“The Actor’s Life for Me:” A Conversation With David Greenspan
David Greenspan keeps busy. Just two weeks after closing his monumental solo rendition of Eugene...
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Acting
The Gaze Of The Robot: Oriza Hirata’s Robot Theatre
Ten Years of Robot Theatre Directed by Oriza Hirata In Japan, the development of humanoid robots...
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Mind The Gap: Theatre Group For The Over 60s Helps Salisbury Playhouse Cater For All
One of the things Salisbury Playhouse tries to do is provide opportunities for everyone in the...
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Actors Should Be Allowed To Be Parents Too
Acting, as the cliché goes, is child’s play. All that dressing up and pretending to be someone...
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An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”
The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...
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Theatre Play “Surrender” Sheds Light On New Egyptian Talents Ready To Enter Acting Scene
Staged by the Actor’s Studio, an initiative housed by the Creativity Centre, Surrender is a...
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Traumatic Dramatics: Iraqi Addicts, Criminals, And Survivors Use Theatre As Therapy
An Iraqi man is using drama therapy to help local drug addicts, juvenile offenders and victims of...
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Fiasco Theater’s Time Machine – “Twelfth Night” At Classic Stage Company
Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...
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Out Of Character: How Acting Puts A Mental Strain On Performers
Performers are twice as likely as the general population to experience depression, according to...
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Isabelle Huppert And Jeremy Irons Will Be Awarded Europe Theatre Prize In Rome
From the 12th to the 17th of December, Rome will host the XVI edition of Theatre Prize and the XIV...
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Junpei Mizobata Plunges Headfirst Into The Absurdist World Of Harold Pinter
As the saying goes, “You can’t judge a book by its cover.” In the same way, if you thought the...
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David Eldridge’s “Beginning” at The National Theatre
One defining characteristic of Englishness is social awkwardness, and its emotional register is an...
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“Poison” at The Orange Tree Theatre
Continental drama, in this era of Brexit negotiations, seems to be rarer and rarer on British...
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Kosovo Actors Demand Higher Salaries
The Ministry of Culture said that actors’ salaries will be raised by January of next year after...
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Bobi Pricop And The Empathetic Theatre
Each year, the Romanian higher education system supplies, through its art universities with their...
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Interview With Fanny Gautier: Exit(o) Madrid
Fanny Gautier, star of stage, television, and film, gives some insight into succeeding as a...
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David Greenspan’s One-Man, 6-Hour Performance of Eugene O’Neill’s “Strange Interlude”
The most interesting question about David Greenspan’s one-man, 6-hour performance of Eugene...
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Thomas Ostermeier’s “Richard III” at BAM
Richard Crookback is Shakespeare’s dazzling carnival monster, a showoff criminal who charms us...
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David Storey’s “The March On Russia” at Orange Tree Theatre
The family celebration drama is a genre that had its heyday in the 1960s when social mobility made...
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The Inability to Fill the Void: Eduardo Orozco’s “Asatia”
Premise: The protagonist in Eduardo Orozco’s play Asatia discovers that dedicating...
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