Natasha Marshall’s “Half Breed” at The Soho Theatre
In the 2000s one of the many glories of new writing for British stages was the linguistically...
Read MorePosted by Aleks Sierz | 12th May 2018 | Acting, London, Review, United Kingdom
In the 2000s one of the many glories of new writing for British stages was the linguistically...
Read MorePosted by Heather Waters | 5th May 2018 | Acting, New York, Review, United States of America
The lights never go down on the audience, the result being we all play a part in the production, and there are no spectators. La MaMa E.T.C. is a beautiful, decrepit, wonderfully haunted space; to redefine audience roles and do away with spectators is an adventurous, fun design for this stage.
Read MorePosted by Alvina Ruprecht | 26th Apr 2018 | Acting, Adaptation, Belgium, Review
La Cérisaie (The Cherry Tree/The Cherry Orchard) presented by the Belgian company TG STAN (i.e....
Read MorePosted by Aleks Sierz | 23rd Apr 2018 | Acting, Documentary Theatre, London, Review, United Kingdom
There are few things more British than talking about the weather. What makes this play about a...
Read MorePosted by María Agustina Pardini | 28th Mar 2018 | Acting, London, Review, United Kingdom
Toby Jones, Zoë Wanamaker, Stephen Mangan, Tom Vaughan-Lawlor, Peter Wight, and Pearl Mackie make...
Read MorePosted by Piotr Rudzki (University of Wrocław) | 27th Mar 2018 | Acting, Applied Theatre, Essay, Poland, Producing, Theatre and Politics
Protests against the new manager During the decade 2006–2016 the Polski Theatre in Wrocław became...
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 27th Mar 2018 | Acting, Essay, Poland, Polish Theatre and Gender, Theatre and Politics
The Theatre of the Eighth Day (Teatr Ósmego Dnia), from Poznań, has been a phenomenon of Polish...
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 27th Mar 2018 | Acting, Poland, Review, Theatre and Politics
For the last three years, liberal, pro-European Poland has been experiencing an identity crisis....
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 27th Mar 2018 | Acting, Poland, Review, Theatre and Politics
The Theatre of the Eighth Day’s Paragraph 196 (exercises on terror) (Paragraf 196 kk (ćwiczenia z...
Read MorePosted by Katherine Whatley | 24th Mar 2018 | Acting, Essay, Japan, Theatre and Gender
Noh performer Hisa Uzawa has spent her life devoted to an art form that—with its slow and steady...
Read MorePosted by Yulia Shamporova | 21st Mar 2018 | Acting, News, Russia
People’s Artist of the USSR, legendary Russian actor and director, Oleg Tabakov died on...
Read MorePosted by Vikram Phukan | 20th Mar 2018 | Acting, Festivals, India, Review
The Tenkutittu and Badagutittu traditional theatre styles of coastal Karnataka come alive. The...
Read MorePosted by Jessica Rizzo | 17th Mar 2018 | Acting, Interview, Playwriting, United States of America
David Greenspan keeps busy. Just two weeks after closing his monumental solo rendition of Eugene...
Read MorePosted by Krisztina Rosner | 11th Mar 2018 | Acting, Essay, Japan, Theatre and Science, Transmedia
Ten Years of Robot Theatre Directed by Oriza Hirata In Japan, the development of humanoid robots...
Read MorePosted by Lucy Rouse | 4th Mar 2018 | Acting, News, Theatre and Age, United Kingdom
One of the things Salisbury Playhouse tries to do is provide opportunities for everyone in the...
Read MorePosted by Bernadette McNulty | 25th Feb 2018 | Acting, London, News, United Kingdom
Acting, as the cliché goes, is child’s play. All that dressing up and pretending to be someone...
Read MorePosted by Taurie Kinoshita | 18th Jan 2018 | Acting, Hawaii, Interview, Transcultural Collaborations
The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...
Read MorePosted by Ossama Lotfy Fateem | 9th Jan 2018 | Acting, Egypt, Review
Staged by the Actor’s Studio, an initiative housed by the Creativity Centre, Surrender is a...
Read MorePosted by Sara al-Qaher | 24th Dec 2017 | Acting, Iraq, News, Playwriting, Theatre and Politics
An Iraqi man is using drama therapy to help local drug addicts, juvenile offenders and victims of...
Read MorePosted by Heather Waters | 24th Dec 2017 | Acting, Directing, New York, Review, United States of America
Fiasco Theater begins its experimental take of William Shakespeare’s Twelfth Night, Or What You...
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