Lucy McCormick’s “Triple Threat” Is The Nativity Reimagined, With LGBT Club Culture, Vibrators, And Lady Gaga
Most of us have begrudgingly sat through a nativity play; feigned interest as a nephew plays...
Read MorePosted by Michael Segalov | 23rd May 2017 | LGBTQ+ Theatre, London, Review, United Kingdom
Most of us have begrudgingly sat through a nativity play; feigned interest as a nephew plays...
Read MorePosted by Jessica Barrett | 23rd May 2017 | London, Review, Theatre and Dance, United Kingdom
Throughout their 22-year friendship, Mikhail Baryshnikov and Joseph Brodsky loved nothing more...
Read MorePosted by Alice Jones | 22nd May 2017 | Acting, London, Review, United Kingdom
“The question is,” says David Baddiel a short while into the second half of his one-man show about...
Read MorePosted by Andreea Scridon | 21st May 2017 | Review, Romania, Theatre and Politics
Marin Sorescu’s Jonah was originally published in 1968 and is considered the playwright’s...
Read MorePosted by Holly Williams | 20th May 2017 | LGBTQ+ Theatre, London, Review, United Kingdom
Salomé: one of the most dangerously seductive female figures ever, often considered the original...
Read MorePosted by Aleks Sierz | 20th May 2017 | Adaptation, London, Review, United Kingdom
Is God female? It says a lot about Yaël Farber’s pompous and overblown new version of this...
Read MorePosted by Jonathan Kalb | 16th May 2017 | Adaptation, New York, Review, United States of America
A Doll’s House made Henrik Ibsen a household name in 1879. It ruffled feathers throughout the...
Read MorePosted by Aleks Sierz | 16th May 2017 | Review, United Kingdom
I hate the kind of hype that sells out a new play within minutes of tickets becoming available....
Read MorePosted by Armando Rotondi | 13th May 2017 | Adaptation, Italy, Poland, Polish Theatre Abroad, Review
Teorema occupies a position of special importance in Pier Paolo Pasolini’s production, both as a...
Read MorePosted by Miroslav Ballay | 12th May 2017 | Poland, Review, Theatre and Politics
During his residential stay (May–June 2016), the Polish artist and performer Paweł Korbus (1983)...
Read MorePosted by Aleks Sierz | 7th May 2017 | London, Review, United Kingdom
Text can sometimes be a prison. At its best, postwar British theatre is a writer’s theatre, with...
Read MorePosted by Aleks Sierz | 6th May 2017 | Review, Romania, Theatre and Politics, United Kingdom
In the growing xenophobic atmosphere of Brexit it is a relief to see a show from Europe, to get a...
Read MorePosted by Jonathan Kalb | 5th May 2017 | Musical Theatre, New York, Review, Theatre for Young Audiences, United States of America
My companion at Charlie and the Chocolate Factory, the new Broadway musical adaptation of Roald...
Read MorePosted by Jessica Rizzo | 3rd May 2017 | New York, Review, United States of America
Though regarded by many as the father of American drama, Eugene O’Neill correctly diagnosed...
Read MorePosted by Aleks Sierz | 1st May 2017 | London, Review, United Kingdom
Playwright Martin Crimp’s 1993 satirical epic, The Treatment, is a fabulous work, but it’s rarely...
Read MorePosted by Aleks Sierz | 30th Apr 2017 | Review, United Kingdom
Playwright Duncan Macmillan has had a good couple of years. In 2015, his play People, Places and...
Read MorePosted by Zolima Citymag | 30th Apr 2017 | China, Hong Kong, Review, Theatre and Opera
When Amanda Li steps onto the stage in the classic Dream of the Red Chamber, she’ll do so having...
Read MorePosted by Rachel E. Diken | 29th Apr 2017 | New York, Review, United States of America
In Roundabout Theatre Company’s revival of Arthur Miller’s The Price, the first striking element...
Read MorePosted by Jessica Rizzo | 26th Apr 2017 | New York, Review, United States of America
In the closing moments of Richard Maxwell’s Samara, the audience is plunged into near-total...
Read MorePosted by Aleks Sierz | 24th Apr 2017 | Review, Theatre and Politics, United Kingdom
The idea of the plague has a powerful metaphorical aura. Antonin Artaud used it in his seminal...
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