Pina Bausch Archives - The Theatre Times

“Bronx Gothic” by Okwui Okpokwasili

Posted by Eylül Fidan Akıncı | 4th Jul 2022 | LGBTQ+ Theatre, New York, Nigeria, Review, Theatre and Dance, Theatre and Decolonization, United States of America

On May 8, 2022, Nigerian-American artist Okwui Okpokwasili’s Bronx Gothic (2014) at...

“Palermo Palermo.” Now, Then and After

Posted by Ariadne Mikou | 16th Nov 2019 | Italy, News, Theatre and Dance

Teatro Biondo Stabile in Palermo has a full-house. To the right, left and up in the surrounding...

“The Rite Of Spring”: A Notoriously Difficult Ballet Comes To The Hong Kong Stage

Posted by Simon Cartledge Zolima CityMag | 4th Jun 2019 | Hong Kong, Review, Theatre and Dance

Hong Kong Ballet gave two young choreographers a difficult task: produce the notoriously difficult...

Samara Hersch: Theatre For The People, By The People

Posted by Jeremy Moran | 15th Apr 2019 | Australia, Directing, Interview

Samara Hersch is a theatre-maker, director, and teaching artist from Australia. She received her...

Gripping, Contemporary Take On Brecht: “The Good Person Of Szechwan” (Dir. Yury Butusov), At The Moscow Pushkin Drama Theatre At The Barbican, London

Posted by Katalin Trencsényi | 25th Feb 2019 | Directing, Review, Russia, Russian Theatre Abroad, Transcultural Collaborations

It was long overdue for a British audience to be given the opportunity to see another work by the...

“New Piece I: Since She”: Tanztheater Wuppertal and The Legacy of Pina Bausch

Posted by Duška Radosavljević | 24th Feb 2019 | Germany, Review, Theatre and Dance

In the last ten years since the death of Pina Bausch, Tanztheater Wuppertal, the company she...

Post-Apocalyptic Ambiguity Of The Inner Light: A Conversation With The Creators Of “When Angels Fall”

Posted by Irina Yakubovskaya | 10th Feb 2019 | Boston, France, Interview, Theatre and Dance, United States of America

ArtsEmerson is honored to host the New England premiere of When Angels Fall, a riveting tale of...

Care To Dance Dramaturg? The Invention Of A New Craft

Posted by Denise Fujiwara, DD Kugler, and Tama Soble | 9th Jan 2019 | Canada, Dramaturgy, Essay, Theatre and Dance

A Foreword by the Editor Thirty years ago an essay was published in the Canadian journal Theatrum...

Ecce Homo: “The Great Tamer,” By Dimitris Papaioannou. Dance Umbrella Festival 2018, London, Sadler’s Wells

Posted by Katalin Trencsényi | 15th Nov 2018 | Dance Umbrella 2018, Festivals, Greece, Review, Theatre and Dance, United Kingdom

A curved, declivitous, dark-grey hill, built from large, rectangular vinyl blocks–reminiscent of...

“En Masse” Is An Arresting Fusion Of Circus, Dance, And Classical Music

Posted by Trevor Jones | 15th Oct 2018 | Australia, Festivals, Review, Theatre and Dance

According to their artistic director, Yaron Lifschitz, Circa’s En Masse “speaks of fresh starts...

A Return To The Body: TAO Dance Theatre And Its “Straight Line Trilogy”

Posted by Yue Zhu | 11th Oct 2018 | China, Essay, Theatre and Dance

Established by the choreographer Tao Ye in 2008, TAO Dance Theatre is an anomaly in the world of...

“Hong Kong Cool” By Hong Kong Ballet

Posted by Clement Lee | 27th Sep 2018 | Hong Kong, Review, Theatre and Art, Theatre and Dance

Hong Kong Ballet’s Hong Kong Cool showcases seven short pieces of new ballet works by...

“Betroffenheit” Corporeal Exchange As Innovative Now As The Work Of Pina Bausch In The 1970’s

Posted by Alvina Ruprecht | 12th Apr 2018 | Canada, Review

Betroffenheit (consternation, a state of shock, dismay) a co-production by Kidd Pivot Company and...

“Hamilton” Is The Biggest Winner At Olivier Awards

Posted by Jane Clinton | 11th Apr 2018 | London, News, United Kingdom

Hamilton swept the board at the Olivier Sunday night clinching seven awards including best new...

Polish Tanztheater?

Posted by Anna Królica | 13th Jan 2018 | Essay, Poland, Theatre and Dance

It is an interesting coincidence that 1973 saw the creation of both Pina Bausch’s Tanztheater...

Ibsen’s “Peer Gynt” Gets A Cultural Twist When Director Yang Jung-ung Teams Up With Actor Kenji Urai

Posted by Nobuko Tanaka | 25th Dec 2017 | Adaptation, Directing, Japan, Review, Transcultural Collaborations

South Korean director Yang Jung-ung’s career has spanned several continents. From his theater...

“OCD Love:” LEV Dance Company Delves Into A Paradox, The Strange Psychic Disruption Of The Troubled Body!

Posted by Alvina Ruprecht | 6th Dec 2017 | Canada, Israel, Review, Theatre and Dance

This latest work by the Israeli dance company LEV Dance, created by Sharon Eyal and Gai Behar is a...

The Wuppertal Tanztheater Returns To Its Origins With “Café Müller” And “The Rite Of Spring”

Posted by Alvina Ruprecht | 15th Oct 2017 | Canada, Germany, Theatre and Dance

The ghost of Pina Bausch was no doubt fluttering with excitement around the NAC last month as the...

Pina Bausch and the Tanztheater Exhibit: Can One Put Dance In a Display Cabinet?

Posted by Sabrina Schleicher | 4th Jun 2017 | Germany, Theatre and Dance

What remains of the dance experience when it is put in a museum? How can the liveliness of the...

Decentring Dance Dramaturgy

Posted by Anny Mokotow | 1st Sep 2016 | Dramaturgy, Essay, Theatre and Dance

Multiple approaches in contemporary performance and in dance performance, in particular, are part...

Tag: Pina Bausch

“Bronx Gothic” by Okwui Okpokwasili

“Palermo Palermo.” Now, Then and After

Samara Hersch: Theatre For The People, By The People

Gripping, Contemporary Take On Brecht: “The Good Person Of Szechwan” (Dir. Yury Butusov), At The Moscow Pushkin Drama Theatre At The Barbican, London

“New Piece I: Since She”: Tanztheater Wuppertal and The Legacy of Pina Bausch

Post-Apocalyptic Ambiguity Of The Inner Light: A Conversation With The Creators Of “When Angels Fall”

Care To Dance Dramaturg? The Invention Of A New Craft

Ecce Homo: “The Great Tamer,” By Dimitris Papaioannou. Dance Umbrella Festival 2018, London, Sadler’s Wells

“En Masse” Is An Arresting Fusion Of Circus, Dance, And Classical Music

“Hong Kong Cool” By Hong Kong Ballet

“Betroffenheit” Corporeal Exchange As Innovative Now As The Work Of Pina Bausch In The 1970’s

“Hamilton” Is The Biggest Winner At Olivier Awards

Polish Tanztheater?

Ibsen’s “Peer Gynt” Gets A Cultural Twist When Director Yang Jung-ung Teams Up With Actor Kenji Urai

“OCD Love:” LEV Dance Company Delves Into A Paradox, The Strange Psychic Disruption Of The Troubled Body!

The Wuppertal Tanztheater Returns To Its Origins With “Café Müller” And “The Rite Of Spring”

Pina Bausch and the Tanztheater Exhibit: Can One Put Dance In a Display Cabinet?

Decentring Dance Dramaturgy

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