United States of America Archives - Page 38 of 58

Two Bold Shows by Women of Color at Mabou Mines

Posted by Abigail Weil | 9th Feb 2019 | Festivals, New York, Review, Theatre and Gender, United States of America

When I entered the theater at Mabou Mines for Edisa Weeks’ performance of Three Rites: Liberty, my...

Shakespeare’s “Othello” In The Trappings Of Twenty-First Century America

Posted by Jane Baldwin | 9th Feb 2019 | Boston, Review, Theatre and Politics, United States of America

An updated version of Othello now playing at the American Repertory Theatre in Cambridge...

A New Eliza: Bedlam’s “Pygmalion” At The Central Square Theatre

Posted by Matthew McMahan | 8th Feb 2019 | Boston, Review, United States of America

After a critically acclaimed run in New York City, Bedlam Theatre Company has brought their...

China, Liberia, America: A Suite Of Women’s Stories

Posted by Abigail Weil | 7th Feb 2019 | Festivals, New York, Review, Theatre and Film, Theatre and Gender, United States of America

In an intimate performance space in New York’s East Village, a quietly consequential experiment is...

“Ms. Smith Goes To Washington”-The Fountain Theatre At Los Angeles City Hall

Posted by Christine Deitner | 6th Feb 2019 | Los Angeles, Review, Theatre and Politics, United States of America

On Thursday, January 24th a lucky group of citizens in Los Angeles was treated to a unique...

Unfinished Business: “A Doll’s House, Part 2” at The Huntington Theatre Company

Posted by Matthew McMahan | 4th Feb 2019 | Boston, Review, Theatre and Gender, United States of America

After A Doll’s House, Part 2 enjoyed critical acclaim and eight Tony nominations on Broadway,...

Tarell Alvin McCraney’s “Choir Boy,” Fearless and Faithful, Makes Radiant Broadway Debut

Posted by Michael Appler | 4th Feb 2019 | LGBTQ+ Theatre, New York, Review, United States of America

“Choir Boy” is itself a spiritual whose song, sung triumphantly by the bountiful talent of its leading star, Jeremy Pope, rises from its stage with the same faith and fearlessness of a prayer sung only for the stars.

“Small Mouth Sounds” And Not Much Dialogue Either

Posted by Jane Baldwin | 3rd Feb 2019 | Boston, Review, United States of America

Small Mouth Sounds now playing at Boston’s SpeakEasy is influenced by the personal experience of...

“Paradise” at Odyssey Theatre – STEM and The Teenage Brain

Posted by Christine Deitner | 2nd Feb 2019 | Los Angeles, Theatre and Religion, Theatre and Science, United States of America

Odyssey Theatre presents us with another thought-provoking play in Paradise by Laura Maria...

Gilded in Glitter, How Much Jukebox Inferno Can “The Cher Show” Take?

Posted by Michael Appler | 2nd Feb 2019 | Musical Theatre, New York, Review, United States of America

Cher, the Academy, Grammy and Emmy Award winning superstar, could never be contained in a Broadway...

“Hercules” At Abrons Arts Center

Posted by Jack Wernick | 31st Jan 2019 | Review, Theatre and Politics, United States of America

The historic Abrons Arts Center on New York’s Lower East Side is the setting of a dynamic...

The Patriarchy Won’t Smash Itself: Interview with Kryssi Jeaux Miller, Founder of the Northern Colorado Jousting Troupe Knights of the Tempest

Posted by Irina Yakubovskaya | 31st Jan 2019 | Interview, Theatre and Gender, United States of America

Kryssi Jeaux Miller is a young woman full of surprises. Kryssi wears many hats: she performs,...

Complexity Abounds In Antaeus Theatre Company’s “The Cripple Of Inishmaan”-Glendale, CA

Posted by Christine Deitner | 30th Jan 2019 | Los Angeles, Review, Theatre and Art, United States of America

Situated on their two-year-old permanent home on Broadway in Glendale, CA, Antaeus Theatre Company...

“Where Did We Sit on The Bus?” at City Theatre, Pittsburgh PA

Posted by Wendy Arons | 29th Jan 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America

Playwright/poet/performer Brian Quijada has hope for the future. That’s not an easy orientation to...

Joseph Keckler’s “Train With No Midnight

Posted by Janelle Lawrence | 26th Jan 2019 | New York, Prototype 2019, Review, Theatre and Opera, United States of America

Walking into the lower theatre at HERE for Train With No Midnight you may have thought you were...

Brian Clowdus: Providing Access Through Outdoor Immersive Storytelling

Posted by Rickey Orr | 26th Jan 2019 | Immersive Theatre, Interview, United States of America

Brian Clowdus was left burned out and unfulfilled as a hustling actor. On a whim on his way back...

Sin Muros: Why I’m Producing a Latinx Theatre Festival

Posted by Trevor Boffone | 26th Jan 2019 | Festivals, News, United States of America

A lot has happened in the last year—locally in Houston, across the state of Texas, in the United...

Bringing Shadows To Life: Manual Cinema’s “The End Of TV” At ArtsEmerson

Posted by Matthew McMahan | 24th Jan 2019 | Puppetry, Review, Theatre and Film, United States of America

ArtsEmerson, Boston’s hub for international, experimental, and cutting-edge theatre, has invited...

Sin Muros: Interview With “The Corrido Of The San Patricios” Playwright Beto O’Byrne

Posted by Trevor Boffone | 24th Jan 2019 | Festivals, Interview, United States of America

This February, playwright Beto O’Byrne’s The Corrido Of The San Patricios will receive a staged...

Interview With Yngvild Aspeli of Plexus Polaire

Posted by Nicole Birmann Bloom | 22nd Jan 2019 | France, Interview, Norway, Puppetry, United States of America

Norwegian puppeteer Yngvild Aspeli and her company Plexus Polaire based in France is touring the...

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United States of America

Two Bold Shows by Women of Color at Mabou Mines

Shakespeare’s “Othello” In The Trappings Of Twenty-First Century America

A New Eliza: Bedlam’s “Pygmalion” At The Central Square Theatre

China, Liberia, America: A Suite Of Women’s Stories

“Ms. Smith Goes To Washington”-The Fountain Theatre At Los Angeles City Hall

Unfinished Business: “A Doll’s House, Part 2” at The Huntington Theatre Company

Tarell Alvin McCraney’s “Choir Boy,” Fearless and Faithful, Makes Radiant Broadway Debut

“Small Mouth Sounds” And Not Much Dialogue Either

“Paradise” at Odyssey Theatre – STEM and The Teenage Brain

Gilded in Glitter, How Much Jukebox Inferno Can “The Cher Show” Take?

“Hercules” At Abrons Arts Center

The Patriarchy Won’t Smash Itself: Interview with Kryssi Jeaux Miller, Founder of the Northern Colorado Jousting Troupe Knights of the Tempest

Complexity Abounds In Antaeus Theatre Company’s “The Cripple Of Inishmaan”-Glendale, CA

“Where Did We Sit on The Bus?” at City Theatre, Pittsburgh PA

Joseph Keckler’s “Train With No Midnight

Brian Clowdus: Providing Access Through Outdoor Immersive Storytelling

Sin Muros: Why I’m Producing a Latinx Theatre Festival

Bringing Shadows To Life: Manual Cinema’s “The End Of TV” At ArtsEmerson

Sin Muros: Interview With “The Corrido Of The San Patricios” Playwright Beto O’Byrne

Interview With Yngvild Aspeli of Plexus Polaire

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