Krista Jarboe

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Krista Jarboe is an arts administrator and early career dramaturg that has experience working in diverse theatre environments throughout the midwest and on both coasts. She has a BA in Theatre from The University of Kansas and has held literary positions at Athena Theatre, Dixon Place, and San Francisco Playhouse. Her passion lies in collaborating with other queer theatre artists on developing new works.

Puppet BloK: A Series Of Ground-Breaking New Works

Posted by Krista Jarboe | 4th Oct 2017 | Devised Theatre, New York, Puppetry, United States of America

Dixon Place is known for their commitment to supporting the creative process as well as hosting...

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Interview with Amy Aquino

Posted by Krista Jarboe | 11th May 2017 | Acting, Interview, Los Angeles, United States of America

You may have seen Amy Aquino grazing the big screen as Miss Martinez in White Oleander or Alice...

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Most Popular Posts

From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
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New York City Fringe Begins April 1 by Marcina Zaccaria 25th March 2026
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Recent Posts

Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part I 21st April 2026
A Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach” 15th April 2026
Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen 14th April 2026
Michael Frayn’s “Copenhagen” at the Hampstead Theatre: Excellent Revival Of Iconic Play About The Ethics Of The Atom Bomb 14th April 2026
From Richard To Richard: MITEM 2026 And a Europe in a State of Alarm 14th April 2026
Adaptations On The German Stage (3): Theater Bremen Is Keen On The Long Haul 10th April 2026
Big Fatuous Giant 10th April 2026
Dog-Gone 9th April 2026
GPS M S Biomechanics System Vs. Narcissism: “Shouting, Making Faces, And Being Crazy Is NOT Enough To Be A Clown” 8th April 2026
Christopher Hampton’s “Les Liaisons Dangereuses” at The National Theatre: Busy Highly Stylized Revival Is All Spectacle And No Emotion 8th April 2026

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