Review Archives - Page 47 of 144

Poignant and Delightful, “A Brimful of Asha” is an Honest Look into One Family’s Debate On Marriage, Career, and Way of Life

Posted by Megan C. McCormick | 13th Mar 2021 | Boston, Devised Theatre, Review, United States of America

“You are not here to see a play. You are here to see me settle a dispute with Ravi,” Asha Jain,...

“Yabuhara Kengyo” Shows Audiences that Justice isn’t Always Blind

Posted by Nobuko Tanaka | 11th Mar 2021 | Japan, Review, Theatre and Art

Colorful graffiti marks the facade of a shuttered shopping mall. People navigate their way around...

“Typical” at The Soho Theatre

Posted by Aleks Sierz | 10th Mar 2021 | Review, United Kingdom

As the events of last year made clear, the police have a problem with race on both sides of the...

Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance

Posted by Leah Mercer | 9th Mar 2021 | Adaptation, Australia, Review, Russian Theatre Abroad

Review: The Cherry Orchard, directed by Clare Watson. Black Swan State Theatre Company for the...

Feedback Loop: “No One’s Gonna Believe Me Anyway” at the Gniezno Theatre

Posted by Piotr Dobrowolski | 8th Mar 2021 | Poland, Review, Theatre and Gender

“No one’s gonna believe me anyway,” says Barbara repeatedly. She knows there is no point in...

Playing Richard

Posted by Katerina Eremina | 27th Feb 2021 | Adaptation, Belarus, Review

Though theatrical season 2020/2021 isn’t the most eventful, it has brought to the stage number of...

Drawing Inspiration in a Pandemic — Breath Has Always Been Central to Theatre

Posted by Daniel Johnston | 26th Feb 2021 | Australia, Review, Sydney, Theatre and Art

Wrapped in COVID-Safe vigilance, Australian theatre has cautiously begun to welcome back...

Satiric Re-staging of Colonial Battleground : “Company Kamupene” Written and Performed by Jamie McCaskill.

Posted by David O'Donnell | 25th Feb 2021 | Dramaturgy, New Zealand, Review, Theatre and Decolonization, Theatre and Politics

Company Kamupene Written and performed by Jamie McCaskill. Presented by Tikapa Productions and The...

Radical Representation: “Hi, Are You Single” Engages and Triumphs

Posted by Taurie Kinoshita | 24th Feb 2021 | Hawaii, LGBTQ+ Theatre, Review, Theatre and Disability, United States of America

Hypnotically charming, exquisitely flamboyant and the very embodiment of wit, Ryan J. Haddad wrote...

“Shook” by Samuel Bailey at Papatango

Posted by Aleks Sierz | 23rd Feb 2021 | Covid-19, Review, Theatre and Art, United Kingdom

Film is the new theatre — this we know, but does the distance imposed by the change of medium...

The Story Of Shakuntala And Dushyant Set In Contemporary Times Reaches Broadway

Posted by Gowri S | 22nd Feb 2021 | Adaptation, India, New York, Review, United States of America

The Mahabharata’s Shakuntala and Dushyant find themselves in a modern-day setting, addressing the...

A Point and Click Music Session With “Modulation”

Posted by Marcina Zaccaria | 21st Feb 2021 | New York, Prototype 2021, Review, Theatre and Opera, United States of America

I was mesmerized by Courtney Love, performing in Kansas City Choir Boy at Prototype in 2015....

Who Let the “Lady of Pestilence” In?

Posted by Magda Piekarska | 21st Feb 2021 | Directing, Poland, Review

The Jerzy Szaniawski Dramatic Theater in Wałbrzych opens the season with a play built on one of...

Iceland’s “Wide Slumber for Lepidopterists” Undergoes Metamorphosis by Means of Metaphor

Posted by Alexander Fatouros | 18th Feb 2021 | New York, Prototype 2021, Review, Theatre and Opera, Theatre and Science, United States of America

Composed by Valgeir Sigurðsson and directed by Sara Martí, Wide Slumber for Lepidopterists is an...

Inside Virtual Rooms

Posted by Katarzyna Lemańska | 17th Feb 2021 | Poland, Review, Transmedia

In March 2020 in the midst of social isolation, Oskar Sadowski suggested to his friends that they...

“A Strange Loop” by Michael R. Jackson

Posted by Jack Wernick | 14th Feb 2021 | Musical Theatre, New York, Review, Theatre and Politics, United States of America

It’s rare when a musical wins the Pulitzer Prize for Drama. Most recently it was cultural...

Review: Tarragon Theatre’s “Orestes” by Rick Roberts

Posted by Laurie Fyffe | 13th Feb 2021 | Canada, Review, Transmedia

Tarragon Theatre’s technological foray into the virtual reality of a Covid-19 lockdown begins with...

About “Living Newspaper”: A Counter Narrative

Posted by Aleks Sierz | 10th Feb 2021 | Acting, Covid-19, Review, United Kingdom

Read all about it! Well, maybe not. Maybe more like: live the news and then watch it streamed....

Cinematic Opera Unveiled: Philip Glass and Edgar Allan Poe’s “The Fall of the House of Usher”

Posted by Katrina Holden-Buckley | 5th Feb 2021 | Boston, Review, Theatre and Opera, United States of America

Speaking to a class in Rome years ago, I heard Tito Schipa Jr. speak about how opera is simply too...

Sydney Festival Review: “The Rise And Fall Of Saint George” Shows The Transformative Power Of Music

Posted by Justin Ellis | 3rd Feb 2021 | Australia, Festivals, Review, Sydney, Sydney Theatre Festival 2021

The Rise and Fall of Saint George is a story about place, belonging, and community that taps into...

Review

Poignant and Delightful, “A Brimful of Asha” is an Honest Look into One Family’s Debate On Marriage, Career, and Way of Life

“Yabuhara Kengyo” Shows Audiences that Justice isn’t Always Blind

“Typical” at The Soho Theatre

Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance

Feedback Loop: “No One’s Gonna Believe Me Anyway” at the Gniezno Theatre

Playing Richard

Drawing Inspiration in a Pandemic — Breath Has Always Been Central to Theatre

Satiric Re-staging of Colonial Battleground : “Company Kamupene” Written and Performed by Jamie McCaskill.

Radical Representation: “Hi, Are You Single” Engages and Triumphs

“Shook” by Samuel Bailey at Papatango

The Story Of Shakuntala And Dushyant Set In Contemporary Times Reaches Broadway

A Point and Click Music Session With “Modulation”

Who Let the “Lady of Pestilence” In?

Iceland’s “Wide Slumber for Lepidopterists” Undergoes Metamorphosis by Means of Metaphor

Inside Virtual Rooms

Review: Tarragon Theatre’s “Orestes” by Rick Roberts

About “Living Newspaper”: A Counter Narrative

Cinematic Opera Unveiled: Philip Glass and Edgar Allan Poe’s “The Fall of the House of Usher”

Sydney Festival Review: “The Rise And Fall Of Saint George” Shows The Transformative Power Of Music

Like Us On Facebook

Most Popular Posts

Recent Posts

SEARCH OUR ARCHIVES

Pin It on Pinterest