For The Love Of The Game: “Peh LO Tah” at BAM

For The Love Of The Game: “Peh LO Tah” at BAM

Beginning with the soccer ball, Marc Bamuthi Joseph moves to the left and to the right, shifting a soccer ball around the center court.  It’s a complicated pattern, perfected over time.  The performer and his fierce team of five performers have all the moves.  Sporting teal blue and patterns, they reminisce about the good times at the arena while sporting.  It’s about the soccer, the stands, and the families who engage in the games.

Photo Credit: Rebecca Greenfield

Bamuthi describes the thrill of sports.  His sense of arena is fortified, and continued practice is more than a ritual.  Point by point, step by step, it’s a demand:

“dame la pelotah
Turn and look
Light touch the rock
knock it side of the foot
black gold of the sun
til victory is won son
futbol
always
in the
pocket
passin
pressin pessism
kids are missin dads in action
active actors in their own lives
fractured habits almost game time
Game time…”

What is so exciting about the roar of the crowd?  Hearing joyous tones has everything to do with the experience of being in the opera house at Brooklyn Academy of Music.  Peh LO Tah stretches the bounds of the linguistic variation we hear at the opera house.  So much of Peh LO Tah is spoken word, but there is also singing from the female and male members of the cast.  One of the performers is particularly skilled at beatbox; he is accompanied by light, spiritual singing.  All of the tones are practiced, and the composition is both surprising and soothing.  After a movement passage and spoken text are added, it is intricate.  With the human voice one of the most powerful instruments you can encounter, it’s great to find the breath and listen to the writer’s words.

Photo Credit: Rebecca Greenfield

It’s an emotional, visceral experience.  Reliant on one another and capable of feeling in the moment, they shuffle in time.   Images behind them echo the dance.  Set and video design by David Szlasa includes large close-ups, reminiscent of a verité style popular in the 70s and 80s.  In it, their sense of discovery has never been more profound.

The ensemble members place themselves within a larger context.  Their joy and their admiration and their incredible sense of firm peace in the world can be distinctly felt.  They don’t divide on gender lines but delve deeper into the experience of being responsible men and women, adults and as parents.  These distinctly American performers talk about the Black experience, with humble beginnings in Queens.  At this stage of their career, they’ve traveled the world, and describe their journeys in Brazil and elsewhere.

So much reflection results in a rather evolved understanding of the body.  Moments of stillness, with close-ups on the face, are contrasted with poses and dance combinations.  The most petite dancer, curvy and a bit younger than the other performers, discusses what it’s like to see the joy in her son.  She is transformed and inspired in seeing the development of his joy in the world, particularly around the soccer game.  Such words are heard, but they are truly felt by the actress and dancer on the stage.  That important family experience brought together by sports, greater define their meaning and purpose in the universe.

Photo Credit: Rebecca Greenfield

Peh LO Tah is an amazing experience for a diverse audience that transcends ethnic barriers.  If you love performance art, you would have appreciated the organic experience of breathing in the words, letting go, and listening to the sounds.

Peh LO Tah ran from October 18—October 21, 2017, during the Next Wave Festival at Brooklyn Academy of Music.

 

This post was written by the author in their personal capacity. The opinions expressed in this article are the author's own and do not reflect the view of The Theatre Times, their staff or collaborators.

About The Author

Marcina Zaccaria

editor - Theatre and Opera

Marcina Zaccaria is a writer, director, and arts administrator.  She is published in the New Crit section of Howl Round, and her clips can be found on Twitter.  She has written monologues, published in “InterJACtions:  Monologues from the Heart of Human Nature (Vol. II),” available on Amazon. She has directed readings and plays in venues that include New Dramatists, HERE Arts Center, Dixon Place, Soho Rep, Dance Theater Workshop, TheaterLab, and the Ohio Theater.  She curated a Salon at Dixon Place.  This one day event featured visual artists, spoken word artists, dancers, filmmakers, and theater artists. Marcina is a member of the League of Professional Theatre Women, and is a reader for the New York Musical Festival.  Arts administration experience includes providing support for the Executive Director/ Contemporary Programming at Lincoln Center for the Performing Arts, Inc.  She has worked in ticket sales at the Roundabout Theatre Company and Manhattan Theater Club.  She has an MFA from Columbia University.

 

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