Robyn Grant-Moran

Latest Worldwide News

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  The Druid “Godot”

  12th Nov 2018 | Festivals, Ireland, Review
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  Luke Barnes’s “All We Ever Wanted Was Everything” At The Bush Theatre

  12th Nov 2018 | London, Review, Theatre and Opera, United Kingdom
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  Dead Centre’s “Chekhov’s First Play”

  11th Nov 2018 | Adaptation, Ireland, Review
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  The Re-Invention Of Subtitling. A New Technical Approach To The International Market

  11th Nov 2018 | Essay, Romania, Theatre and Science, Translation
• 
  Telling A Thai Tale: A Dance Dramaturg’s Take

  11th Nov 2018 | Essay, Thailand, Theatre and Dance, Transcultural Collaborations, United Kingdom
• 
  “While I Was Waiting” Captures The Tragedy Of The Syrian Civil War In Damascus

  10th Nov 2018 | France, Review, Syria, Theatre and Politics
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  Decide How To Decide. Managing Processes In International Interdisciplinary Projects

  10th Nov 2018 | Europe, News, Transcultural Collaborations
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  “Daniel’s Husband” At Westside Theatre

  10th Nov 2018 | LGBTQ Theatre, New York, Review, United States of America
• 
  “Oedipus Schmoedipus” at HKREP Black Box Theatre

  9th Nov 2018 | Applied Theatre, Australia, Hong Kong, Review
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  Theatre Meeting 2018: The Sun As The Last Frontier

  9th Nov 2018 | Essay, Festivals, Germany, Transcultural Collaborations
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  Traditional Storytelling Meets New Media Activism In Iran

  8th Nov 2018 | Australia, Essay, Iran, Transcultural Collaborations
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  “Sound Of The Beast” Slams Brutality, Inequality, And Racism

  8th Nov 2018 | Canada, Immersive Theatre, LGBTQ Theatre, Review
• 
  “Silence” At The NAC: The Romantic Life Of A Couple Behind The Invention Of The Telephone

  8th Nov 2018 | Canada, Review
• 
  It’s Ella Hickson’s Moment (Of Honesty)

  7th Nov 2018 | Interview, London, Playwriting, Theatre and Gender, United Kingdom
• 
  A Greek Tragedy For Two Actors

  7th Nov 2018 | Greece, Review