“The Thanksgiving Play” at Geffen Playhouse
“What can we do to break down the myths and stereotypes of Thanksgiving in forty-five minutes with...
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Review
Love in 3D: Multiple Guises for L’Amour at the Royal Opera House
Love seems to have preoccupied the planning team of the 2019/2020 season: it rushes on stage in so...
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“Old Stock: A Refugee Love Story” – Form Gets In The Way Of Important, Heartfelt Story
Hannah Moscovitch has a rare gift for portraying sincere, nuanced relationships. To watch her...
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“Denarius World:” Exorcising Tragic Reality with the Farce
“Denarius World is simple and happy on the surface. Everything is fast-paced, instantaneous...
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“From Darkness” Review: Family Loss And Sorry Business that Invokes Laughter And Tears
From Darkness is a story about the aftermath of sorry business – Aboriginal rituals that are...
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Bedlam Returns to Cambridge’s Nora Theatre Company with “The Crucible”
Bedlam Theatre, a New York City Company, was founded in 2012 by the actress Andrus Nichols and the...
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Reclaiming the Legend of Bhagat Singh
Piyush Mishra’s Gagan Damama Bajyo centers around the young freedom fighter’s ideology of...
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“Anthem:” A portrait of Melbourne’s Working Class
What does it mean to be an “ordinary” Australian in anatomizing and globalized world economy?...
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New Rapp: “The Sound Inside”
Adam Rapp is a polarizing playwright. After bursting onto the scene in 2001 with Nocturne — a...
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David Baddiel’s “God’s Dice” at the Soho Theatre: Mid-Life Crisis as Science Confronts Religion
One of the great cultural divides is that between religion and science. Of course, as novels such...
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“On Bear Ridge” at the Royal Court: History of Loss in Ed Thomas’s Absurdist Play.
Memory involves places, people, things and words–especially words. This abstract proposition...
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“Botticelli in the Fire” at the Hampstead: A Queer 15th Century Tale.
Botticelli is a household name, but who knows the true story behind his most famous painting? The...
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“Painted Alice” Review: Down The Rabbit Hole Once More
Lewis Carroll’s Alice’s Adventures in Wonderland is a popular source of musical adaptions....
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Mozart by Way of Cape Town
The Magic Flute by the Isango Ensemble at ArtsEmerson When the Isango Ensemble plays—on only eight...
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Samuel Bailey’s “Shook” at Southwark Playhouse
The winner of the 2019 Papatango New Writing Prize, Shook by Samuel Bailey offers a glimpse into...
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“Dr. Ride’s American Beach House:” Ready for Orbit
It’s June 18, 1983. You’re a waitress in St. Louis who’s all but given up her dreams of achieving...
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Murray Mednick’s “Mayakovsky and Stalin” At The Cherry Lane Theatre: Men With Bloody Hands
In Murray Mednick’s “Mayakovsky and Stalin”, which made its New York premiere at the Cherry Lane...
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Isadora Duncan and “The Figurative Arts in Italy:” An Exhibition Review.
During summer 2019, Villa Bardini in Florence was the home of A Passi Di Danza. Isadora Duncan e...
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“Old Stock:” A Refugee Love Story and Debate Between Empathy and Voyeurism
Canada is built upon a core tenet of otherness; its populace is built largely upon the mosaicked...
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“Bun de Export:” A Personal Exploration of Romanian Migration
That the hallway beside the theatre is filled to its breaking point is a good sign: artists,...
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