The Cambridge Chamber Ensemble’s “Cendrillon” Showcases Talent But Misses Its Mark
The Cambridge Chamber Ensemble debuted their reimagined production of Pauline Viardot-Garcia’s...
Read MorePosted by Kristin Tomecek | 11th May 2018 | Boston, Review, Theatre and Opera, United States of America
The Cambridge Chamber Ensemble debuted their reimagined production of Pauline Viardot-Garcia’s...
Read MorePosted by David Vernon | 11th May 2018 | Interview, LGBTQ+ Theatre, Theatre and Opera, United States of America
Clint Borzoni is the current Composer-in-Residence for Musica Marin, a non-profit organization...
Read MorePosted by Jessica Rizzo | 11th May 2018 | Philadelphia, Review, United States of America
Jessica Rizzo sees the 10-hour, marathon performance of EgoPo Theater’s Lydie Breeze trilogy...
Read MorePosted by Kee-Yoon Nahm | 11th May 2018 | Adaptation, Review, South Korea
In Han Tae-sook’s Electra (LG Arts Center, April 26–May 5, 2018), the mourning daughter doesn’t...
Read MorePosted by Katrina Holden-Buckley | 11th May 2018 | Boston, Review, Theatre and Opera, United States of America
Metrowest Opera had a full audience in the BCA’s smaller space on Saturday evening for their...
Read MorePosted by The Theatre Times | 10th May 2018 | Musical Theatre, New York, Review, United States of America
As we’ve settled into the 21st century, pop-culture vestiges of the 20th century have fallen by...
Read MorePosted by Akanksha Raja | 10th May 2018 | Review, Singapore
We’ve been seeing a variety of theatre revolving around dementia and its effects on families in...
Read MorePosted by Diwan Singh Bajeli | 9th May 2018 | Essay, India, Pakistan, Theatre and Politics
With the passing away of Madeeha Gauhar, the subcontinent has lost a votary of freedom of...
Read MorePosted by Iris Winston | 9th May 2018 | Canada, Review
Gracie By Joan Macleod, directed by Eric Coates A GCTC Production Gracie is like many...
Read MorePosted by Vikram Phukan | 9th May 2018 | Festivals, India, Review
More than a dozen years after it first opened in Mumbai, as part of a Heisnam Kanhailal...
Read MorePosted by Elena Bobrova | 9th May 2018 | Interview, Russia, Theatre and Dance
Mark Olich has been snapping the repetitions and backstage life of the famous theater for many...
Read MorePosted by Katerina Valdivia Bruch | 8th May 2018 | Essay, India, Theatre and Dance, Theatre and Gender, United Kingdom
Katerina Valdivia Bruch was in India as a bangaloREsident at Natya & STEM Dance Kampni. During...
Read MorePosted by Jocelyn Pitsch | 8th May 2018 | Canada, Festivals, Review, Theatre and Disability
Vancouver, British Columbia Jocelyn Pitsch reviews King Arthur’s Night, Neworld Theatre’s...
Read MorePosted by Iris Winston | 8th May 2018 | Canada, Review, Theatre and Age
Jones And Barry In The Home by Norm Foster; a 3P Productions, Directed by Derek Ritschel As we...
Read MorePosted by Kathy Tao | 8th May 2018 | New York, Review, Theatre and Opera, United States of America
In the world of piano, J.S. Bach’s Goldberg Variations is a siren’s call. Countless pianists have...
Read MorePosted by Russia Beyond | 7th May 2018 | News, Russia, Theatre and Opera
Soprano sang highest ever note by a human, and also the most notes in a single second. On April 11...
Read MorePosted by Hayley Malouin | 7th May 2018 | Festivals, Hong Kong, Review
Kelsey Blair reviews Hong Kong Exile’s Foxconn Frequency (no. 3): For Three Visibly Chinese...
Read MorePosted by Aleks Sierz | 7th May 2018 | London, Review, United Kingdom
The Orange Tree Theatre is a champion of new writing. Under artistic director Paul Miller, the...
Read MorePosted by Rajashree Das | 7th May 2018 | India, Review, Theatre and Gender
Theatre Nisha’s Gallantly Fought the Queen took us on a voyage into the life and times of the Rani...
Read MorePosted by Vikram Phukan | 6th May 2018 | India, Playwriting, Review, South Africa, Theatre and Gender
At a staging in Kerala in January, Sara Matchett’s Walk: South Africa proved to be a harrowing but...
Read More