Sangeet Natak: Live and Kicking
Nehru Center’s Mahotsav is one of many efforts that continues to keep traditional...
Read MorePosted by Vikram Phukan | 12th Aug 2019 | Festivals, India, News
Nehru Center’s Mahotsav is one of many efforts that continues to keep traditional...
Read MorePosted by Kirsten McCleary | 11th Aug 2019 | Argentina, Essay, Theatre and Politics
The cliché phrase that Buenos Aires was the Paris of South America exemplifies the exaggerated...
Read MorePosted by Iga Szczodrowska | 11th Aug 2019 | Festivals, London, Poland, Polish Theatre Abroad, Review
The Shakespeare and Poland Festival at the Globe – a two-week exploration of the relationship...
Read MorePosted by Yana Meerzon | 11th Aug 2019 | Avignon 2019, Festivals, France, Review, Theatre and Dance, United Kingdom
Outwitting the Devil, Akram Khan’s latest work, truly stood out within the line up of very...
Read MorePosted by Yana Meerzon | 10th Aug 2019 | Avignon 2019, Festivals, France, Review, Theatre and Politics
Mahmoud & Nini is an unusual show –not only it does not look like your typical proscenium...
Read MorePosted by Samuel Ravengai | 10th Aug 2019 | News, Playwriting, Zambia, Zimbabwe
Stephen Chifunyise’s death At about 1830hrs on Monday, 5 August 2019, Stephen Joel Chifunyise...
Read MorePosted by Lungile Sojini | 9th Aug 2019 | Festivals, News, South Africa
The National Arts Festival, the largest Arts festival in Africa opened on 27th June running for...
Read MorePosted by Yana Meerzon | 8th Aug 2019 | Avignon 2019, Festivals, France, Review, Russia, Theatre and Politics
Provocation – artistic, political, personal – is the signature style of the Russian theatre...
Read MorePosted by Lungile Sojini | 7th Aug 2019 | Adaptation, Review, South Africa
It’s natural to see apes living in the wild and climbing trees and other things. Unfathomable,...
Read MorePosted by Vikram Phukan | 7th Aug 2019 | India, News, Producing
One of India’s emergent theatre-makers, and also a young veteran when it comes to acting legs, the...
Read MorePosted by Meron Langsner | 6th Aug 2019 | Essay, New York, Stage Combat, United States of America
Let’s Talk About Day Jobs. Let’s not just talk about day jobs. Let’s talk about...
Read MorePosted by Yana Meerzon | 6th Aug 2019 | Avignon 2019, Festivals, France, Review, United Kingdom
Le reste vous le connaissez par le cinéma written by Martin Crimp, translated by Philippe Djian...
Read MorePosted by Vikram Phukan | 5th Aug 2019 | India, LGBTQ+ Theatre, Review
Hidden within the body of work playwright Mahesh Dattani is usually cited for, is an underrated...
Read MorePosted by Akhila Krishnamurthy Krishnamurthy | 5th Aug 2019 | Festivals, India, Review
Under the umbrella of The Hindu Theatre Fest that has become synonymous with August in Chennai, a...
Read MorePosted by Henrik Eger | 4th Aug 2019 | Czech Republic, Documentary Theatre, Dramaturgy, Interview, News, Russia
Cooper Robb, an immensely knowledgeable and prolific American theater critic, who recently passed...
Read MorePosted by Yana Meerzon | 4th Aug 2019 | Avignon 2019, Festivals, France, Review
Let me tell you a secret- I love the old good comedy, its extensive gestures, inappropriate jokes,...
Read MorePosted by Kaggwa Andrew Mayiga | 3rd Aug 2019 | Review, Transmedia, Uganda
Silent Voices Uganda has for many years now outdone themselves while producing theatre. From a set...
Read MorePosted by Rathsaran Sireekan | 2nd Aug 2019 | Adaptation, Belgium, Essay, Review, Theatre and Dance, Theatre and Politics
Engaging choreography in a green discourse Anyone associating ‘De Keersmaeker’ and P.A.R.T.S....
Read MorePosted by Nobuko Tanaka | 1st Aug 2019 | Adaptation, Directing, Japan, News, Thailand, Transcultural Collaborations
Never at risk of being run of the mill, Chelfitsch — which took its name from a baby’s...
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