Lesley Storm’s “Black Chiffon” at the Park Theatre: 1940s Psychological Thriller Revived
In British plays of the postwar period, before the liberated 1960s, there is always an unresolved...
Read MorePosted by Aleks Sierz | 27th Sep 2019 | London, Review, United Kingdom
In British plays of the postwar period, before the liberated 1960s, there is always an unresolved...
Read MorePosted by Andrew Agress | 27th Sep 2019 | New York, Review, United States of America
Hot off the heels of the success of Harry Potter and the Cursed Child, playwright Jack Thorne has...
Read MorePosted by Maria Delgado | 23rd Sep 2019 | Review, Spain, Theatre and Gender
Lucas Hnath takes a “what if” scenario as the central conceit of his sequel to Ibsen’s A Doll’s...
Read MorePosted by Maria Pia Pagani | 23rd Sep 2019 | Festivals, Italy, Review, Theatre and Opera
“Libiamo ne’ lieti calici . . .” is the most famous aria in La Traviata, by Giuseppe Verdi...
Read MorePosted by V.V. Ramani | 23rd Sep 2019 | Festivals, India, Review, Theatre and Dance
Through sensitive expressions and movements, the artistes conveyed the mood. The beauty of the...
Read MorePosted by Lorena Meeser | 23rd Sep 2019 | Adaptation, Immersive Theatre, Mexico, Review
A wonderful experience of intimate theatre. Distancias Cortas is a scenic production that presents...
Read MorePosted by Rathsaran Sireekan | 23rd Sep 2019 | Belgium, Festivals, Review, South Korea, Theatre and Politics
The political self of beauty South Korean artist Eunkyung Jeong’s interdisciplinary work at...
Read MorePosted by Wendy Arons | 23rd Sep 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Some theater thrills because it resonates with the Zeitgeist; some thrills because the...
Read MorePosted by Samuel Ravengai | 22nd Sep 2019 | Playwriting, Review, Theatre and Gender, Zimbabwe
The late Stephen Chifunyise rarely wrote about politics. He was more fascinated with social issues...
Read MorePosted by Aleks Sierz | 22nd Sep 2019 | London, Review, Theatre and Politics, United Kingdom
Identity politics have been around for decades. But it’s always good to revisit the subject....
Read MorePosted by Camilla Nelson | 22nd Sep 2019 | Australia, Review, Sydney, Theatre and Gender
Review: Avalanche: A Love Story, directed by Anne-Louise Sarks, Sydney Theatre Company Maxine...
Read MorePosted by Aleks Sierz | 21st Sep 2019 | London, Review, Theatre and Politics, United Kingdom
The past can often hang like a nightmare on the present. And, in the case of Jewish identity, this...
Read MorePosted by Juno Schwarz | 21st Sep 2019 | London, Review, Transmedia, Ukraine, United Kingdom
What happens when somebody dies at the frontline? Who’s responsible for getting in touch with...
Read MorePosted by Mert Dilek | 21st Sep 2019 | London, Review, Theatre and Politics, United Kingdom
Alexander Zeldin’s new play arrives at the National Theatre’s Dorfman stage with a title...
Read MorePosted by Christine Deitner | 20th Sep 2019 | Los Angeles, Review, United States of America
Elliot: “You don’t get to choose people’s words, Jodi.” Jodi: “No, I don’t. But I won’t...
Read MorePosted by Konrad Zielinski | 20th Sep 2019 | London, Review, Theatre and Politics, United Kingdom
Simon Wood’s debut play Hansard, performed at London’s National Theatre Lyttleton...
Read MorePosted by Abigail Weil | 19th Sep 2019 | Immersive Theatre, LGBTQ+ Theatre, New York, Review, Theatre and Politics, Theatre and Religion, United States of America
The dramatis personae of Novenas for a Lost Hospital is wide-ranging. There are doctors and nurses...
Read MorePosted by Agata Łuksza | 18th Sep 2019 | Poland, Review, Theatre and Gender, Theatre and Politics
“I sniff like a dog sniffs the wondrous,” says Lunatic in Anna Świrszczyńska’s...
Read MorePosted by Abigail Weil | 17th Sep 2019 | Immersive Theatre, Musical Theatre, New York, Participatory Theatre, Review, Theatre and Opera, Theatre and Science, Transmedia, United States of America
My instinct is to describe Looking at You, the new opera from librettist Rob Handel, composer...
Read MorePosted by Neeraja Murthy | 16th Sep 2019 | India, Review, Theatre and Art
Artiste and teacher Elena Serra shares the joy of conveying emotions without words. The greenroom...
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