March 2019 - Page 3 of 6 - The Theatre Times

“For The Love Of , Or, The Roller Derby Play”: Block Party 2019 Off To A Strong Start At The Kirk Douglas

Posted by Christine Deitner | 19th Mar 2019 | Los Angeles, Review, United States of America

It is Block Party time again at the Center Theatre Group’s Kirk Douglas Theatre in Culver...

Interview With Debbie Devine: The Missionary Of Arts Education

Posted by Rebecca Flores | 19th Mar 2019 | Education, Interview, Theatre for Young Audiences, United States of America

Debbie Devine is an award-winning theatre director, teacher, and renowned leader in Theater Arts...

Revolution Is A Necessary Cause, But Impossible Today: Interview with Director Kokan Mladenović

Posted by Zsófi Szerda | 19th Mar 2019 | Interview, Macedonia, Theatre and Politics

Kokan Mladenović’s name is well known both within and outside the theatre: he is the director who...

Stéphanie Turple’s “Un-Countried”: How Regimes And Mindsets Change

Posted by Alvina Ruprecht | 18th Mar 2019 | Acting, Canada, Review, Theatre and Politics

Un-Countried, written by Stéphanie Turple, and directed by Kevin Orr shows what happens when a...

A Hong Kong Take On An American Classic: In Conversation With Tim Yip And Septime Webre

Posted by Zolima Citymag | 18th Mar 2019 | China, Design, Hong Kong, Theatre and Dance

This article is brought to you by The Hong Kong Ballet Half-way through his second season as Hong...

“Skinnamarink” at Next Door at NYTW

Posted by Jack Wernick | 18th Mar 2019 | Devised Theatre, New York, Review, Theatre and Politics, United States of America

Skinnamarink is a deliriously diverting new production by Little Lord, a performance ensemble that...

Christina Ham Talks The Blues And Black Women With Dominic-Madori Davis

Posted by Dominic-Madori Davis | 17th Mar 2019 | Interview, Playwriting, United States of America

Strange Fruit They were pronounced dead on the scene. Sunday morning, September 15th, 1968,...

Ravi Jain’s “Prince Hamlet” Breathes New Life Into The Bard

Posted by Patrick Langston | 17th Mar 2019 | Acting, Canada, Review, Theatre and Gender

Just when you thought no one could possibly find a fresh interpretation of Hamlet, along come...

The Presence Of Others In A World Without Boundaries: An Interview With teamLab

Posted by Krisztina Rosner | 17th Mar 2019 | Interview, Japan, Participatory Theatre, Transmedia

teamLab, founded by Toshiyuki Inoko and several of his friends in 2001, is an art collective, an...

Yngvild Aspeli’s “Ashes”: Puppets That Haunt And Kindle

Posted by Abigail Weil | 17th Mar 2019 | France, Norway, Puppetry, Review, Transcultural Collaborations, United States of America

When does desire give way to fixation, compulsion, addiction? In Yngvild Aspeli’s exquisite show...

Ödön von Horváth’s “Tales From Vienna Woods,” Directed by Yana Ross

Posted by Bryce Lease | 17th Mar 2019 | Lithuania, Review, Theatre and Politics

Directed by Yana Ross. Lithuanian State Youth Theatre, Vilnius, Lithuania. March 4, 2019. Tales...

We Complement One Another: Gabriela Carrizo, a Founding Member of Peeping Tom

Posted by Panni Néder | 17th Mar 2019 | Belgium, Hungary, Interview

An interview with Gabriela Carrizo, a founding member of Peeping Tom After ten years we had the...

Theatre Of The Real And Embracing The Politics Of The Current Moment: Heidi Schreck’s “What The Constitution Means To Me”

Posted by Lucas Kernan | 16th Mar 2019 | Essay, New York, United States of America

“Man can change the world with bayonet and with science, but only art can renew it, in play, in...

Harold Pinter’s “Betrayal” At The Harold Pinter Theatre: Brilliant Minimalism

Posted by Aleks Sierz | 16th Mar 2019 | London, Review, United Kingdom

Tom Hiddleston. What can I say? His career has sprinkled handfuls of stardust from the beginning:...

Juan Mayorga’s “Intensely Blue”: Spain’s Premier Dramatist Seeing The World Anew

Posted by Maria Delgado | 16th Mar 2019 | Review, Spain

Juan Mayorga has been keeping busy. He was recently elected to the Royal Spanish Academy—the...

Great Ape: “Chimpanzee” at HERE Arts Center

Posted by Abigail Weil | 15th Mar 2019 | New York, Puppetry, Review, Theatre and Science, United States of America

Of all the non-human animals that human animals love, the primate is the most embarrassing. (The...

The Development Of Israeli Theater–A Brief Overview

Posted by Shimon Levy | 15th Mar 2019 | Essay, Israel

In comparison with West European theater, Hebrew theater is young: only a century separates the...

David Henry Hwang On Theatre, Trump, And Asian-American Identity

Posted by Mevlut Katik | 15th Mar 2019 | Interview, Playwriting, United States of America

American writers don’t get much bigger than David Henry Hwang. The award-winning playwright’s...

Tatty Hennessy’s “A Hundred Words For Snow” At The Trafalgar Studios

Posted by Aleks Sierz | 14th Mar 2019 | London, Review, United Kingdom

Fifteen-year-old Rory, a schoolgirl on the adventure of a lifetime, is puzzled. “Why,” she asks,...

“Be More Chill” Brings Broadway Viral, Rewiring The High School Musical

Posted by Michael Appler | 14th Mar 2019 | Musical Theatre, New York, Review, Theatre for Young Audiences, United States of America

The high school musical’s calling card has always been the “be yourself” thematic. A nerdy,...

M	T	W	T	F	S	S
				1	2	3
4	5	6	7	8	9	10
11	12	13	14	15	16	17
18	19	20	21	22	23	24
25	26	27	28	29	30	31

Month: March 2019

“For The Love Of , Or, The Roller Derby Play”: Block Party 2019 Off To A Strong Start At The Kirk Douglas

Interview With Debbie Devine: The Missionary Of Arts Education

Revolution Is A Necessary Cause, But Impossible Today: Interview with Director Kokan Mladenović

Stéphanie Turple’s “Un-Countried”: How Regimes And Mindsets Change

A Hong Kong Take On An American Classic: In Conversation With Tim Yip And Septime Webre

“Skinnamarink” at Next Door at NYTW

Christina Ham Talks The Blues And Black Women With Dominic-Madori Davis

Ravi Jain’s “Prince Hamlet” Breathes New Life Into The Bard

Yngvild Aspeli’s “Ashes”: Puppets That Haunt And Kindle

Ödön von Horváth’s “Tales From Vienna Woods,” Directed by Yana Ross

We Complement One Another: Gabriela Carrizo, a Founding Member of Peeping Tom

Theatre Of The Real And Embracing The Politics Of The Current Moment: Heidi Schreck’s “What The Constitution Means To Me”

Harold Pinter’s “Betrayal” At The Harold Pinter Theatre: Brilliant Minimalism

Juan Mayorga’s “Intensely Blue”: Spain’s Premier Dramatist Seeing The World Anew

Great Ape: “Chimpanzee” at HERE Arts Center

The Development Of Israeli Theater–A Brief Overview

David Henry Hwang On Theatre, Trump, And Asian-American Identity

Tatty Hennessy’s “A Hundred Words For Snow” At The Trafalgar Studios

“Be More Chill” Brings Broadway Viral, Rewiring The High School Musical

Like Us On Facebook

Most Popular Posts

Recent Posts

SEARCH OUR ARCHIVES

Pin It on Pinterest