About “Mum. Can You Hear Me?”
Over the past year we’ve become used to a variety of home theatre: recordings of live...
Read MorePosted by Aleks Sierz | 27th Apr 2021 | Review, Transmedia, United Kingdom
Over the past year we’ve become used to a variety of home theatre: recordings of live...
Read MorePosted by Angela Jimu | 26th Apr 2021 | Adaptation, Malawi, Review
Madsoc Theatre opened their season with Stanley Mambo’s adaption of Tony Layton’s Once an Actress...
Read MorePosted by Aleks Sierz | 24th Apr 2021 | Review, Scotland, Theatre and Age, Transmedia, United Kingdom
Does a subjective theatre piece encourage a subjective critical response? I think it might,...
Read MorePosted by Tonderai Chiyindiko | 22nd Apr 2021 | Review, South Africa, Theatre for Young Audiences
The National Children’s Theatre’s purpose-built outdoor/open-air “Imagination...
Read MorePosted by Neeraja Murthy | 21st Apr 2021 | India, Review, Theatre and Politics
Theatre group, Sri Venkateswara Surabhi Theatre, Hyderabad, is moving online with a month-long...
Read MorePosted by Gowri S | 19th Apr 2021 | India, Review, Theatre and Politics
Chennai-based theatre director Prasanna Ramaswamy’s new play, This Is My Name, is an adaptation of...
Read MorePosted by Michael Schweikardt | 18th Apr 2021 | Devised Theatre, Education, Review, United States of America
How many young-people-of-the pandemic-does it take to screw in a light bulb? Early in the...
Read MorePosted by Gowri S | 16th Apr 2021 | Adaptation, India, Review
Adishakti Theatre Arts’ latest musical, Bhoomi, is adapted from Sarah Joseph’s Malayalam play,...
Read MorePosted by Tonderai Chiyindiko | 13th Apr 2021 | Review, South Africa, Theatre and Gender
My Vagina Was Not Buried With Him is celebrated and multi award-winning poet, playwright, director...
Read MorePosted by Tonderai Chiyindiko | 12th Apr 2021 | Review, South Africa, Theatre for Young Audiences
Roald Dahl’s much-loved classic Fantastic Mr. Fox wowed young audiences at the National Children’s...
Read MorePosted by Neeraja Murthy | 8th Apr 2021 | India, Review, Theatre and Politics
Chenchu Lakshmi directed by Srinivas Denchanala and Chindula Shyam was staged on March 23 at...
Read MorePosted by Susan Joe Phillip | 6th Apr 2021 | India, Review
Directed by Amrith Jayan, Baska talks about the struggle to overcome the conditioning of humans by...
Read MorePosted by Antonio Hernández Nieto | 31st Mar 2021 | Mexico, Review, Russian Theatre Abroad
The world premiere of Paloma Negra (Black Dove) by Alberto Conejero at the Theatre of the Canal...
Read MorePosted by Tonderai Chiyindiko | 29th Mar 2021 | Review, South Africa
Xova, the predominantly isiXhosa-language production which has just finished a sold-out run at the...
Read MorePosted by Clare Cioffero | 28th Mar 2021 | New York, Review, Theatre and Dance, United States of America
Earlier this month, the NY Times published an article entitled “What is a Ballet Body?” that...
Read MorePosted by Tonderai Chiyindiko | 27th Mar 2021 | Musical Theatre, Review, South Africa
Angola Camp 13, the multiple-award winning South African State Theatre production would not have...
Read MorePosted by Clare Cioffero | 25th Mar 2021 | Ireland, Review, Theatre and Age, Theatre and Disability
The thing about UnRavelled is that it’s one of those plays that even a week after seeing it random...
Read MorePosted by Jonathan W. Marshall | 24th Mar 2021 | Australia, Immersive Theatre, Review, Theatre and Decolonization
Review: Galup, by Ian Wilkes and Poppy van Oorde-Grainger, Perth Festival with Same Drum and...
Read MorePosted by Leah Mercer | 17th Mar 2021 | Australia, Participatory Theatre, Review
Review: Whistleblower, directed by Arielle Gray, Wyatt Nixon-Lloyd, and Tim Watts. The Last Great...
Read MorePosted by The Hindu | 16th Mar 2021 | India, Review, Theatre and Politics
The theatre group’s staging of the play Kando Ningal, Ente Kuttiye?, based on the life of the...
Read More
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 

Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 