“For The Love Of , Or, The Roller Derby Play”: Block Party 2019 Off To A Strong Start At The Kirk Douglas
It is Block Party time again at the Center Theatre Group’s Kirk Douglas Theatre in Culver...
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Month: March 2019
Interview With Debbie Devine: The Missionary Of Arts Education
Debbie Devine is an award-winning theatre director, teacher, and renowned leader in Theater Arts...
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Revolution Is A Necessary Cause, But Impossible Today: Interview with Director Kokan Mladenović
Kokan Mladenović’s name is well known both within and outside the theatre: he is the director who...
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Stéphanie Turple’s “Un-Countried”: How Regimes And Mindsets Change
Un-Countried, written by Stéphanie Turple, and directed by Kevin Orr shows what happens when a...
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A Hong Kong Take On An American Classic: In Conversation With Tim Yip And Septime Webre
This article is brought to you by The Hong Kong Ballet Half-way through his second season as Hong...
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“Skinnamarink” at Next Door at NYTW
Skinnamarink is a deliriously diverting new production by Little Lord, a performance ensemble that...
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Christina Ham Talks The Blues And Black Women With Dominic-Madori Davis
Strange Fruit They were pronounced dead on the scene. Sunday morning, September 15th, 1968,...
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Ravi Jain’s “Prince Hamlet” Breathes New Life Into The Bard
Just when you thought no one could possibly find a fresh interpretation of Hamlet, along come...
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The Presence Of Others In A World Without Boundaries: An Interview With teamLab
teamLab, founded by Toshiyuki Inoko and several of his friends in 2001, is an art collective, an...
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Yngvild Aspeli’s “Ashes”: Puppets That Haunt And Kindle
When does desire give way to fixation, compulsion, addiction? In Yngvild Aspeli’s exquisite show...
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Ödön von Horváth’s “Tales From Vienna Woods,” Directed by Yana Ross
Directed by Yana Ross. Lithuanian State Youth Theatre, Vilnius, Lithuania. March 4, 2019. Tales...
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We Complement One Another: Gabriela Carrizo, a Founding Member of Peeping Tom
An interview with Gabriela Carrizo, a founding member of Peeping Tom After ten years we had the...
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Theatre Of The Real And Embracing The Politics Of The Current Moment: Heidi Schreck’s “What The Constitution Means To Me”
“Man can change the world with bayonet and with science, but only art can renew it, in play, in...
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Harold Pinter’s “Betrayal” At The Harold Pinter Theatre: Brilliant Minimalism
Tom Hiddleston. What can I say? His career has sprinkled handfuls of stardust from the beginning:...
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Juan Mayorga’s “Intensely Blue”: Spain’s Premier Dramatist Seeing The World Anew
Juan Mayorga has been keeping busy. He was recently elected to the Royal Spanish Academy—the...
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Great Ape: “Chimpanzee” at HERE Arts Center
Of all the non-human animals that human animals love, the primate is the most embarrassing. (The...
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The Development Of Israeli Theater–A Brief Overview
In comparison with West European theater, Hebrew theater is young: only a century separates the...
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David Henry Hwang On Theatre, Trump, And Asian-American Identity
American writers don’t get much bigger than David Henry Hwang. The award-winning playwright’s...
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Tatty Hennessy’s “A Hundred Words For Snow” At The Trafalgar Studios
Fifteen-year-old Rory, a schoolgirl on the adventure of a lifetime, is puzzled. “Why,” she asks,...
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“Be More Chill” Brings Broadway Viral, Rewiring The High School Musical
The high school musical’s calling card has always been the “be yourself” thematic. A nerdy,...
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