Midnight Radio: “Yinzer Scrooged: A Pittsburgh Christmas Carol” at Bricolage Production Company, Pittsburgh PA, USA
Reader, if – like me – you’re a relatively recent transplant to Pittsburgh, the presence of the...
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Diamonds In the Rough
An emerging sidelight at the annual Prithvi Theatre Festival is its selection of fringe offerings...
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Cosmos, Without Us
I’m a thirty-four-year-old straight woman who grew up in the suburbs with an older brother. That...
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John Webster’s “The Duchess of Malfi” at the Almeida Theatre
This Duchess of Malfi is a cool one. It is so cool that it has lost its gripping temper and, with...
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Any One Thing’s Souvenir: Being a Guest in A Dystopian Birthday Party
I’m crouching along with a group of strangers, waiting for Anna to arrive. I have never met Anna...
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Krysta Rodriguez on Her Latest Stage Role in “Seared” and Her Collaboration with Theresa Rebeck
If you’re a culture vulture and are interested in TV and theater, most likely, you know a...
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Isabelita Perón in the Spotlight: “Happyland” at Buenos Aires’ Teatro San Martin
Alfredo Arias has been based in France for many decades now, but he is an increasingly frequent...
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National Theatre: Inua Ellam’s “Three Sisters” Surges with Narrative Energy, Depicting Sisterhood and Colonial Injustice in the Short-Lived Republic of Biafra
In recent years there has been a resurgence of progressive adaptations of Chekhov’s realist...
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Contemporary Dramaturgies in the Performing Arts in Denmark: Report from a Conference Celebrating 60 Years of Dramaturgy at Aarhus University, Denmark
In The Routledge Companion to Dramaturgy (2016), Magda Romanska argues that if the twentieth...
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Trying to Transition with Asperger’s: Diego Casado Rubio’s “Millones de segundos/Millions of Seconds”
A performance for teenage schoolchildren of Diego Casado Rubio’s Millones de Segundos (English...
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“History of Violence” and How Your iPhone is a Culprit
First of all, don’t be put off by the pompous, academic title. Thomas Ostermeier’s...
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Martin Crimp’s “Cyrano de Bergerac” at the Playhouse Theatre
“You into words?” Jamie Lloyd’s magnificent treatment of Cyrano de Bergerac very much...
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“Rhinoceros”: TheatreDuo Examines the Absurdity of the Human Condition
Rhinoceros, the official production commemorating the Market Theatre Lab’s 30th-anniversary...
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These are Voices of Women Considered Modern for Their Times
Anubha Fatehpuria will act out a miscellany of women characters, spanning more than a century in...
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Ritualizing Identities: “SUGA” by Travis Coe at Double Edge Theatre Company in Ashfield, Massachusetts
At the center of the large wooden barn is a makeshift altar, wrapped in gauze and adorned in...
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Festival Místicas: How to Perform Ancient Religious Texts in the 21st Century
It is autumn in Madrid, Spain. A small group of theatergoers has arrived at Zapadores, a new art...
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Do You Believe in Magic? A Panto Review
Jack and the Beanstalk, written by Joel Horwood. Lyric Hammersmith. London. 20 December 2017. As...
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Color, Collaboration, Community: teamLab’s New Family-Friendly Art Installation
Sorak Gemilang Entertainment (SGE) brings a world-class exhibition by art collective teamLab to...
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Culture and Art: The Launching of Lebanon International Theatre Festival Under the Slogan “Art for Change”
Istanbouli Theater and the Tiro Association for Arts announced the program of the second version...
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“VAST:” Returning to the Natural Body to Combat the History of Colonialism
From Reunion Island to India, this play explores freedom and history. A young boy from Nepal...
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