Acting Archives - Page 10 of 11

David Eldridge’s “Beginning” at The National Theatre

Posted by Aleks Sierz | 27th Nov 2017 | Acting, London, Playwriting, Review, United Kingdom

One defining characteristic of Englishness is social awkwardness, and its emotional register is an...

“Poison” at The Orange Tree Theatre

Posted by Aleks Sierz | 21st Nov 2017 | Acting, London, Playwriting, Review, United Kingdom

Continental drama, in this era of Brexit negotiations, seems to be rarer and rarer on British...

Kosovo Actors Demand Higher Salaries

Posted by Artrit Bytyçi and Ardit Kika | 12th Nov 2017 | Acting, Kosovo, News

The Ministry of Culture said that actors’ salaries will be raised by January of next year after...

Bobi Pricop And The Empathetic Theatre

Posted by Oltița Cîntec | 11th Nov 2017 | Acting, Directing, Essay, Romania

Each year, the Romanian higher education system supplies, through its art universities with their...

Interview With Fanny Gautier: Exit(o) Madrid

Posted by Carrie Klewin Lawrence | 2nd Nov 2017 | Acting, Interview, Spain

Fanny Gautier, star of stage, television, and film, gives some insight into succeeding as a...

David Greenspan’s One-Man, 6-Hour Performance of Eugene O’Neill’s “Strange Interlude”

Posted by Jonathan Kalb | 30th Oct 2017 | Acting, Review, United States of America

The most interesting question about David Greenspan’s one-man, 6-hour performance of Eugene...

Thomas Ostermeier’s “Richard III” at BAM

Posted by Jonathan Kalb | 17th Oct 2017 | Acting, Germany, Review

Richard Crookback is Shakespeare’s dazzling carnival monster, a showoff criminal who charms us...

David Storey’s “The March On Russia” at Orange Tree Theatre

Posted by Aleks Sierz | 1st Oct 2017 | Acting, Playwriting, Review, United Kingdom

The family celebration drama is a genre that had its heyday in the 1960s when social mobility made...

The Inability to Fill the Void: Eduardo Orozco’s “Asatia”

Posted by Margarita Vargas | 22nd Sep 2017 | Acting, Mexico

Premise: The protagonist in Eduardo Orozco’s play Asatia discovers that dedicating...

What Is the Relationship Between Acting and Transmedia? Part II

Posted by Belén Santa-Olalla | 28th Jul 2017 | Acting, Europe, Transmedia

This is the second blog post looking at acting and transmedia. It identifies several key...

The Beginner’s Guide To Acting And Transmedia

Posted by Belén Santa-Olalla | 10th Jul 2017 | Acting, Spain, Transmedia

This is the first of a series of blog posts that look at the role of the actor in a transmedia...

“Brodsky/Baryshnikov”: The Art of Poetic Memory

Posted by Irene Kukota | 27th Jun 2017 | Acting, Review, Russia

From the cultural perspective, London is an extremely privileged city: the delights it enjoys are...

Interview: Ha Sung-kwang as Cheng Ying in “The Orphan of Zhao: Seeds of Revenge”

Posted by Kim Soyeon | 8th Jun 2017 | Acting, Adaptation, Interview, South Korea, Translation

The Orphan of Zhao: Seeds of Revenge was staged again recently. The premiere production was an...

Sex, Masturbation, And Dementia: A Review Of David Baddiel’s “My Family: Not The Sitcom”

Posted by Alice Jones | 22nd May 2017 | Acting, London, Review, United Kingdom

“The question is,” says David Baddiel a short while into the second half of his one-man show about...

Interview with Amy Aquino

Posted by Krista Jarboe | 11th May 2017 | Acting, Interview, Los Angeles, United States of America

You may have seen Amy Aquino grazing the big screen as Miss Martinez in White Oleander or Alice...

The Actor is the Message: An Interview with Sophie Rois

Posted by Barbara Behrendt | 28th Apr 2017 | Acting, Germany, Interview

The actress Sophie Rois on performing without a role, the life of an actress at the Berlin...

Interview With Oliver Chris: “I’ve Lived My Whole Life With People Saying ‘When Are You Going to Be Prince William?’”

Posted by Alice Jones | 13th Mar 2017 | Acting, Interview, London, United Kingdom

“I didn’t think this was what I would be doing when I left drama school,” says Oliver Chris. What...

A Discussion With Peter Brombacher: Acting And The Importance Of The Ensemble

Posted by Silvia Stammen | 20th Feb 2017 | Acting, Germany

An interview with the actor Peter Brombacher, actor and a permanent member of the Münchner...

Song of the Goat Sings the Tragedy of Cordelia in “Songs of Lear”

Posted by KaiChieh Tu | 5th Dec 2016 | Acting, Adaptation, Essay, Poland, Theatre and Gender

Devising their works in a 13th-century refractory and former monastery in Wrocław’s Old Town, Song...

The Life and Death of Maria Alice Vergueiro

Posted by Marco Vasques and Rubens da Cunha | 26th Oct 2016 | Acting, Brazil, News

When someone asked Maria Alice Vergueiro what would people talk about her after her death, she...

Acting

David Eldridge’s “Beginning” at The National Theatre

“Poison” at The Orange Tree Theatre

Kosovo Actors Demand Higher Salaries

Bobi Pricop And The Empathetic Theatre

Interview With Fanny Gautier: Exit(o) Madrid

David Greenspan’s One-Man, 6-Hour Performance of Eugene O’Neill’s “Strange Interlude”

Thomas Ostermeier’s “Richard III” at BAM

David Storey’s “The March On Russia” at Orange Tree Theatre

The Inability to Fill the Void: Eduardo Orozco’s “Asatia”

What Is the Relationship Between Acting and Transmedia? Part II

The Beginner’s Guide To Acting And Transmedia

“Brodsky/Baryshnikov”: The Art of Poetic Memory

Interview: Ha Sung-kwang as Cheng Ying in “The Orphan of Zhao: Seeds of Revenge”

Sex, Masturbation, And Dementia: A Review Of David Baddiel’s “My Family: Not The Sitcom”

Interview with Amy Aquino

The Actor is the Message: An Interview with Sophie Rois

Interview With Oliver Chris: “I’ve Lived My Whole Life With People Saying ‘When Are You Going to Be Prince William?’”

A Discussion With Peter Brombacher: Acting And The Importance Of The Ensemble

Song of the Goat Sings the Tragedy of Cordelia in “Songs of Lear”

The Life and Death of Maria Alice Vergueiro

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