Acting Archives - Page 9 of 11

Contemporary Poland in “Paragraph 196 (Exercises on Terror)” by the Theatre of the Eighth Day

Posted by Klaudia Święcicka (Klaudiusz Święcicki) | 27th Mar 2018 | Acting, Poland, Review, Theatre and Politics

The Theatre of the Eighth Day’s Paragraph 196 (exercises on terror) (Paragraf 196 kk (ćwiczenia z...

Living And Breathing History, Through Noh

Posted by Katherine Whatley | 24th Mar 2018 | Acting, Essay, Japan, Theatre and Gender

Noh performer Hisa Uzawa has spent her life devoted to an art form that—with its slow and steady...

Legendary Russian Actor Oleg Tabakov Has Died. Why Was This Actor Loved by Everyone in Russia?

Posted by Yulia Shamporova | 21st Mar 2018 | Acting, News, Russia

People’s Artist of the USSR, legendary Russian actor and director, Oleg Tabakov died on...

Interpreting The Epics

Posted by Vikram Phukan | 20th Mar 2018 | Acting, Festivals, India, Review

The Tenkutittu and Badagutittu traditional theatre styles of coastal Karnataka come alive. The...

“The Actor’s Life for Me:” A Conversation With David Greenspan

Posted by Jessica Rizzo | 17th Mar 2018 | Acting, Interview, Playwriting, United States of America

David Greenspan keeps busy. Just two weeks after closing his monumental solo rendition of Eugene...

The Gaze Of The Robot: Oriza Hirata’s Robot Theatre

Posted by Krisztina Rosner | 11th Mar 2018 | Acting, Essay, Japan, Theatre and Science, Transmedia

Ten Years of Robot Theatre Directed by Oriza Hirata In Japan, the development of humanoid robots...

Mind The Gap: Theatre Group For The Over 60s Helps Salisbury Playhouse Cater For All

Posted by Lucy Rouse | 4th Mar 2018 | Acting, News, Theatre and Age, United Kingdom

One of the things Salisbury Playhouse tries to do is provide opportunities for everyone in the...

Actors Should Be Allowed To Be Parents Too

Posted by Bernadette McNulty | 25th Feb 2018 | Acting, London, News, United Kingdom

Acting, as the cliché goes, is child’s play. All that dressing up and pretending to be someone...

An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”

Posted by Taurie Kinoshita | 18th Jan 2018 | Acting, Hawaii, Interview, Transcultural Collaborations

The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...

Theatre Play “Surrender” Sheds Light On New Egyptian Talents Ready To Enter Acting Scene

Posted by Ossama Lotfy Fateem | 9th Jan 2018 | Acting, Egypt, Review

Staged by the Actor’s Studio, an initiative housed by the Creativity Centre, Surrender is a...

Traumatic Dramatics: Iraqi Addicts, Criminals, And Survivors Use Theatre As Therapy

Posted by Sara al-Qaher | 24th Dec 2017 | Acting, Iraq, News, Playwriting, Theatre and Politics

An Iraqi man is using drama therapy to help local drug addicts, juvenile offenders and victims of...

Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company

Posted by Heather Waters | 24th Dec 2017 | Acting, Directing, New York, Review, United States of America

Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...

Out Of Character: How Acting Puts A Mental Strain On Performers

Posted by Leith Taylor | 19th Dec 2017 | Acting, Australia, Essay

Performers are twice as likely as the general population to experience depression, according to...

Isabelle Huppert And Jeremy Irons Will Be Awarded Europe Theatre Prize In Rome

Posted by Scena.ro | 4th Dec 2017 | Acting, Italy, News

From the 12th to the 17th of December, Rome will host the XVI edition of Theatre Prize and the XIV...

Junpei Mizobata Plunges Headfirst Into The Absurdist World Of Harold Pinter

Posted by Nobuko Tanaka | 29th Nov 2017 | Acting, Directing, Japan, Review

As the saying goes, “You can’t judge a book by its cover.” In the same way, if you thought the...

David Eldridge’s “Beginning” at The National Theatre

Posted by Aleks Sierz | 27th Nov 2017 | Acting, London, Playwriting, Review, United Kingdom

One defining characteristic of Englishness is social awkwardness, and its emotional register is an...

“Poison” at The Orange Tree Theatre

Posted by Aleks Sierz | 21st Nov 2017 | Acting, London, Playwriting, Review, United Kingdom

Continental drama, in this era of Brexit negotiations, seems to be rarer and rarer on British...

Kosovo Actors Demand Higher Salaries

Posted by Artrit Bytyçi and Ardit Kika | 12th Nov 2017 | Acting, Kosovo, News

The Ministry of Culture said that actors’ salaries will be raised by January of next year after...

Bobi Pricop And The Empathetic Theatre

Posted by Oltița Cîntec | 11th Nov 2017 | Acting, Directing, Essay, Romania

Each year, the Romanian higher education system supplies, through its art universities with their...

Interview With Fanny Gautier: Exit(o) Madrid

Posted by Carrie Klewin Lawrence | 2nd Nov 2017 | Acting, Interview, Spain

Fanny Gautier, star of stage, television, and film, gives some insight into succeeding as a...

Acting

Contemporary Poland in “Paragraph 196 (Exercises on Terror)” by the Theatre of the Eighth Day

Living And Breathing History, Through Noh

Legendary Russian Actor Oleg Tabakov Has Died. Why Was This Actor Loved by Everyone in Russia?

Interpreting The Epics

“The Actor’s Life for Me:” A Conversation With David Greenspan

The Gaze Of The Robot: Oriza Hirata’s Robot Theatre

Mind The Gap: Theatre Group For The Over 60s Helps Salisbury Playhouse Cater For All

An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”

Theatre Play “Surrender” Sheds Light On New Egyptian Talents Ready To Enter Acting Scene

Traumatic Dramatics: Iraqi Addicts, Criminals, And Survivors Use Theatre As Therapy

Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company

Out Of Character: How Acting Puts A Mental Strain On Performers

Isabelle Huppert And Jeremy Irons Will Be Awarded Europe Theatre Prize In Rome

Junpei Mizobata Plunges Headfirst Into The Absurdist World Of Harold Pinter

David Eldridge’s “Beginning” at The National Theatre

“Poison” at The Orange Tree Theatre

Kosovo Actors Demand Higher Salaries

Bobi Pricop And The Empathetic Theatre

Interview With Fanny Gautier: Exit(o) Madrid

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