The Language Of Secrecy In Brazilian Performance “Quaseilhas”
In times of cognitive arrogance in contemporary reception, Quaseilhas is guided by the language of...
Read MorePosted by Aldri Anunciação | 30th Sep 2018 | Brazil, Dramaturgy, Review, South America, Theatre and Art
In times of cognitive arrogance in contemporary reception, Quaseilhas is guided by the language of...
Read MorePosted by Armando Rotondi | 30th Sep 2018 | Adaptation, Devised Theatre, Festivals, Review, Theatre and Politics, United Kingdom
Presented at the Smock Alley Theatre for the last edition of the Dublin Fringe Festival, Free EU...
Read MorePosted by Cory Pattak | 30th Sep 2018 | Design, Essay, United Kingdom
Light is elusive, mercurial, and ephemeral. It remains invisible to the eye until it collides with...
Read MorePosted by Aida Rocci | 29th Sep 2018 | Dramaturgy, Immersive Theatre, London, Review, Theatre and Art, United Kingdom
Almost eighty years later the release of Fantasia, Sounds and Sorcery celebrates the iconic movie in an immersive production with ground-breaking technology.
Read MorePosted by Aleks Sierz | 28th Sep 2018 | London, Review, Theatre and Politics, United Kingdom
Is appearing in the West End a rite of passage for Game Of Thrones stars? In the past couple of...
Read MorePosted by Madison Parrotta | 28th Sep 2018 | New York, Review, Theatre and Disability, United States of America
Playwrights Horizons’ production of I Was Most Alive With You by Craig Lucas was otherworldly in...
Read MorePosted by Clement Lee | 27th Sep 2018 | Hong Kong, Review, Theatre and Art, Theatre and Dance
Hong Kong Ballet’s Hong Kong Cool showcases seven short pieces of new ballet works by...
Read MorePosted by Zolima Citymag | 27th Sep 2018 | Hong Kong, News, Theatre and Age
Why We Recommend it This widely-acclaimed play explores themes of loneliness, loss, helplessness,...
Read MorePosted by Vikram Phukan | 26th Sep 2018 | India, LGBTQ+ Theatre, Review, Theatre and Gender
The characteristic middle-of-the-road sensibility of Akvarious Productions has found an outlet in...
Read MorePosted by Sarah Carson | 26th Sep 2018 | London, Musical Theatre, Review, United Kingdom
Heathers The Musical Theatre Royal Haymarket, London ★★★ On its release in 1989, Heathers was an...
Read MorePosted by Jamie Portman | 26th Sep 2018 | Canada, Festivals, Review
STRATFORD, Ont. — That could well be a white lab coat that Lucy Peacock is wearing when she first...
Read MorePosted by Iris Winston | 26th Sep 2018 | Canada, Musical Theatre, Review
The great pity is that this high-energy rock musical is largely unintelligible. From flashing...
Read MorePosted by Sarah Dustagheer | 25th Sep 2018 | Education, Essay, Review, Theatre and Film, United Kingdom
Making Shakespeare relevant for contemporary society is often the work of theatre directors,...
Read MorePosted by Aleks Sierz | 25th Sep 2018 | London, Review, United Kingdom
A couple of nights ago, I went, for the first time, to the Queen’s Theatre in Hornchurch, which is...
Read MorePosted by Patrick Langston | 24th Sep 2018 | Canada, Review, Theatre and Gender
We can’t get enough of the Tudors, can we? From movies and historical fiction to the television...
Read MorePosted by Alexandra Guzeva - Russia Beyond the Headlines | 23rd Sep 2018 | News, Russia, Russian Theatre Abroad
The Stage Russia project continues to bring classic novels by leading theaters to big screens...
Read MorePosted by Jana Perkovic | 23rd Sep 2018 | Playwriting, Review, Theatre and Gender
Playwright Sarah Kane was an “honorary lad” in in-yer-face drama that dominated the 1990s in...
Read MorePosted by Nicole Birmann Bloom | 22nd Sep 2018 | Adaptation, France, Interview
The 7th Edition of Seuls en scène, Princeton French Theater Festival presents Harlem...
Read MorePosted by Andreea Chirita | 22nd Sep 2018 | Adaptation, China, Essay
In May and August 2017, respectively, Theater der Welt in Hamburg and The Shanghai Ming...
Read MorePosted by KaiChieh Tu | 22nd Sep 2018 | LGBTQ+ Theatre, New York, Review, Theatre and Gender, United States of America
oundstage, conceived by residency artist Rob Roth at HERE, is a compelling stream of consciousness that flows along with the sound waves and vintage film footage. With stunning technicality and poetic sensitivity, the show paints and composes the complex emotions when we are left alone, discarded and exiled into our most profound addictions and desires.
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