Takehiro Hira Steps Into a 19th-Century Affair in the Award-Winning “Kaku Onna”
Tokyo was bathed in warm sunshine in the run-up to 2016, and when Takehiro Hira meets me at a...
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Acting
Thou Hadst Better Avoid Getting Teary–And King Leary–This Christmas
As the year’s major family holiday season arrives, now is a good time to consider how much about...
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In The Spirit Of Positive Disgrace: An Interview With Katarzyna Lemańska
What were the beginnings of your work with the Garbaczewski & Cecko duo? You met while working...
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3 Russian Contributions To Theater That Changed The World
In honor of World Theater Day on March 27, RBTH presents three of Russia’s greatest contributions...
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Tony Allotta & Valeria Colucci Explain Teatro Valle Occupato
In the spring of 2012, TheTheatreTimes.com, along with members of The Fence network, spent a few...
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We Need More Racial Diversity On The Stage, Both Sides Of The Pond
In 1825 the African-American actor Ira Aldridge came to London in The Slave’s Revenge. Before...
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Celebrating Stanislavsky And His Method
Born 150 years ago, Stanislavsky created the method that revolutionized 20th-century acting and...
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Remembering Stanislavsky’s Methodical Approach
Konstantin Stanislavsky and his Method may have been unknown in the U.S. without the work of...
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Russian Actress Wins Kudos In D.C.
Irina Koval, who was raised in St. Petersburg, brings her training from Lenfilm Studios and a...
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Stage Trust: Talk With Renate Jett
I’m an outsider everywhere. I was an outsider in my family. I was an outsider where I grew up. I’m...
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