Avignon 2019 Archives - The Theatre Times

Glasses That Translate. How Is This Possible?

Posted by Philippa Wehle | 26th Sep 2019 | Avignon 2019, Festivals, France, News

Writing about non verbal communication in his book Beaux Gestes; A Guide to French Body Talk, the...

Avignon 2019 – “Outwitting the Devil”: A Mesmerizing Dance and an Hypnotic Experience Created by Akram Khan

Posted by Yana Meerzon | 11th Aug 2019 | Avignon 2019, Festivals, France, Review, Theatre and Dance, United Kingdom

Outwitting the Devil, Akram Khan’s latest work, truly stood out within the line up of very...

Avignon 2019: Seeking the Other – Staging the Paroxysms of Orientalism

Posted by Yana Meerzon | 10th Aug 2019 | Avignon 2019, Festivals, France, Review, Theatre and Politics

Mahmoud & Nini is an unusual show –not only it does not look like your typical proscenium...

Avignon 2019: “Outside” – Between Testimony and Political Provocation

Posted by Yana Meerzon | 8th Aug 2019 | Avignon 2019, Festivals, France, Review, Russia, Theatre and Politics

Provocation – artistic, political, personal – is the signature style of the Russian theatre...

Avignon 2019: “The Rest Will Be Familiar to You from Cinema” as Told by the Chorus from the Banlieu

Posted by Yana Meerzon | 6th Aug 2019 | Avignon 2019, Festivals, France, Review, United Kingdom

Le reste vous le connaissez par le cinéma written by Martin Crimp, translated by Philippe Djian...

Avignon 2019: Irène Bonnaud’s Amité and The Lessons in Juicy Comedy, Delicious Acting and Humanity of Being

Posted by Yana Meerzon | 4th Aug 2019 | Avignon 2019, Festivals, France, Review

Let me tell you a secret- I love the old good comedy, its extensive gestures, inappropriate jokes,...

Avignon Festival 2019: “L’Amour Vainqueur”

Posted by Yana Meerzon | 31st Jul 2019 | Avignon 2019, Festivals, France, Review, Theatre for Young Audiences

What a delight, a relief and a sheer pleasure to sit through Olivier Py’s operetta for children...

Avignon 2019: Imagining Two Plays That Embody the Ghosts of Europe. “Dévotion” and “Nous l’Europe”

Posted by Yana Meerzon | 29th Jul 2019 | Avignon 2019, Festivals, France, Review, Theatre and Politics

Moving along with the themes of history, memory and forgetting – the focus of Paul Ricœur’s famous...

Avignon 2019: “Architecture” – Between History and Philosophy

Posted by Yana Meerzon | 25th Jul 2019 | Avignon 2019, Festivals, France, Review

Walter Benjamin once said that storytelling is a form of “artisan communication”, a...

Avignon 2019: Staging the Impossible. On Exile, Community and Hope in Christiane Jatahy’s “Le Présent Qui Déborde – Notre Odyssée II”

Posted by Yana Meerzon | 23rd Jul 2019 | Avignon 2019, Brazil, France, Review, Transcultural Collaborations

Exile, migration, refugee crisis, loss of home and family, and death are among many realities and...

Avignon 2019: In Search Of Multiple Selves: “Multiple-S” By Salia Sanou And “Oskara” By Kukai Dantza

Posted by Yana Meerzon | 21st Jul 2019 | Avignon 2019, Burkina Faso, Devised Theatre, Festivals, France, Review

The focus of this review is inspired by the title and the theme of Salia Sanou’s multidisciplinary...

Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine]

Posted by Yana Meerzon | 20th Jul 2019 | Avignon 2019, Festivals, France, Review, Theatre and Politics

Following the themes of the Avignon 2019, Alexandra Badea’s Points de non-retour [Quais de...

Avignon 2019: Reading the Open Ending of “Sous D’autres Cieux” (“Under Different Skies”)

Posted by Yana Meerzon | 18th Jul 2019 | Avignon 2019, Festivals, France, Review

An imaginative, dynamic, and visually striking production Sus d’autres cieux continues the...

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Avignon 2019

Glasses That Translate. How Is This Possible?

Avignon 2019 – “Outwitting the Devil”: A Mesmerizing Dance and an Hypnotic Experience Created by Akram Khan

Avignon 2019: Seeking the Other – Staging the Paroxysms of Orientalism

Avignon 2019: “Outside” – Between Testimony and Political Provocation

Avignon 2019: “The Rest Will Be Familiar to You from Cinema” as Told by the Chorus from the Banlieu

Avignon 2019: Irène Bonnaud’s Amité and The Lessons in Juicy Comedy, Delicious Acting and Humanity of Being

Avignon Festival 2019: “L’Amour Vainqueur”

Avignon 2019: Imagining Two Plays That Embody the Ghosts of Europe. “Dévotion” and “Nous l’Europe”

Avignon 2019: “Architecture” – Between History and Philosophy

Avignon 2019: Staging the Impossible. On Exile, Community and Hope in Christiane Jatahy’s “Le Présent Qui Déborde – Notre Odyssée II”

Avignon 2019: In Search Of Multiple Selves: “Multiple-S” By Salia Sanou And “Oskara” By Kukai Dantza

Avignon 2019: Seeking Truth: On History, Memory and Fiction in Alexandra Badea’s Points de Non-Retour [Quais de Seine]

Avignon 2019: Reading the Open Ending of “Sous D’autres Cieux” (“Under Different Skies”)

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