Too Close To Home: Stefano Massini’s “Intractable Woman”
A week after Donald Trump was inaugurated, the atomic scientists who keep the famous Doomsday...
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Theatre and Politics
“Free EU Roaming”: Adapting Catalan Referendum Into A Play
Presented at the Smock Alley Theatre for the last edition of the Dublin Fringe Festival, Free EU...
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Dawn King’s “Foxfinder” At The Ambassadors Theatre
Is appearing in the West End a rite of passage for Game Of Thrones stars? In the past couple of...
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Our Streets, Our City: “Not For Sale” By Guadalís Del Carmen Premieres At UrbanTheater Company
One of the core components of the Latinx Theatre Commons Carnaval of New Latinx Work in July 2018...
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Temperament And Innovation: The Performing Arts In A Devolved Wales
If Wales is known throughout the world it is most likely for its singing. The Welsh have often...
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Oladipo Agboluaje’s “New Nigerians” At The Arcola Theatre
With Prime Minister Theresa May visiting Nigeria last week, trying to stump up some post-Brexit...
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“Status” by The Summerhall: “It’s Not Another Brexit Show,”
“It’s not another Brexit show,” Chris Thorpe declares as he embarks on his...
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Denim And Revolution: Belarus Free Theatre’s “Generation Jeans” Resonates
Review: Generation Jeans in Melbourne. With two of their founding members in exile, it is little...
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Lost Voice Guy – Edinburgh Fringe, Review: Pointed Laughs From The Britain’s Got Talent Winner
Lost Voice Guy, who won Britain’s Got Talent earlier this year, warns us that Inspiration Porn is...
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Art And Character, Or: I DO Care How We Go Down In History
In a very recent film awarded the Crystal Globe at the Karlovy Vary Film Festival, the Romanian...
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“The Long Forgotten Dream” Raises Uneasy Questions About Performance And Colonization
A large, ochred sail swells, rolls and eases in the heavens of the stage. It forms both ceiling...
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The State Of Artistic Freedom 2018
In a first-of-its-kind report assessing the global state of artistic freedom, Freemuse warns of...
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Ivo van Hove’s “The Damned” at Park Avenue Armory
Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the...
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Rory Mullarkey’s “Pity” At The Royal Court
London’s Royal Court theatre, which proudly boast of being “a leading force in world theatre for...
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“Allelujah!” at The Bridge Theatre
The NHS is us. For decades our national identity has been bandaged together with the idea, and...
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“I Don’t See Race” And Other White Lies
No one white really wants to talk about being white. Lately, the “color-blind” approach to race...
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Subverting The Idea Of Nationalism
In one of Kraków’s many open-air spaces, the orchestral strains of Muhammad Iqbal’s Sare Jahan Se...
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“Don’t Read The Comments” (Montreal Fringe)
Montreal, Québec Kelann Currie-Williams reviews Sermo Scomber Theatre’s Don’t Read The...
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“Imperium” at The Gielgud Theatre
History repeats itself. This much we know. In the 1980s, under a Tory government obsessed with...
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“Winter Solstice” At Cannes
The thesis that fascism is encountered at all extremes of the political spectrum is a key to the...
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