Sydney Festival Review: Circa’s “Humans 2.0” is a Visceral Delight
Review: Humans 2.0, directed by Yaron Lifschitz, Circa at Sydney Festival The black circular stage...
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Review
Sydney Festival Review: Politics of Care in Force Majeure’s “The Last Season”
Review: The Last Season, directed and choreographed by Danielle Micich, Force Majeure at Sydney...
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“A Black and White Cookie” at TNC
Gary Morgenstein’s nostalgic yet au courant play A Black and White Cookie is an invigorating...
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“Times3 (Times x Times x Times)” Takes Bite Out of Big Apple
Created by theatre-artist Geoff Sobelle and composer-performer Pamela Z, Times3 (Times x Times x...
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The Amazing Energy of the Bulgarian Dance Platform 2020
As the second wave of the pandemic was just gaining speed in the country, in between the worrying...
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Interactive Online Theater – “Life on Earth”
Charles Mee’s Heaven on Earth conveys the message that our civilization, too, has come to an end;...
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On sound ecology: “Rainforest V (variation 3)” at Arter
Within the acoustics of Arter’s Karbon, a hall for sound installations and concerts is a...
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Cards For Humanity: “Social Alchemix (Live!)” by Wil Petre
The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...
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“The Dybbuk” Or a Play Possessing Audiences for a Century
December 9, 2020, marked an important anniversary in Jewish theater history: a centennial of the...
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Intriguing and Peculiar Immersive Theater with Grounded Aerial’s “The Insectinside”
An intriguing, quirky, movement and aerial experience, The Insectinside performed by the company...
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A Woman and an Immigrant, but Most of All, a Scientist: Musical “Marie Curie” Review
Marie Curie, whose image as an unsmiling scientist wearing a high-necked, black dress has been...
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“Mnquma & Ithemba”: African Contemporary Dance-Based Storytelling
The TX Theatre’s double bill Mnquma & Ithemba is rich modern African contemporary dance-based...
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“S-27” at The Finborough Theatre
Last week I watched Sarah Grochala’s award-winning short play, S-27, now streaming from the...
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Amir Nizar Zuabi’s “This Is Who I Am:” A Reminder of Family, Humanity, and the Power of Theatre
The issue with Zoom theatre is that, oftentimes, the two do not comply: theatrical performance is...
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About “December”
Yesterday, I watched the streamed version of December, written and directed by Alexander Knott,...
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New Musicals Presented at the National Alliance of Musical Theatre’s 32nd Annual Festival
*Content Warning: This article discusses and describes new musicals that deal with such topics as...
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Amid the Waters: Afghan Stories Stream Diversity on the Iranian Stage
I saw Amid the Waters amid the hustle and bustle of Tehran’s downtown at Tehran City Theatre...
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“Misfits” at The Queen’s Theatre Hornchurch
A couple of days ago I watched the live stream of Misfits, from the Queen’s Theatre Hornchurch....
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Once Upon A Time In BIM: A Theatre Resuscitation In The Time Of COVID-19
Independence in Barbados is not without its many activities in celebration. We are accustomed to...
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The Picture of Dorian Grey review: Eryn Jean Norvill Stuns in all 26 Roles
Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip Williams Australian...
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