“We Will Not Be Silent”: A Story Of Anti-Fascist Youth
David Meyers’ We Will Not Be Silent, now playing at the New Repertory Theatre at the Mosesian...
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United States of America
“Rags Parkland Sings The Songs Of The Future” – Sci-fi Folk Concert at Ars Nova
What forces in today’s society will retain their power three hundred years into the future?...
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Jonathan Kalb Interviews Himself On Daniel Fish’s “Oklahoma!”
Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...
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In “Midsummer” The Mobile Unit Delivers a Joyous Celebration of Life and Shakespeare
Joe Papp would be proud had he lived to see what his Mobile Theater had become: a brimming, joyous sanctuary of inclusivity and plurality, of Shakespearean excellence armed with subtle and striking mindfulness, no longer a struggling caravan of the American theater’s earliest pioneers, but a rag-tag group of brilliant players all the same.
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Who Is Theater Maker Ellenor Riley-Condit?
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
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“The Barber Of Seville” at Boston Lyric Opera
Gioachino Rossini’s most famous opera, The Barber Of Seville, opened Friday night at the Cutler...
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Dianne Wiest’s Winnie In Madison Square Park
Nothing you do this week will likely be more worthwhile than spending 40-odd minutes with Dianne...
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Cheek by Jowl and The Pushkin Theatre’s “Measure for Measure”
Authority. Surveillance. Enforcement. Confession. These are the tools of the state brought to life...
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“Measure For Measure”: Shakespeare’s #MeToo Moment
Cheek by Jowl’s production of Shakespeare’s Measure For Measure, performed in Russian by actors...
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The Modern Woman In “Artemisia’s Intent”
The Anthropologists reach deep into their own doctrine to discover the depth behind the classic...
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Oscar Wilde’s “Salome” At Irondale
M-34 Productions and FringeNYC present a dazzling new production of Salome at the Irondale Center...
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Ken Urban’s “A Guide For The Homesick” At The Trafalgar Studios
If we call a long journey home an Odyssey, what do you call a journey which is doing everything it...
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Perspectives In Prison Theatre: Interview With Bruce Levitt And Lorraine Moller
“…Hamlet gives them cultural capital. It gives them ownership of something unique, not just...
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Mark Sonnenblick And “Midnight At The Never Get”
Mark Sonnenblick is a composer, lyricist, and scriptwriter. His latest collaboration is Midnight...
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A Wry Takedown Of Pepys’s Misogyny: “17c” By Big Dance Theater, Dance Umbrella Festival, London
As a passionate Londoner, I cannot help but be intrigued: a group of Americans is here to present...
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A Second Time Around For “Truth Values: One Girl’s Romp Through M.I.T.’s Male Math Maze”
Gioa De Cari’s autobiographical one-woman show Truth Values: One Girl’s Romp Through M.I.T.’s Male...
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Speakeasy Succeeds With “Between Riverside And Crazy”
Stephen Adly Guirigis’s 2015 Pulitzer Prize winner Between Riverside And Crazy now playing at...
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Too Close To Home: Stefano Massini’s “Intractable Woman”
A week after Donald Trump was inaugurated, the atomic scientists who keep the famous Doomsday...
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“Hamnet”: A Father/Son Play
Hamnet, the fascinating play, created by Ireland’s Dead Centre, now at ArtsEmerson’s Paramount...
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Tekki Lomnicki And Tellin’ Tales Theatre: In Discussion
Tekki Lomnicki is the artistic director of Tellin’ Tales Theatre, located in Chicago, and...
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