October 2018 - Page 2 of 5 - The Theatre Times

Oscar Wilde’s “Salome” At Irondale

Posted by Jack Wernick | 25th Oct 2018 | New York, Review, Theatre and Dance, United States of America

M-34 Productions and FringeNYC present a dazzling new production of Salome at the Irondale Center...

“This Flight Tonight”: Joni Mitchell Remembered In Song

Posted by Iris Winston | 24th Oct 2018 | Canada, Directing, Review

This Flight Tonight, Songs Of Joni Mitchell, Bear & Co. Directed by Eleanor Crowder The single...

Joy Wilkinson’s “The Sweet Science Of Bruising” at The Southwark Playhouse

Posted by Aleks Sierz | 24th Oct 2018 | London, Review, Theatre and Gender, United Kingdom

There are not that many plays about sport, but, whether you gamble on results or not, you can bet...

In “Trustees,” Belarus Free Theatre Mercilessly Demolishes Australia’s Cultural Debate

Posted by Sandra D'urso | 24th Oct 2018 | Australia, Belarus, Festivals, Melbourne, Participatory Theatre, Review, Theatre and Politics, Transcultural Collaborations

The Belarus Free Theatre, exiled from their home nation, has returned to Australia to collaborate...

Between Clouds And Comedy

Posted by Vikram Phukan | 23rd Oct 2018 | India, Review

This weekend see a play about the Internet age with Orwellian subtexts and an experimental...

Footwork Against Corruption: Via Katlehong And Gregory Maqoma’s “Via Kanana,” Dance Umbrella Festival, London

Posted by Lisa Marie Bowler | 23rd Oct 2018 | Dance Umbrella 2018, Festivals, London, Review, South Africa, Theatre and Dance, United Kingdom

The platform stage erected in Shoreditch Town Hall’s grand Victorian assembly room is receiving a...

When Theatre Meets Contemporaneity: Praktika Theatre In Moscow

Posted by Sonia Bacchi | 22nd Oct 2018 | Management, News, Russia

Moscow theatre Praktika is the Russia’s first contemporary State theatre which played the key role...

“Pack Of Lies” at Menier Chocolate Factory

Posted by Aleks Sierz | 22nd Oct 2018 | London, Review, United Kingdom

We do love our spy stories, don’t we? The idea of betrayal, both political and personal, seems to...

Making Art Through Technology

Posted by Amund Ulvestad | 21st Oct 2018 | Croatia, News, Transmedia

“YES! Wow! I think we are finally entering the twenty-first century!” the troll roared, stomping...

Ken Urban’s “A Guide For The Homesick” At The Trafalgar Studios

Posted by Aleks Sierz | 21st Oct 2018 | Boston, LGBTQ+ Theatre, London, Review, United Kingdom, United States of America

If we call a long journey home an Odyssey, what do you call a journey which is doing everything it...

Tokyo Festival Looks To Throw Open Some Doors With Fringe Elements

Posted by Nobuko Tanaka | 21st Oct 2018 | Festivals, Japan, News

If the inclusion of Festival/Tokyo in Tokyo Festival’s diverse program of performing arts is any...

“Hurricane — The Life Of Tian Han” Tells The Story Of The Father Of Contemporary Chinese Theater

Posted by Nobuko Tanaka | 20th Oct 2018 | Directing, Interview, Japan

There has always been a considerable amount of cultural exchange between China and Japan, but...

An Adaptation of Samuel Beckett’s “Watt” Questions Being And Perception

Posted by Sarah Balkin | 20th Oct 2018 | Adaptation, Festivals, Ireland, Melbourne, Review

It resembled a pot, it was almost a pot, but it was not a pot of which one could say, Pot, pot,...

Perspectives In Prison Theatre: Interview With Bruce Levitt And Lorraine Moller

Posted by Taylor L. Ciambra | 19th Oct 2018 | Acting, Devised Theatre, Interview, United States of America

“…Hamlet gives them cultural capital. It gives them ownership of something unique, not just...

Mark Sonnenblick And “Midnight At The Never Get”

Posted by David Vernon | 19th Oct 2018 | Interview, LGBTQ+ Theatre, Musical Theatre, New York, United States of America

Mark Sonnenblick is a composer, lyricist, and scriptwriter. His latest collaboration is Midnight...

“Fierce” Offers A Believable Portrayal Of Loneliness

Posted by Patrick Langston | 18th Oct 2018 | Canada, Review

Ultimately, we’re all orphans, aren’t we? Sure, we carve out a place in the world, cultivate...

Robert Alan Evans’s “The Woods” at The Royal Court

Posted by Aleks Sierz | 18th Oct 2018 | Acting, London, Playwriting, Review, United Kingdom

Blackout. Dark, the color of childhood fear. Black, the color of despair. Black. No light visible;...

A Wry Takedown Of Pepys’s Misogyny: “17c” By Big Dance Theater, Dance Umbrella Festival, London

Posted by Lisa Marie Bowler | 17th Oct 2018 | Dance Umbrella 2018, Festivals, London, New York, Review, United Kingdom, United States of America

As a passionate Londoner, I cannot help but be intrigued: a group of Americans is here to present...

Vinay Patel’s “An Adventure”: An Epic Reading of One Asian Family’s Global Migration Story

Posted by Aleks Sierz | 17th Oct 2018 | London, Playwriting, Review, Theatre and Gender, United Kingdom

Director Madani Younis, who since 2011 has transformed the Bush Theatre in West London into one of...

“A Kettle Of Fish” at The Yard Theatre

Posted by Aleks Sierz | 16th Oct 2018 | London, Review, United Kingdom

Ah. Fear of flying. Yes, this is instantly recognizable: that sense that being propelled through...

Month: October 2018

Oscar Wilde’s “Salome” At Irondale

“This Flight Tonight”: Joni Mitchell Remembered In Song

Joy Wilkinson’s “The Sweet Science Of Bruising” at The Southwark Playhouse

In “Trustees,” Belarus Free Theatre Mercilessly Demolishes Australia’s Cultural Debate

Between Clouds And Comedy

Footwork Against Corruption: Via Katlehong And Gregory Maqoma’s “Via Kanana,” Dance Umbrella Festival, London

When Theatre Meets Contemporaneity: Praktika Theatre In Moscow

“Pack Of Lies” at Menier Chocolate Factory

Making Art Through Technology

Ken Urban’s “A Guide For The Homesick” At The Trafalgar Studios

Tokyo Festival Looks To Throw Open Some Doors With Fringe Elements

“Hurricane — The Life Of Tian Han” Tells The Story Of The Father Of Contemporary Chinese Theater

An Adaptation of Samuel Beckett’s “Watt” Questions Being And Perception

Perspectives In Prison Theatre: Interview With Bruce Levitt And Lorraine Moller

Mark Sonnenblick And “Midnight At The Never Get”

“Fierce” Offers A Believable Portrayal Of Loneliness

Robert Alan Evans’s “The Woods” at The Royal Court

A Wry Takedown Of Pepys’s Misogyny: “17c” By Big Dance Theater, Dance Umbrella Festival, London

Vinay Patel’s “An Adventure”: An Epic Reading of One Asian Family’s Global Migration Story

“A Kettle Of Fish” at The Yard Theatre

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