Review Archives - Page 50 of 143

Fake Friends’ “Jerk” in Brooklyn

Posted by Jack Wernick | 26th Oct 2020 | LGBTQ+ Theatre, New York, Review, Theatre and Politics, United States of America

Camp is very much in season in Circle Jerk, a pitched-to-the-rafters romp from new media and...

“Waiting for Gretchen: Faust” – Teater Republique

Posted by Peter M. Boenisch | 24th Oct 2020 | Adaptation, Denmark, Review, Theatre and Gender

Faustimir and Mephistragon The misery of the aging white man, who once diligently studied...

Four Years Later: “The Astronaut’s Tale”

Posted by Marcina Zaccaria | 15th Oct 2020 | New York, Review, Theatre and Opera, United States of America

How do we continue forward without the great opera houses open? It is an extraordinary moment for...

Mister Twister (Marshak-Jazz Cabaret): Ladies & “Trump”

Posted by Emiliia Dementsova | 15th Oct 2020 | Puppetry, Review, Russia, Theatre and Politics

If the United States again accuses Russia of interfering in the election, it will almost certainly...

“Wonnangatta” Review: Australian Theatre Writing At Its Provocative And Powerful Best

Posted by Leigh Boucher | 14th Oct 2020 | Australia, Review, Sydney, Theatre and Politics

Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...

Plots Behind the Closed Curtains: Naguib Mahfouz’s “Wedding Song” on Cairo Stage

Posted by May Selim | 13th Oct 2020 | Adaptation, Egypt, Review

Basing his work on Naguib Mahfouz’s 1981 polyphonic novel Afrah Al-Qobba’s Wedding...

“Fela and the Kalakuta Queens” Goes Online

Posted by Ian Kiyingi Muddu | 12th Oct 2020 | Musical Theatre, Review, South Africa, Theatre and Gender

African musical theatre seems to be growing by leaps and bounds. In the last couple of years,...

“An Evening With an Immigrant” at The Bridge Theatre

Posted by Aleks Sierz | 11th Oct 2020 | London, Review, Theatre and Politics, United Kingdom

When the history of British theatre’s response to COVID-19 comes to be written, the names of two...

About “We Are Shadows: Brick Lane”

Posted by Aleks Sierz | 5th Oct 2020 | London, Review, Theatre and Art, United Kingdom

Do you know the Urdu word for story? No? Well, look it up. Okay, this might prove a bit tricky, so...

Fariña: Cocaine Coast Docks in Madrid

Posted by Duncan Wheeler | 1st Oct 2020 | Covid-19, Immersive Theatre, Review, Spain, Theatre and Politics, Transmedia

Madrid is the European capital worst hit by COVID-19. There nevertheless remains more theatrical...

“The House of Sorrow” – Jisun Kim

Posted by Liam Rees | 28th Sep 2020 | Germany, Review, Transmedia

Consciousness, cognition, and perception have fascinated Jisun Kim and The House of Sorrow is a...

Digital National Theatre Festival In Memory Of A Critic

Posted by Neeraja Murthy | 15th Sep 2020 | Festivals, India, Review

Prayogam Theatre Group pays tribute to senior journalist GLN Murthy and hopes to engage the...

Reach Out And Touch Faith: “Guru Of Touch” By This Is Not A Theatre Company

Posted by Emily Cordes | 10th Sep 2020 | Covid-19, Festivals, Review, Transmedia, United States of America

After nearly half a year in quarantine, many artists still wrestle with the conundrum of COVID-era...

“Different Stars:” A Song Cycle in Digital Form

Posted by Rhiannon Ling | 6th Sep 2020 | Covid-19, LGBTQ+ Theatre, New York, Review, Transmedia, United States of America

Beginning with the erecting of a green screen and ending with its dismantling, Different Stars: A...

“M(O)ther” – Boston Experimental Theatre

Posted by Clare Cioffero | 29th Aug 2020 | Boston, Covid-19, Review, Theatre and Politics, Transcultural Collaborations, United States of America

The Boston Experimental Theatre (BET) has created a production that manages to reflect our odd,...

OYUB: Sounding Russian Docudrama

Posted by Susanna Weygandt | 28th Aug 2020 | Documentary Theatre, Review, Russia, Theatre and Politics

Documentary dramas engage the audience with social issues, and in Russia, documentary drama...

Beast Visit is a Beauty

Posted by Abigail Weil | 26th Aug 2020 | Review, United States of America

Ever since the quarantine began, a joke has been circulating throughout critical discourse—ok, on...

“The Shopping Dead” Was a Wholly Collaborative Experience

Posted by Aidah Nalubowa | 23rd Aug 2020 | Review, South Africa, Theatre for Young Audiences

Just when theatre audiences were drowsing over YouTube and Facebook live streaming and wishing a...

”Scrounger” at the Finborough Theatre

Posted by Aleks Sierz | 22nd Aug 2020 | Review, Theatre and Disability, United Kingdom

During the current pandemic, stories about isolation have a particular resonance. Feelings of...

“corkscrew 4.0:” Eight Plays, Eight Reimaginings, One Early 2000s Website

Posted by Rhiannon Ling | 21st Aug 2020 | New York, Review, Transmedia, United States of America

With the coronavirus pandemic still running rampant and limiting in-person gatherings, theatre...

Review

Fake Friends’ “Jerk” in Brooklyn

“Waiting for Gretchen: Faust” – Teater Republique

Four Years Later: “The Astronaut’s Tale”

Mister Twister (Marshak-Jazz Cabaret): Ladies & “Trump”

“Wonnangatta” Review: Australian Theatre Writing At Its Provocative And Powerful Best

Plots Behind the Closed Curtains: Naguib Mahfouz’s “Wedding Song” on Cairo Stage

“Fela and the Kalakuta Queens” Goes Online

“An Evening With an Immigrant” at The Bridge Theatre

About “We Are Shadows: Brick Lane”

Fariña: Cocaine Coast Docks in Madrid

“The House of Sorrow” – Jisun Kim

Digital National Theatre Festival In Memory Of A Critic

Reach Out And Touch Faith: “Guru Of Touch” By This Is Not A Theatre Company

“Different Stars:” A Song Cycle in Digital Form

“M(O)ther” – Boston Experimental Theatre

OYUB: Sounding Russian Docudrama

Beast Visit is a Beauty

“The Shopping Dead” Was a Wholly Collaborative Experience

”Scrounger” at the Finborough Theatre

“corkscrew 4.0:” Eight Plays, Eight Reimaginings, One Early 2000s Website

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