2019 Kenya International Theatre Festival Call For Applications
The call opens on 1st May, 2019, and closes on 31st July, 2019
Read MorePosted by Alexander Nderitu | 20th Aug 2019 | Festivals, Kenya, News
The call opens on 1st May, 2019, and closes on 31st July, 2019
Read MorePosted by Henrik Eger | 19th Aug 2019 | Philadelphia, Transcultural Collaborations, United Kingdom, United States of America
Most theater productions will never become available again, no matter how great the quality,...
Read MorePosted by Nicole Birmann Bloom | 19th Aug 2019 | Festivals, France, Interview, Puppetry
In August and September, the street theater collective Plasticiens Volants (PV) return...
Read MorePosted by Vikram Phukan | 19th Aug 2019 | India, Review, Theatre and Gender
A woman peering in at the margins of a black hole waiting to be engulfed by its utter nothingness...
Read MorePosted by Duška Radosavljević | 18th Aug 2019 | Dramaturgy, Edinburgh 2019, Essay, Scotland, United Kingdom
The official stats have it that in its 73rd year of existence, the Edinburgh Fringe Festival 2019...
Read MorePosted by Aleks Sierz | 18th Aug 2019 | London, Review, United Kingdom
Post-Traumatic Stress Disorder (PTSD) is sometimes referred to as a silent illness. Typically, it...
Read MorePosted by Ivanka Apostolova Baskar | 17th Aug 2019 | Directing, Hungary, Interview, Macedonia, Transcultural Collaborations
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
Read MorePosted by Alvina Ruprecht | 17th Aug 2019 | Adaptation, Canada, Review, Spain
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
Read MorePosted by Duška Radosavljević | 16th Aug 2019 | Edinburgh 2019, Festivals, Review, Theatre for Young Audiences, United Kingdom
Shooting to stardom with their 2007 Edinburgh Fringe debut Between the Devil and the Deep Blue...
Read MorePosted by James Montaño | 16th Aug 2019 | Review, Theatre and Politics, United States of America
For many who live in the US border states, the peril of crossing the US-Mexico border is a tale as...
Read MorePosted by Duška Radosavljević | 16th Aug 2019 | Belgium, Edinburgh 2019, Festivals, Immersive Theatre, Review, United Kingdom
Since their first understated but instantly successful visit to Edinburgh in 2008 with their...
Read MorePosted by Síofra Ní Shluaghadháin | 15th Aug 2019 | Ireland, New Zealand, Review
Irish theatre company Restless Ecstasy’s production of New Zealand modern classic Skin Tight retains its tension in Dublin showing.
Read MorePosted by Elizabeth Kerr | 15th Aug 2019 | Acting, Essay, Hong Kong
It’s a grey April evening in northern Italy, near the Slovenian border, when Hong Kong actor...
Read MorePosted by Christine Deitner | 15th Aug 2019 | Los Angeles, Review, United States of America
“Yes, my hometown is so dear to me that I would rather ruin it than see it flourishing upon a...
Read MorePosted by Meron Langsner | 14th Aug 2019 | Books, Dramaturgy, Stage Combat
I have written elsewhere on recommended reading for early-career fight directors, and I would like...
Read MorePosted by Augusta Motta | 13th Aug 2019 | Acting, Brazil, News, Theatre and Politics, United States of America
Evoé Collective was born a year ago founded by four Brazilian actresses based in NYC. Bárbara...
Read MorePosted by Vikram Phukan | 13th Aug 2019 | India, News
This week’s Girish Karnad tribute at Veda Factory — Hayavadana, reimagined by eight young...
Read MorePosted by Wendy Arons | 13th Aug 2019 | The Pittsburgh Tatler
Does the name Violeta Parra ring a bell? If it does, it’s likely because of Joan Baez’s cover of...
Read MorePosted by Wendy Arons | 13th Aug 2019 | The Pittsburgh Tatler
Stephen Belber’s new play We Are Among Us pries open the lid on what one of its characters...
Read MorePosted by Ismail Mahomed | 12th Aug 2019 | Festivals, News, South Africa, Theatre and Politics
Ismail Mahomed, CEO of the Market Theatre Foundation, visited the National Arts Festival in...
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