Interview With Olivier Py’s American Actors
The four American actors (Alex, Nadia, Whit, and Ben) of Olivier Py’s musical The Young Girl, The...
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Month: March 2019
“Alys, Always” at The Bridge Theatre
Okay, so this is the play that will be remembered for the character names that have unusual...
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“Behaviour” Is Essential And Traumatic-Socially Conscious Theatre At Its Peak!
It isn’t easy to review a play like Behaviour, written by Ottawa playwright Darrah Teitel and...
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A Conversation with Composer Ilya Demutsky: “I’m Excited”
Sergey Elkin interviews composer Ilya Demutsky about the Joffrey’s new ballet of Anna Karenina
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A Feminist Documentary Play From Toronto: “Grace”
Grace is one of two daughters in an educated family living in Canada. She loves her parents and...
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“Secondhand” at the Örkény István Theater: Soviet Nostalgia
Every episode of the show called Secondhand is about the ingloriously deceased (?) Soviet Union,...
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Choy Ka Fai: Dr. Dance Trips The Light Fantastic
Media artist Choy Ka Fai experimentally explores movement, art, and technology with some science...
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“The Bourgeois Gentlemen” at the City Garage Theatre, Santa Monica CA
The City Garage once again shows its audiences in Santa Monica, CA how much Moliere’s work is both relevant and necessary with their revival of “The Bourgeois Gentleman”. Originally produced by the company in 2008 with a new English translation from the show’s director Frédérique Michel and the producer/production designer Charles A. Duncombe, the play centers on a wealthy merchant with dreams of becoming a member of the aristocracy.
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Using Art To Tackle Air Pollution: A Story From A Nairobi Slum
Air pollution is recognized as a major threat to human health worldwide. Nine out of ten people...
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Financing Theatre: Public Funding And Freedom Of Art
Public funding and freedom of art–do the two sit well together? There is no right to state arts...
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Transforming The Traditional World Of Kabuki With Kinoshita-Kabuki
For many people, the mention of kabuki brings to mind images of exaggerated makeup on actors’...
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Without Language: Marius Ivaškevičius’s “Exile” at Moscow’s Vl. Mayakovsky Theatre
Pavel Rudnev reviews “Exile” at the Mayakovsky Theatre in Moscow.
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In The Labyrinth Of Surfaces: Performativity, And Visitor Experience In The teamLab Exhibitions
Cutting-edge technology and visual immersion in a flow of digital images have been the focus of...
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Goof Troupe: Little Lord’s “Skinnamarink”
Sport is sometimes defined as a task with arbitrary but necessary constraints. Education is never...
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Mechanical Reproduction: J.B. Priestley’s “An Inspector Calls” directed by Stephen Daldry at ArtsEmerson
In the theatre, it is rare to see a dramatist get second billing to a director. Usually,...
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Nuria Espert Returns To Lorca With “Gypsy Ballads”
2018 was a good year for veteran Spanish actress Nuria Espert. Two years after winning the...
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The Immigrant Dragons–Part II: On The Hunt For The Right Master
For 126 years, the small Australian city of Bendigo has embraced Chinese dragons. This year, their...
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Interview With Director Johanny Bert
Recently, in February, Johanny Bert, Director/actor/puppeteer developed the play She No Princess,...
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On Broadway, “Kiss Me, Kate” Is True To Fashion, For Better Or Worse
Anyone who tells you that Cole Porter’s Kiss Me, Kate isn’t, or can’t be, a kick in the teeth to...
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Complexity Is Beauty: Academy for Digitality and Theatre
Virtual reality, 3D animation, and robotics have long been used by theatre directors in other...
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