The Holocaust, Sacrificed: Nicholas Tolkein’s “Terezin”
In taking it upon him or herself to depict the horrors of the Holocaust, the artist assumes an...
Read MorePosted by Jessica Rizzo | 30th Jun 2017 | New York, Review, United States of America
In taking it upon him or herself to depict the horrors of the Holocaust, the artist assumes an...
Read MorePosted by Irene Kukota | 27th Jun 2017 | Acting, Review, Russia
From the cultural perspective, London is an extremely privileged city: the delights it enjoys are...
Read MorePosted by Aleks Sierz | 26th Jun 2017 | LGBTQ+ Theatre, Review, United Kingdom
Ponyboy Curtis are a cult phenomenon. Chris Goode’s queer performance collective has won plaudits...
Read MorePosted by Jack Wernick | 21st Jun 2017 | New York, Review, Theatre and Disability, United States of America
Cost of Living is a vital new play from Polish-American playwright Martyna Majok. Following an...
Read MorePosted by Aleks Sierz | 20th Jun 2017 | London, Review, United Kingdom
Dorothy Parker’s take on suicide is called “Resumé”: it goes, “Razors pain you; Rivers are damp;...
Read MorePosted by Aleks Sierz | 19th Jun 2017 | London, Review, Theatre and Disability
London fringe theatre is underfunded and under-resourced, but it often produces work that is more...
Read MorePosted by Veronika Skliarova | 16th Jun 2017 | Review, Theatre and Gender, Ukraine
Theater Vinora shows Women’s Voices, performance with elements of storytelling, based on...
Read MorePosted by Zolima Citymag | 13th Jun 2017 | China, Hong Kong, Review, Theatre and Opera
Anyone familiar with Chinese opera would recognise the role Kelvin Ng Kwok-wa is playing next....
Read MorePosted by Aleks Sierz | 12th Jun 2017 | London, Review, United Kingdom
History is a tricky harlot. She is bought and sold, fought for and thrown over, seduced and...
Read MorePosted by Anna Prosvetova | 10th Jun 2017 | London, Review, Russia, United Kingdom
This new tour of the Sovremennik Theatre in London also meant the premiere of Erich Maria...
Read MorePosted by Aida Rocci | 9th Jun 2017 | London, Review, United Kingdom
In “Romeo and Juliet” directed by Daniel Kramer, love, desire and violence are layered on top of each other, and with bold visuals and a daring interpretation, the classic releases its full power to examine violence and what can save us from it.
Read MorePosted by Aleks Sierz | 5th Jun 2017 | Review, Theatre and Politics, United Kingdom
In this general election, the intergenerational conflict between youth and old age is never far...
Read MorePosted by Christine Deitner | 2nd Jun 2017 | Immersive Theatre, Los Angeles, Review, Theatre and Opera, United States of America
Simply put, anyone who attended The 14th Factory’s afternoon of Interrupted on May 14th, an...
Read MorePosted by Jack Wernick | 2nd Jun 2017 | New York, Review, Theatre and Politics, United States of America
From the dimming lights at the top of the play to their final fade 90 minutes later, Building The...
Read MorePosted by Aida Rocci | 1st Jun 2017 | Immersive Theatre, London, Review, United Kingdom
“Drink me” or “Eat me.” Like Neo, in The Matrix, you are presented with a simple dichotomy that...
Read MorePosted by Aleks Sierz | 30th May 2017 | Adaptation, Review, United States of America
This is phenomenal. And pretty wild. Branden Jacobs-Jenkins’s An Octoroon at the Orange Tree...
Read MorePosted by Alice Jones | 29th May 2017 | London, Review, Theatre and Politics, United Kingdom
Paul Mason has been expanding his portfolio of late. The former economics editor of Channel 4 News...
Read MorePosted by Aleks Sierz | 27th May 2017 | Adaptation, London, Review, United Kingdom
Welcome back, John Boyega. Less than a decade ago, he was an unknown budding British stage actor,...
Read MorePosted by Jiayi Wei | 25th May 2017 | China, Review, Transcultural Collaborations
An American Director and His Chinese Actors Tackle Contemporary German Theatre in Shanghai
Read MorePosted by Michael Segalov | 23rd May 2017 | LGBTQ+ Theatre, London, Review, United Kingdom
Most of us have begrudgingly sat through a nativity play; feigned interest as a nephew plays...
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