Trevor Jones

Latest Worldwide News

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  Nick Stafford’s “War Horse” At The National Theatre

  16th Nov 2018 | Adaptation, London, Puppetry, Review, United Kingdom
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  Wit’s End: Will Eno’s “Thom Pain”

  16th Nov 2018 | New York, Review, United States of America
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  Ecce Homo: “The Great Tamer,” By Dimitris Papaioannou. Dance Umbrella Festival 2018, London, Sadler’s Wells

  15th Nov 2018 | Festivals, Greece, Review, Theatre and Dance, United Kingdom
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  “A Pupil” At Park Theatre

  15th Nov 2018 | London, Review, United Kingdom
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  Zadie Smith’s “White Teeth” at The Kiln Theatre

  14th Nov 2018 | Adaptation, London, Review, United Kingdom
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  Words On The Street: The 36th Edition Of The International Street Theatre Festival In Jelenia Góra

  14th Nov 2018 | Essay, Festivals, Poland, Theatre and Politics
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  Peking Opera At The British Library: The Triumph Of Xieyi

  13th Nov 2018 | China, London, Review, United Kingdom
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  Off The Stage And Into Your Home

  13th Nov 2018 | Applied Theatre, Festivals, India, Review
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  “Pipeline” At City Theatre (Pittsburgh, PA, USA)

  13th Nov 2018 | The Pittsburgh Tatler
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  The Druid “Godot”

  12th Nov 2018 | Festivals, Ireland, Review
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  Luke Barnes’s “All We Ever Wanted Was Everything” At The Bush Theatre

  12th Nov 2018 | London, Review, Theatre and Opera, United Kingdom
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  Dead Centre’s “Chekhov’s First Play”

  11th Nov 2018 | Adaptation, Ireland, Review
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  The Re-Invention Of Subtitling. A New Technical Approach To The International Market

  11th Nov 2018 | Essay, Romania, Theatre and Science, Translation
• 
  Telling A Thai Tale: A Dance Dramaturg’s Take

  11th Nov 2018 | Essay, Thailand, Theatre and Dance, Transcultural Collaborations, United Kingdom
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  “While I Was Waiting” Captures The Tragedy Of The Syrian Civil War In Damascus

  10th Nov 2018 | France, Review, Syria, Theatre and Politics