Traditional Storytelling Meets New Media Activism In Iran
In the summer of 2015, I conducted fieldwork in Tehran and Qom, Iran, with a small team of...
Read MorePosted by Laura Bisaillon | 8th Nov 2018 | Australia, Essay, Iran, Transcultural Collaborations
In the summer of 2015, I conducted fieldwork in Tehran and Qom, Iran, with a small team of...
Read MorePosted by Willow White | 8th Nov 2018 | Canada, Immersive Theatre, LGBTQ+ Theatre, Review
Willow White reviews Donna-Michelle St. Bernard’s one-woman show Sound Of The Beast, produced by...
Read MorePosted by Ryan Pepper | 8th Nov 2018 | Canada, Review
Silence brings to the spotlight the romantic life of the husband and wife behind the invention of...
Read MorePosted by Michael Appler | 8th Nov 2018 | LGBTQ+ Theatre, New York, Review, United States of America
Queer spaces, Miranda Rose Hall suggests, are uniquely suited to plot the points of sexual development, to explore the dynamic, malleable nature of identity. Queer sex not as negotiation or imitation, but as creation and innovation.
Read MorePosted by Michael Appler | 8th Nov 2018 | New York, Review, United States of America
Beyond the guises of harvest festivity, more sinister fates are at work. Holy vows have been broken. Betrayals and tragic sin done. Promises not made, innocent slain and wars unwon.
Read MorePosted by Michael Appler | 8th Nov 2018 | LGBTQ+ Theatre, New York, Review, United States of America
You may find that this glorious Broadway revival, led by Michael Urie and Mercedes Ruehl in the same theater where it opened over 35 years ago, burns a softer flame — no less bright, for sure, but perhaps a bit more tender, lit for a time when a drag queen poised before a Broadway audience, while no less political, is imaginably less avant-garde.
Read More