“Play!” and “Theatre in The Dark: Carpe Diem” by This is Not A Theatre Company
True to the group’s moniker, This is Not A Theatre Company’s shows are deliberately...
Read MorePosted by Emily Cordes | 7th Oct 2019 | New York, Review, United States of America
True to the group’s moniker, This is Not A Theatre Company’s shows are deliberately...
Read MorePosted by David O'Donnell | 7th Oct 2019 | Adaptation, New Zealand, Review, Theatre for Young Audiences, Transcultural Collaborations
Dream The Black Friars Theatre Company, Mangere Arts Centre, Auckland, 18-21 September 2019 Where...
Read MorePosted by Yalena Kleidara | 6th Oct 2019 | Adaptation, Greece, Review
“Heroism is to this decision that you make by yourself, to stick to it until the very...
Read MorePosted by Tonderai Chiyindiko | 6th Oct 2019 | LGBTQ+ Theatre, Review, South Africa
No Easter Sunday for Queers, which just completed a hugely successful run at the Market Theatre in...
Read MorePosted by Christine Deitner | 5th Oct 2019 | Los Angeles, Review, United States of America
If you live in Los Angeles or plan to be in town some weekend through October 27th, it cannot be...
Read MorePosted by Abigail Weil | 5th Oct 2019 | LGBTQ+ Theatre, New York, Review, United States of America
I wasn’t prepared for Victor, Edgar Oliver’s latest one-man show, directed by his longtime...
Read MorePosted by Aleks Sierz | 5th Oct 2019 | LGBTQ+ Theatre, London, Review, Theatre and Gender, United Kingdom
Once there were radically innovative playwrights; then came university courses about radically...
Read MorePosted by M. Dinesh Varma | 4th Oct 2019 | India, Review, Sweden, Theatre for Young Audiences, Transmedia
Swiss theatre company Trickster-p’s production .h.g. is based on the classic Hansel and Gretel, by...
Read MorePosted by Marié-Heleen Coetzee | 4th Oct 2019 | Review, South Africa, Theatre and Gender, Theatre and Politics
“Venus vs Modernity” centers on South African icon Saartjie Baartman whose horrific experiences of exploitation have become a reference point for black women’s body image and representation worldwide.
Read MorePosted by Matthew McMahan | 3rd Oct 2019 | Boston, Canada, Review, United States of America
ArtsEmerson has invited its perennial favorite, the circus company from Quebec Le Sept Doigt de la...
Read MorePosted by Shilpa Sebastian R | 3rd Oct 2019 | India, Review, Theatre and Religion
Puneet Issar, who plays Duryodhan in BR Chopra’s renowned television show, says his version of the...
Read MorePosted by Donald Brown | 2nd Oct 2019 | New York, Review, United States of America
Baba Brinkman’s Rap Guides in Repertory This Fall For starters, you might be skeptical that a...
Read MorePosted by Jane Baldwin | 1st Oct 2019 | Review, Theatre and Politics, United States of America
Nixon’s Nixon by Russell Lees opened on Broadway in 1996 almost two years to the day of the...
Read MorePosted by Kumaresh K.R. | 1st Oct 2019 | Acting, India, Review
Vignesh Ratnam’s play, Pattambi, written by Ratnam Koothapiran, is certainly of a different kind....
Read MorePosted by Alvina Ruprecht | 1st Oct 2019 | Adaptation, Canada, Germany, Review
Marius von Mayenburg, author of The Ugly One, representing the new young German Theatre, is...
Read MorePosted by Christine Deitner | 30th Sep 2019 | Los Angeles, Review, United States of America
“Das Boot – on a boat.” The Center Theatre Group presents a particularly...
Read MorePosted by Magda Romanska | 29th Sep 2019 | New York, Review, United States of America
Disclaimer: I was Jeremy’s teacher at Yale during the time he wrote Slave Play, so this isn’t a...
Read MorePosted by Mert Dilek | 29th Sep 2019 | London, Review, United Kingdom
There is no denying that Cary Churchill is the greatest living British playwright. So, what you...
Read MorePosted by Abigail Weil | 28th Sep 2019 | Adaptation, Design, New York, Review, Theatre and Film, Theatre and Gender, United States of America
The WaxFactory’s new production Lulu XX is many steps away from originality. The heart of the play...
Read MorePosted by Katalin Trencsényi | 28th Sep 2019 | Australia, London, Review, United Kingdom
The Sydney Theatre Company’s 2013 landmark staging of The Secret River to the United Kingdom was...
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