“Artificial Things”: An Introduction
Artificial Things [i] (directed by Sophie Fiennes) is a re-imagination of a contemporary dance...
Read MorePosted by Katalin Trencsényi | 4th Nov 2018 | Devised Theatre, Essay, Theatre and Dance, Theatre and Disability, United Kingdom
Artificial Things [i] (directed by Sophie Fiennes) is a re-imagination of a contemporary dance...
Read MorePosted by Amanda Fromell | 4th Nov 2018 | Dramaturgy, Essay, Participatory Theatre, Sweden, Transmedia
In 2011, a woman stood outside an abortion clinic in Manhattan and asked...
Read MorePosted by Haylin Cai | 3rd Nov 2018 | China, Chinese Theatre Abroad, London, Review, Transmedia, United Kingdom
Exploring the common phenomenon of livestream communication in modern society, the performance...
Read MorePosted by Clement Lee | 3rd Nov 2018 | Belgium, Dramaturgy, Hong Kong, Interview, Theatre and Politics
It was a pleasure to sit down and talk to Stefan Bläske, the resident dramaturg of the...
Read MorePosted by Abigail Weil | 2nd Nov 2018 | New York, Review, United States of America
What forces in today’s society will retain their power three hundred years into the future?...
Read MorePosted by Jonathan Kalb | 2nd Nov 2018 | Interview, Musical Theatre, New York, Review, Theatre and Disability, Transcultural Collaborations, United States of America
Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...
Read MorePosted by Miranda Laurence | 2nd Nov 2018 | Dance Umbrella 2018, Festivals, London, Review, Theatre and Dance, United Kingdom
Concert, By Colin Dunne, Dance Umbrella Festival 2018, London, Barbican The important thing about...
Read MorePosted by Michael Appler | 1st Nov 2018 | New York, Review, United States of America
Joe Papp would be proud had he lived to see what his Mobile Theater had become: a brimming, joyous sanctuary of inclusivity and plurality, of Shakespearean excellence armed with subtle and striking mindfulness, no longer a struggling caravan of the American theater’s earliest pioneers, but a rag-tag group of brilliant players all the same.
Read MorePosted by Aleks Sierz | 1st Nov 2018 | London, Review, United Kingdom
On the morning when this stylish revival of Martin Crimp’s 1988 play opens, I wake up to the news...
Read MorePosted by Sergey Elkin | 1st Nov 2018 | Directing, Interview, Russia, Russian Theatre Abroad
Timofey Kulyabin is one of the most prominent young directors in Russia today. At 34, he has...
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