“I Call Myself Princess” Is A Gifted Conduit For Escalating Ancestors
After attending a rehearsal and speaking with playwright Jani Lauzon and director Marjorie...
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Month: October 2018
From Idea To Page To Stage
The creators of #SingIndiaSing talk about what it takes to make a musical from the ground up The...
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Who Is Theater Maker Ellenor Riley-Condit?
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
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“The Barber Of Seville” at Boston Lyric Opera
Gioachino Rossini’s most famous opera, The Barber Of Seville, opened Friday night at the Cutler...
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Dianne Wiest’s Winnie In Madison Square Park
Nothing you do this week will likely be more worthwhile than spending 40-odd minutes with Dianne...
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Miguel Septién A Great Direction Of “Kiss Of The Spider Woman”: A Risky And Avant-Garde Proposal
Kiss Of The Spider Woman is splendidly directed by Miguel Septién, an excellent director who...
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Peter Hinton’s Return To The NAC Stage
When Silence: Mabel And Alexander Graham Bell opens at the NAC, it will mark a significant...
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“There Was No Evidence That I Was Spying For Russia. I Was Just Queer.”
Oberon founder James Hogan writes about his experiences as a gay man in 1960s London, and why he...
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Prasanth Narayanan Is Giving Shape To A Novel Theatre Culture
The theatre director is bringing in a new visual language and dynamics through Prasanth Narayanan...
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Bryony Kimmings’ “I Am A Phoenix, Bitch”
On Friday, March 13, 2015, the Grand Hall at Battersea Arts Centre in South London went up in...
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Russian Theater Companies Are Using Augmented Reality To Draw In The Crowds
Want to catch a glimpse of a play before splashing the cash on a ticket? Now you can…in 3D...
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Cheek by Jowl and The Pushkin Theatre’s “Measure for Measure”
Authority. Surveillance. Enforcement. Confession. These are the tools of the state brought to life...
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David Edgar’s “Trying It On” At The Royal Court
Playwright David Edgar is lucky. To begin with, he appreciates his luck in having been born in...
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“Frankenstein: How To Make A Monster” at Battersea Arts Centre
Part of the Phoenix Season at the newly re-opened Grand Hall at Battersea Arts Centre is also BAC...
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“Measure For Measure”: Shakespeare’s #MeToo Moment
Cheek by Jowl’s production of Shakespeare’s Measure For Measure, performed in Russian by actors...
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Martin McDonagh’s “A Very Very Very Dark Matter” At The Bridge Theatre
It’s all in the title, isn’t it? Martin McDonagh’s surreal new play comes with a warning that not...
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The Croatian National Theatre Stages Henrik Ibsen’s “Peer Gynt” In Zagreb
The Croatian National Theatre in Zagreb and Det Norske Teatret from Oslo created a co-production...
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Kenya International Theatre Festival, 2018 Edition
The Kenya International Theatre Festival (KITF) is back. The 2018 Edition will run November...
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The Modern Woman In “Artemisia’s Intent”
The Anthropologists reach deep into their own doctrine to discover the depth behind the classic...
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Léon Bakst, The Eclectic Genius Of The Ballets Russes: A Documentary Exhibition In Venice
The documentary exhibition Léon Bakst: Symbol Of The Ballets Russes is a unique occasion to admire...
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