrale (DLT)’s immersive An Italian Christmas...
Read MorePosted by Nobuko Tanaka | 25th Dec 2017 | Adaptation, Directing, Japan, Review, Transcultural Collaborations
South Korean director Yang Jung-ung’s career has spanned several continents. From his theater...
Read MorePosted by Heather Waters | 24th Dec 2017 | Acting, Directing, New York, Review, United States of America
Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...
Read MorePosted by Diwan Singh Bajeli | 24th Dec 2017 | India, Review
Reinvigorating socially-relevant theatre, M.K. Raina’s recently-staged Kafan and Kafan Chor...
Read MorePosted by Maria Pia Pagani | 23rd Dec 2017 | Festivals, Italy, Review, Romania, Theatre and Opera
Year after year, the Galati Theatre Festival commands a prestigious position for opera theatre in...
Read MorePosted by David O'Donnell | 23rd Dec 2017 | Directing, New Zealand, Review, Theatre and Gender
Merriam-Webster has recently named “feminism” as the 2017 “word of the year” and feminist issues...
Read MorePosted by Alvina Ruprecht | 21st Dec 2017 | Canada, Review, Theatre for Young Audiences
The story by Theodor Seuss Geisel (Dr. Seuss) that has made its way through various forms of...
Read MorePosted by Connor Meeker | 21st Dec 2017 | Adaptation, Canada, North America, Review
Edmonton, Alberta. Connor Meeker reviews Pawâkan Macbeth: A Cree Tragedy, a co-production between...
Read MorePosted by Aleks Sierz | 18th Dec 2017 | Review, Syria, Translation, United Kingdom
The civil war in Syria spawns image after image of hell on earth. Staging the stories of that...
Read MorePosted by Diwan Singh Bajeli | 18th Dec 2017 | Adaptation, India, Review
Kanchan Ujjal Singh’s adaptation of Amrita Pritam’s popular novel, Pinjar, does justice to the...
Read MorePosted by Mathias Daval | 16th Dec 2017 | Festivals, Israel, Review
Each year, the Hanoch Levin Institute organizes a showcase of theatre creations: International...
Read MorePosted by Margarita Vargas | 15th Dec 2017 | Adaptation, Mexico, Playwriting, Review
After a successful run at the Teatro Jorge Negrete since February 2017, Variaciones Enigmaticas is...
Read MorePosted by Clement Lee | 14th Dec 2017 | Design, Hong Kong, Netherlands, Review
In early September, around 20 participants, including I, have ended a magical month as theatre...
Read MorePosted by Annie Smith | 14th Dec 2017 | Canada, Festivals, Review, Theatre and Dance
Vancouver, British Columbia Annie Smith review’s Circadia Indigena’s Greed/REsolve, a contemporary...
Read MorePosted by Aleks Sierz | 12th Dec 2017 | Essay, London, Playwriting, Review, Theatre and Politics, United Kingdom
Friday, May 7, 2010; Brixton, south London; darkest night. Early dawn touches a Victorian terraced...
Read More
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
“No Man’s Land:” Architecture As Collective… by Ivanka Apostolova Baskar 6th July 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026 


James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025