October 2018 - Page 4 of 5 - The Theatre Times

Sarah Kane’s “4.48 Psychosis” at New Diorama Theatre

Posted by Aleks Sierz | 9th Oct 2018 | London, Playwriting, Review, Theatre and Disability, Theatre and Gender, United Kingdom

It’s all about the casting. The paradox of playwright Sarah Kane’s short career is that while her...

“The Last Five Years”: Poignant Tale Of Failed Marriage

Posted by Iris Winston | 9th Oct 2018 | Canada, Musical Theatre, Review

From the joy of meeting to the unraveling of love and back again, The Last Five Years is a...

“Vastraharan:” Five Thousand And Counting

Posted by Vikram Phukan | 8th Oct 2018 | India, News, Playwriting

Now well into its fourth decade, the rip-roaring Malwani comedy, Vastraharan rolls on. The...

Indigenous Theatre Would Thrive With Funds From The Canadian Government

Posted by Ginny Ratsoy | 8th Oct 2018 | Canada, Essay, Management

The Canadian government’s Department of Canadian Heritage has the opportunity to support a...

Too Close To Home: Stefano Massini’s “Intractable Woman”

Posted by Jonathan Kalb | 7th Oct 2018 | Italy, New York, Review, Theatre and Politics, United States of America

A week after Donald Trump was inaugurated, the atomic scientists who keep the famous Doomsday...

How Theatre Training Can Boost Your Doctor’s Empathy

Posted by Hartley Jafine | 7th Oct 2018 | Canada, Essay, Theatre and Science

I teach improvisational theatre to health scientists and trainee doctors. When I tell people this,...

Playful Dogmatism: Milo Rau and Joachim Ben Yakoub in Conversation

Posted by Sébastien Hendrickx | 7th Oct 2018 | Belgium, Interview

Milo Rau and Joachim Ben Yakoub in conversation on the Ghent Manifesto. In May NTGent published...

Golden Oldies: A Saitama Theater Festival For Elderly Actors Welcomes Seniors From Around The World

Posted by Nobuko Tanaka | 6th Oct 2018 | Festivals, Japan, Theatre and Age

Renowned theater director Yukio Ninagawa broke new ground when he launched Saitama Gold Theater in...

Hal Coase’s “Mrs. Dalloway” At The Arcola Theatre

Posted by Aleks Sierz | 6th Oct 2018 | Adaptation, London, Review, United Kingdom

Since Virginia Woolf’s Mrs. Dalloway was first published in 1925 its reputation as a brilliant...

Stage Your City: Redundancy Vs Prototyping

Posted by Chris Ziegler | 6th Oct 2018 | Essay, Europe, Transmedia

This is a transcription of the project Stage Your City presentation during the Theatre Digital...

Why Did A Russian Provincial Theater Stage A Version Of Aldous Huxley’s Dystopian Novel?

Posted by Oleg Yegorov | 5th Oct 2018 | Review, Russia, Theatre and Dance

While most regional theaters in Russia cling to traditions and go with old-school classical...

“Hamnet”: A Father/Son Play

Posted by Jane Baldwin | 5th Oct 2018 | Boston, Ireland, Review, United States of America

Hamnet, the fascinating play, created by Ireland’s Dead Centre, now at ArtsEmerson’s Paramount...

Tekki Lomnicki And Tellin’ Tales Theatre: In Discussion

Posted by Madison Parrotta | 4th Oct 2018 | Chicago, Interview, Theatre and Disability, United Kingdom

Tekki Lomnicki is the artistic director of Tellin’ Tales Theatre, located in Chicago, and...

Verdi’s “Rigoletto”: The Italian Closing Of The Season At The Teatr Wielki In Lodz

Posted by Maria Pia Pagani | 4th Oct 2018 | Italy, Poland, Review, Theatre and Opera

The great success of Professor Paolo Bosisio as an opera director in Eastern Europe is confirmed...

Adapting Identities: Freya Treutmann’s “Scratches” And “Evidence Of Codes” In Edinburgh

Posted by Armando Rotondi | 3rd Oct 2018 | Adaptation, Playwriting, Review, Theatre and Art, United Kingdom

The relation between identity and performance is one of the strongest topics in the field of...

Theodoros Terzopoulos’ “Return” To Delphi

Posted by Dimitris Tsatsoulis | 3rd Oct 2018 | Festivals, Greece, Review

A big tribute to the director and Euripides’ The Trojan Women at the Ancient Theatre of Delphi. Of...

Debris Stevenson’s “Poet In Da Corner” at The Royal Court

Posted by Aleks Sierz | 3rd Oct 2018 | London, Musical Theatre, Review, United Kingdom

There was once a time when grime music was very angry and very threatening, but that seems a long...

“Swimming With Sharks”: A Horrible Boss Is Truly Universal

Posted by Nobuko Tanaka | 2nd Oct 2018 | Japan, Review

The lobby of the Setagaya Public Theatre in Tokyo teemed with women on Sept. 1, each eager to see...

“Holy Shit” at The Kiln Theatre

Posted by Aleks Sierz | 2nd Oct 2018 | London, Review, United Kingdom

Holy shit! After being closed for two long years, the old and battered Tricycle Theatre in Kilburn...

Akinori Nakagawa Captures Frankie Valli In “Jersey Boys”

Posted by Nobuko Tanaka | 1st Oct 2018 | Essay, Japan, Musical Theatre

Nothing sounds quite like the early 1960s more than the vocals of Frankie Valli. As lead singer of...

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Month: October 2018

Sarah Kane’s “4.48 Psychosis” at New Diorama Theatre

“The Last Five Years”: Poignant Tale Of Failed Marriage

“Vastraharan:” Five Thousand And Counting

Indigenous Theatre Would Thrive With Funds From The Canadian Government

Too Close To Home: Stefano Massini’s “Intractable Woman”

How Theatre Training Can Boost Your Doctor’s Empathy

Playful Dogmatism: Milo Rau and Joachim Ben Yakoub in Conversation

Hal Coase’s “Mrs. Dalloway” At The Arcola Theatre

Stage Your City: Redundancy Vs Prototyping

Why Did A Russian Provincial Theater Stage A Version Of Aldous Huxley’s Dystopian Novel?

“Hamnet”: A Father/Son Play

Tekki Lomnicki And Tellin’ Tales Theatre: In Discussion

Verdi’s “Rigoletto”: The Italian Closing Of The Season At The Teatr Wielki In Lodz

Adapting Identities: Freya Treutmann’s “Scratches” And “Evidence Of Codes” In Edinburgh

Theodoros Terzopoulos’ “Return” To Delphi

Debris Stevenson’s “Poet In Da Corner” at The Royal Court

“Swimming With Sharks”: A Horrible Boss Is Truly Universal

“Holy Shit” at The Kiln Theatre

Akinori Nakagawa Captures Frankie Valli In “Jersey Boys”

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