The Relationship Between Body And Screen In Studio Azzurro’s Performances Since The 1980s Until Today
Studio Azzurro is an Italian group that has been working with different performative languages...
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Month: August 2018
Shakespeare In The Park’s “Julius Caesar”: I Am She
The Singapore Repertory Theatre (SRT) Shakespeare In The Park returns to Fort Canning Green, after...
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Aiming The Guts
It is true of all of the FC Bergman collective’s productions, but 300 el x 50 el x 30 el is...
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“Angels in Suits” – The Operas of George Benjamin & Martin Crimp
The dramaturgy of love’s intertwining with violence has been a recurring theme in the...
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“OCD Love” by L-E-V Dance Company: Mental Illness Plus Dance Equals Ballet and Horror
L-E-V Dance company’s OCD Love is tightly choreographed and intense in its physicality, as might...
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“A Dream Under the Southern Bough – The Beginning”: Kun Opera for the Millennial Stage
A Festival Commission for the Singapore International Festival of Arts (SIFA) 2018, Toy Factory’s...
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Tony Award-Winning U.S. Playwright Neil Simon Dies At 91
Simon’s plays made him a wealthy man and many were turned into films, which made him even...
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Moi Qui Parle A Moi-Même Dans Le Numérique Auditory Alienation And Liberation For The Intermedial Performer
With backgrounds in performance and sound design, we were interested in investigating how the...
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“Angry Alan” – Edinburgh Fringe Review: An Open Examination Of The Men’s Rights Movement
Angry Alan Underbelly Cowgate, Edinburgh ★★★★★ Playwright Penelope Skinner’s new work, Angry Alan,...
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Empty Theaters And False Hopes: The Reality Of VR Film
VR film buffs are still trying to crack the code of blockbuster flicks, even now that the hype and...
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Korean Theater Of Musical Comedy In Kazakhstan Receives CIS Cultural Award
Kazakhstan’s State Republican Academic Korean Theater of Musical Comedy has received...
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Body As Medium. Between Theory And Technology Of Theatre
Peggy Phelan in her famous text Ontology of Performance asserts that: “Performance cannot be...
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Nine Years Theatre’s “Pissed Julie 茱莉小解”: Third Wheelings
In Pissed Julie, the magic number is three. The play begins with a row of three chairs, dwarfed by...
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Seana Mckenna Shines As Julius Caesar At Stratford
By the time the assassination scene arrives in the Stratford Festival’s new production of Julius...
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“Jayde Adams” at Edinburgh Fringe, Review: A Rafter-Rattling Hour From The Bristolian Diva
Jayde Adams Pleasance Courtyard, Edinburgh ★★★ Jayde Adams is playing the Edinburgh Fringe in a...
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“Status” by The Summerhall: “It’s Not Another Brexit Show,”
“It’s not another Brexit show,” Chris Thorpe declares as he embarks on his...
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Dramatist Hideto Iwai Connects With His Audiences In Ways He Never Could Have Imagined By Being Honest About His Own Life Experiences
When he was 16, Hideto Iwai was perplexed as to why everyone around him unquestioningly jumped...
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Marguerite Duras’ “La Maladie De La Mort”: Katie Mitchell and Alice Birch Collaboration
As its title suggests, La Maladie De La Mort is not exactly an uplifting piece of theatre. In...
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Creating Tapestries Of Sound
Passing through Mumbai last week was Japanese composer Yasuhiro Morinaga. Arts aficionados in...
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Could Japan Have Its Own Cirque Du Soleil?
When the circus comes to town in most parts of the world these days, you won’t see elephants,...
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