Letizia Fusini

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A Tragedy With A Happy Ending: “The Emperor And The Concubine” By The China National Peking Opera Company At London’s Sadler’s Wells

Posted by Letizia Fusini | 17th Nov 2018 | China, London, Review, United Kingdom

The long-term collaboration between the China National Peking Opera Company (Guojia jingju yuan)...

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Peking Opera At The British Library: The Triumph Of Xieyi

Posted by Letizia Fusini | 13th Nov 2018 | China, Chinese Theatre Abroad, London, Review, United Kingdom

As part of the China Focus Events Series, the British Library, in collaboration with Sinolink...

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Modern Man’s Predicament: Nobel Laureate Gao Xingjian As A Tragic Playwright

Posted by Letizia Fusini | 8th Jun 2018 | China, Essay, Playwriting

The place of dramatic tragedy in the twentieth century was one of extreme ambiguity and...

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Cross-cultural Encounters In World Theatre: Bertolt Brecht, The “Alienation” Effect And Chinese Drama

Posted by Letizia Fusini | 20th May 2018 | Acting, China, Essay

The German playwright and drama theorist Bertolt Brecht (1898-1956) is particularly famous for...

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Reinterpreting The Tradition: A Contemporary Retelling Of Tang Xianzu’s “The Handan Dream” By The Guangzhou Dramatic Arts Centre

Posted by Letizia Fusini | 14th Feb 2018 | Adaptation, China, Review, Theatre and Opera

Conceived in 2016 in Guangzhou and previously performed in Beijing and St. Petersburg, the...

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“A River All Red” And “The Phoenix Returns Home” By The China National Peking Opera Company At London’s Sadler’s Wells

Posted by Letizia Fusini | 5th Nov 2017 | China, Chinese Theatre Abroad, London, Review, Theatre and Opera, United Kingdom

Founded in 1955 by the renowned Chinese theatre star Mei Lanfang, the China National Peking Opera...

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