Jonathan Kalb Interviews Himself On Daniel Fish’s “Oklahoma!”
Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...
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Review
An Intricate Rumination On The Partnership Between Music And Dance
Concert, By Colin Dunne, Dance Umbrella Festival 2018, London, Barbican The important thing about...
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In “Midsummer” The Mobile Unit Delivers a Joyous Celebration of Life and Shakespeare
Joe Papp would be proud had he lived to see what his Mobile Theater had become: a brimming, joyous sanctuary of inclusivity and plurality, of Shakespearean excellence armed with subtle and striking mindfulness, no longer a struggling caravan of the American theater’s earliest pioneers, but a rag-tag group of brilliant players all the same.
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Martin Crimp’s “Dealing With Clair” At The Orange Tree Theatre
On the morning when this stylish revival of Martin Crimp’s 1988 play opens, I wake up to the news...
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“I Call Myself Princess” Is A Gifted Conduit For Escalating Ancestors
After attending a rehearsal and speaking with playwright Jani Lauzon and director Marjorie...
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“The Barber Of Seville” at Boston Lyric Opera
Gioachino Rossini’s most famous opera, The Barber Of Seville, opened Friday night at the Cutler...
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Dianne Wiest’s Winnie In Madison Square Park
Nothing you do this week will likely be more worthwhile than spending 40-odd minutes with Dianne...
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Miguel Septién A Great Direction Of “Kiss Of The Spider Woman”: A Risky And Avant-Garde Proposal
Kiss Of The Spider Woman is splendidly directed by Miguel Septién, an excellent director who...
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Bryony Kimmings’ “I Am A Phoenix, Bitch”
On Friday, March 13, 2015, the Grand Hall at Battersea Arts Centre in South London went up in...
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Cheek by Jowl and The Pushkin Theatre’s “Measure for Measure”
Authority. Surveillance. Enforcement. Confession. These are the tools of the state brought to life...
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David Edgar’s “Trying It On” At The Royal Court
Playwright David Edgar is lucky. To begin with, he appreciates his luck in having been born in...
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“Frankenstein: How To Make A Monster” at Battersea Arts Centre
Part of the Phoenix Season at the newly re-opened Grand Hall at Battersea Arts Centre is also BAC...
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“Measure For Measure”: Shakespeare’s #MeToo Moment
Cheek by Jowl’s production of Shakespeare’s Measure For Measure, performed in Russian by actors...
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Martin McDonagh’s “A Very Very Very Dark Matter” At The Bridge Theatre
It’s all in the title, isn’t it? Martin McDonagh’s surreal new play comes with a warning that not...
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The Modern Woman In “Artemisia’s Intent”
The Anthropologists reach deep into their own doctrine to discover the depth behind the classic...
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Oscar Wilde’s “Salome” At Irondale
M-34 Productions and FringeNYC present a dazzling new production of Salome at the Irondale Center...
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“This Flight Tonight”: Joni Mitchell Remembered In Song
This Flight Tonight, Songs Of Joni Mitchell, Bear & Co. Directed by Eleanor Crowder The single...
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Joy Wilkinson’s “The Sweet Science Of Bruising” at The Southwark Playhouse
There are not that many plays about sport, but, whether you gamble on results or not, you can bet...
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In “Trustees,” Belarus Free Theatre Mercilessly Demolishes Australia’s Cultural Debate
The Belarus Free Theatre, exiled from their home nation, has returned to Australia to collaborate...
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Between Clouds And Comedy
This weekend see a play about the Internet age with Orwellian subtexts and an experimental...
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