The Personal is Political: Theatre as Therapy in Madrid
The Spanish capital ranks amongst the European cities with the highest mortality rates for...
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Review
About “The Elephant in the Room”
Online performance, streamed instead of attended, has given theatre companies an immense amount of...
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After the Pandemic: Nicola Piovani and the Reopening of the Trianon Viviani Theatre in Naples
The Trianon Viviani Theatre is located in the Forcella quarter of the ancient center of Naples. It...
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“Najdziwniejszy Androgyn” (The Strangest Androgyne): Autism in Performance
A short documentary opening the series entitled Spradyczni artyści (Sporadic Artists, dir....
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“Let Them Do Yeats Next!:” “AURIC” At The Brighton Fringe
AURIC (Songs from a Golden Age) at the Brighton Fringe is a unique aural journey and experience...
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Separate Yet Together: The Twelfth International Between.Pomiędzy Festival of Literature and Theatre
Can we be in two places at once? Can an event happen online and offline simultaneously? The...
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The Play “Demo” Recreates a Virtual Meet-up
The online performance depicts marriage rituals and interactions in the digital world with a touch...
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How a Polish Master, Krystian Lupa, Brought Lu Xun’s Madness to Life
Written in 1918, Lu Xun’s A Madman’s Diary marked the advent of modern Chinese literature....
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Two Productions of “The Plague” Push the Boundary of Theatre
The Hong Kong Arts Festival has simultaneously commissioned two provocative productions of Neil...
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The Body Tells the Story: Blessed Unrest’s “Touch”
The past year has, in many ways, turned a sharper lens towards our bodies, particularly our...
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“Tarantula” at the Southwark Playhouse
I think I can safely say that polymath playwright Philip Ridley has had a good lockdown. In March...
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Battery Dance Festival+: Canadian Voices in Dance
In August 2020, Battery Dance shifted its annual Battery Dance Festival to a virtual format. The...
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“La realidad”, Or How to Build Fake News
The premiere of La realidad, the new play by Darío Facal and Pedro Cantalejo, was in March at the...
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Spotlight on “Pale Sister”: On Lighting in Digital Theatre
Pale Sister is the latest adaptation of the Sophoclean tragedy, Antigone (c. 441 BC), written by...
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“The Door You Never Saw Before: A Choosical Musical” at The Geffen
It’s been a decade of a year, and The Geffen Playhouse (or Geffen Stayhouse as they have been...
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“Lerumo”: A Cautionary Tale
Lerumo, written and directed by Malaika Ntsoeu and featuring Malaika Motshabi Ntsoeu, Malefu...
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Waking Up in the Morning, Thinking About “This American Wife”
“Waking up in the morning, thinking about so many things, I just wish things would get...
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About “Saving Britney”: Prologue
Uncertainty can sometimes provoke creativity. When the opening of Shereen Roushbaiani’s one-woman...
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A Play Adapted From Paul Zacharia’s “Ithanente Peru” Puts Nathuram Godse Under The Spotlight
Chennai-based theatre director Prasanna Ramaswamy’s new play, This Is My Name, is an adaptation of...
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Immersive Opera “Laila” at the 50th Hong Kong Arts Festival
Laila, a special co-production by the Hong Kong Arts Festival (HKAF) and the Finnish National...
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