Bryony Kimmings’ “I Am A Phoenix, Bitch”
On Friday, March 13, 2015, the Grand Hall at Battersea Arts Centre in South London went up in...
Read MorePosted by Duška Radosavljević | 28th Oct 2018 | London, Review, Theatre and Gender, United Kingdom
On Friday, March 13, 2015, the Grand Hall at Battersea Arts Centre in South London went up in...
Read MorePosted by Yulia Shamporova | 28th Oct 2018 | News, Russia, Transmedia
Want to catch a glimpse of a play before splashing the cash on a ticket? Now you can…in 3D...
Read MorePosted by Harry Hoke | 28th Oct 2018 | Boston, Review, Russia, Russian Theatre Abroad, Theatre and Gender, Theatre and Politics
Authority. Surveillance. Enforcement. Confession. These are the tools of the state brought to life...
Read MorePosted by Aleks Sierz | 28th Oct 2018 | London, Playwriting, Review, Theatre and Politics, United Kingdom
Playwright David Edgar is lucky. To begin with, he appreciates his luck in having been born in...
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“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 