Vince Laws: “A Very Queer Nazi Faust” – Participatory, Experimental Transmedia Performance
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
Read MorePosted by Colin Hambrook | 11th Aug 2018 | Essay, Immersive Theatre, LGBTQ+ Theatre, Participatory Theatre, Theatre and Disability, Transmedia, United Kingdom
A Very Queer Nazi Faust is an experimental participatory performance piece created by artist Vince...
Read MorePosted by Alice Jones | 10th Aug 2018 | Festivals, Review, United Kingdom
Before her show begins, Rose Matafeo is on stage, bounding around in trainers and a tennis skirt,...
Read MorePosted by Baharak Sahami | 10th Aug 2018 | Iran, Review
The first thing drawing my attention before I watched the play was its title. Mischief reminded me...
Read MorePosted by Alice Jones | 9th Aug 2018 | Festivals, Review, United Kingdom
Long before Cora Bissett became one of Scotland’s most exciting theatre-makers–in 2012 she won an...
Read MorePosted by Ramona Taranu | 9th Aug 2018 | Festivals, Interview, Japan, Producing
Kyoto Experiment is one of Japan’s major international theatre festivals, along with...
Read MorePosted by Trevor Boffone | 8th Aug 2018 | Boston, Playwriting, Review, Theatre and Gender, United Kingdom
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
Read MorePosted by Bryoni Trezise | 8th Aug 2018 | Australia, News, Theatre and Decolonization, Theatre and Politics
A large, ochred sail swells, rolls and eases in the heavens of the stage. It forms both ceiling...
Read MorePosted by Maria Pia Pagani | 7th Aug 2018 | Directing, Italy, News, Russian Theatre Abroad
August 7 marks the 80th anniversary of the death of Konstantin Stanislavsky (1938–2018). As a...
Read MoreEgyptian theatre researcher, translator, and critic Hazem Azmi has died on July 10 at the age of...
Read MorePosted by Daily Sabah | 7th Aug 2018 | Festivals, News, Theatre and Dance, Turkey
The artistic quality of the International Bodrum Ballet Festival gets better with each passing...
Read MorePosted by Alvina Ruprecht | 6th Aug 2018 | Canada, Review
Odyssey Theatre has at last been reborn under the stars in this Canadian premier. After a period...
Read MorePosted by Liisi Aibel | 5th Aug 2018 | Acting, Estonia, Interview, Russia
Interviewers: Liisi Aibel, Heidi Aadma In our small country, the Estonian and Russian theatre...
Read MorePosted by Michael Appler | 5th Aug 2018 | New York, Review, United States of America
Skintight hinges on the human eye’s instinct for voyeurism, on our inevitable desire to take a peek, to stare at something we know we shouldn’t.
Read MorePosted by Tony McCaffrey | 4th Aug 2018 | Australia, Essay, Theatre and Disability
Over the last 20 years, the development of technology in performance has made us question what is...
Read MorePosted by Philip Auslander | 4th Aug 2018 | Acting, Essay, Transmedia
Since 2002, every time Academy Award nominating season rolls around, it is guaranteed that...
Read MorePosted by Sandra D'urso | 3rd Aug 2018 | Adaptation, Australia, Review, Theatre and Film
Melancholia is based on Lars von Trier’s 2011 film of the same title but has been adapted for the...
Read MorePosted by Freemuse | 3rd Aug 2018 | News, Theatre and Politics
In a first-of-its-kind report assessing the global state of artistic freedom, Freemuse warns of...
Read MorePosted by Gillian Arrighi | 2nd Aug 2018 | Australia, Essay
In 1825, Reverend Lancelot Threlkeld watched an Aboriginal Dance of Welcome at Newcastle’s East...
Read MorePosted by Anna Sorokina - Russia Beyond Headlines | 2nd Aug 2018 | Acting, News, Russia, Theatre and Disability
Have you ever watched a staging of Chekhov where all the roles are played by patients at a...
Read MorePosted by Edmond Couchot | 1st Aug 2018 | Essay, Participatory Theatre, Transmedia
Artists in the performing and theatrical arts currently have access to technology of an...
Read More