A Room Of One’s Own: A Theatre Translator In Residence
In October 2018, Theatre Times translation editor William Gregory became the inaugural translator...
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Month: November 2018
Pilgrims’ Progress: Larissa FastHorse’s “The Thanksgiving Play”
The political mantra “Nothing about us without us” is hard to object to immediately–it makes...
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Is The New York Theater Scene Serving Disabled Artists And The Disabled Population?
The New York theater scene is often thought of as the pinnacle of progression, where the newest...
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“Dear Dsylexia”: A Truthful Theatre Journey In A Dyslexic World
Dear Dsylexia–written on purpose with the wrong spelling–is a stunning piece of solo theatre,...
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“Hadestown,” National Theatre, Review: Folk Opera That Dazzles Despite Its Imperfections
When the lights go out for the interval midway through Hadestown, I’m already making a mental list...
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All Wuzhen’s A Stage, But It’s Not Yet A Big Player
After a divisive Wuzhen Theatre Festival, the Chinese theater must reassess its priorities. The...
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“Bali”: Between The Heroic And The Iniquitous
Long awaited by theatre aficionados in the city, a rousing new physical theatre production by the...
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“Androcles and the Lion” And “Espæce” At The Pittsburgh International Festival Of Firsts
The Pittsburgh International Festival of Firsts finished in a blaze of glory this past week with...
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“Hadestown,” The Cult Album That Went To Broadway: “Hades Isn’t Based On Trump–But Trump Might Be Based On Hades”
Hadestown, a reworking of the Orpheus and Eurydice myth by American singer-songwriter Anais...
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“The Hoes” at The Hampstead Theatre
Because of the #MeToo movement, and the revival of feminist protest, the theme of sisterhood now...
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Puccini’s “Turandot” In Galati: From The Fairy Tale To The Inner Life
In 2018, the Nae Leonard Teatrul Muzical in Galati, Romania, was declared the National Opera...
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Hong Kong Ballet’s “Giselle” at Hong Kong Cultural Centre
With a new artistic director leading a traditional art form to the frontier, Hong Kong Ballet...
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“Blue Kettle” And “Here We Go”: A First Rate Revival Of Two Of Caryl Churchill’s Plays
The Boston Commonwealth Shakespeare Company began life as a summer program over twenty years ago...
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“Muhnochini”: Wrestling With Feminine Forces
The quiet drone of a tanpura marks the meditative beginnings of a new solo performance that opened...
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Stages Of Womanhood: On Female Theatre In The Arab World
The University of Bordeaux Montaigne concluded its 2018 public cultural program with a...
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Pioneering Black Superstar Immortalized on Stage
Josephine Baker tribute shows garner favourable reviews across the world.
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This Extraordinary Mechanical Puppet Theater Will Take You Back To 19th Century Russia
Can you imagine a Bruegel painting coming alive, with all its tiny characters starting to move...
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Taking My Shoes Off: Dramaturgy By Movement
My mode of being, as a dramaturg, begins with looking and continues with language. Much of my work...
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Battlefield Generations: On The Iraqi Theatre Play “A Smell Of War”
A Smell Of War was staged in Cairo within the Cairo International Festival for Contemporary and...
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Interview With Clara Fernandez-Vara: “Your Spectator Is Also Your Player”
Clara Fernandez-Vara is an Associate Arts Professor at New York University. Her background is in...
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