“The House of Sorrow” – Jisun Kim
Consciousness, cognition, and perception have fascinated Jisun Kim and The House of Sorrow is a...
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Review
Digital National Theatre Festival In Memory Of A Critic
Prayogam Theatre Group pays tribute to senior journalist GLN Murthy and hopes to engage the...
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Reach Out And Touch Faith: “Guru Of Touch” By This Is Not A Theatre Company
After nearly half a year in quarantine, many artists still wrestle with the conundrum of COVID-era...
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“Different Stars:” A Song Cycle in Digital Form
Beginning with the erecting of a green screen and ending with its dismantling, Different Stars: A...
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“M(O)ther” – Boston Experimental Theatre
The Boston Experimental Theatre (BET) has created a production that manages to reflect our odd,...
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OYUB: Sounding Russian Docudrama
Documentary dramas engage the audience with social issues, and in Russia, documentary drama...
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Beast Visit is a Beauty
Ever since the quarantine began, a joke has been circulating throughout critical discourse—ok, on...
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“The Shopping Dead” Was a Wholly Collaborative Experience
Just when theatre audiences were drowsing over YouTube and Facebook live streaming and wishing a...
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”Scrounger” at the Finborough Theatre
During the current pandemic, stories about isolation have a particular resonance. Feelings of...
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“corkscrew 4.0:” Eight Plays, Eight Reimaginings, One Early 2000s Website
With the coronavirus pandemic still running rampant and limiting in-person gatherings, theatre...
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Polish Shakespeare Online: Krzysztof Warlikowski’s “The Tempest”
Today, Krzysztof Warlikowski is considered one of the most influential auteurs devising for the...
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The Guggenheim’s Works in Progress Provide the At-Home Concert Experience I Crave
Throughout the pandemic, Guggenheim has been committed to financially supporting artists and...
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Gelsey Bell’s “Cairns”: Sanctuary and Renewal in the Cemetery
I’ve never not gotten lost in Green-Wood Cemetery. One of the oldest landscaped cemeteries in...
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‘Hamilton’ Ignores the Statesman’s Strategy to Fund Genocidal Warfare Against Indigenous Peoples
The recent release of the musical Hamilton by the Disney+ channel on July 3 received favorable...
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“My White Best Friend (And Other Letters Left Unsaid)” at The Royal Court
The strength of the response to the re-emergence of the Black Lives Matter campaign has encouraged...
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Review of “Spring Cleaning,” Arlington Road, London
Can the act of dusting be a metaphor? This is the all-too-obvious question that jumps into the...
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Disrupting Taboos, Staging Cancer: Snowdrops and Chlorine’s Eruptive Intervention
The following review is based on the Snowdrops and Chlorine script, which differs slightly from...
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To Screen or Not to Screen: A Digital Experience at Mixer
In these uncertain times, as distance has taken on special meaning, the screen has gained a...
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“Sisters” Act: The Hollow Feminism Of China’s Hottest New Show
For the most talked-about show of the summer, Mango TV’s Sisters Who Make Waves has an unusual...
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“Les Blancs” at The National Theatre
Lorraine Hansberry’s debut, A Raisin in the Sun, was the first drama written by a black woman to...
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