Capital Critics' Circle

author

Playwright Tara Beagan Wins 2020 Siminovitch Prize In Theatre

Posted by Capital Critics' Circle | 23rd Feb 2021 | Canada, Playwriting

November 26, 2020 – OTTAWA (Canada) – Ntlaka’pamux playwright Tara Beagan has been named the 2020...

Read More

“Up To Low” Has Universal Appeal!

Posted by Capital Critics' Circle | 31st May 2018 | Adaptation, Canada, Review

For Ottawa-area audiences, part of the charm of the theatrical adaptation of Up To Low, by Ottawa...

Read More

Trey Anthony’s “How Black Mothers Say I Love You”

Posted by Capital Critics' Circle | 7th Mar 2018 | Canada, News

Trey Anthony, the acclaimed playwright of the smash hit Da Kink In My Hair, brings her newest work...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
The Precipitation Of Performance: Braddy And Burns… by Paul Shields 6th June 2026
In “The Aquarium” Nina Plavanjac Turns Family Memory… by Emiliia Dementsova 12th May 2026
“Today, Krleža Would Go Straight For The… by Ivanka Apostolova Baskar 5th June 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026
Historical Memory On the Stage: Juan Mayorga’s… by Maria Delgado 11th June 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Romeo Castellucci “Believing In Masks” At Milan’s… by Margaret Rose 13th March 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
“Translators As The Most Attentive And… by Ivanka Apostolova Baskar 26th June 2026

Recent Posts

A Celebration Of Bremen Past And Present: “Schnoor-Geschichten Mit Heini Holtenbeen – Bremen In 90 Minuten” At The Packhaustheater Bremen 6th July 2026
“No Man’s Land:” Architecture As Collective Enactment – From Scenography Toward Activated Space 6th July 2026
A Magical “Tempest” In Stratford-Upon-Avon 26th June 2026
Venice Theatre Biennale 2026 – “Memorandum” 26th June 2026
Venice Theatre Biennale 2026 – A Japanese “Othello” 26th June 2026
Performing Between Six Languages: An Interview With Anissa Naji 26th June 2026
“Translators As The Most Attentive And Analytical Readers: Knowing Every Corner, Strength, And Weakness Of A Text” 26th June 2026
Oldenburg’s Production Of “Mephisto” Continues And Expands The Important Debate Of The Artistic Response To Adverse Political Circumstances 25th June 2026
Venice Theatre Biennale 2026 – Mario Banushi’s “Romance Familiare” 24th June 2026
Shell…Shocked? 23rd June 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest