“Potong” By Teater Ekamatra: Of Kin And Skin
We’ve been seeing a variety of theatre revolving around dementia and its effects on families in...
Read MorePosted by Akanksha Raja | 10th May 2018 | Review, Singapore
We’ve been seeing a variety of theatre revolving around dementia and its effects on families in...
Read MorePosted by Diwan Singh Bajeli | 9th May 2018 | Essay, India, Pakistan, Theatre and Politics
With the passing away of Madeeha Gauhar, the subcontinent has lost a votary of freedom of...
Read MorePosted by Iris Winston | 9th May 2018 | Canada, Review
Gracie By Joan Macleod, directed by Eric Coates A GCTC Production Gracie is like many...
Read MorePosted by Vikram Phukan | 9th May 2018 | Festivals, India, Review
More than a dozen years after it first opened in Mumbai, as part of a Heisnam Kanhailal...
Read MorePosted by Elena Bobrova | 9th May 2018 | Interview, Russia, Theatre and Dance
Mark Olich has been snapping the repetitions and backstage life of the famous theater for many...
Read MorePosted by Katerina Valdivia Bruch | 8th May 2018 | Essay, India, Theatre and Dance, Theatre and Gender, United Kingdom
Katerina Valdivia Bruch was in India as a bangaloREsident at Natya & STEM Dance Kampni. During...
Read MorePosted by Jocelyn Pitsch | 8th May 2018 | Canada, Festivals, Review, Theatre and Disability
Vancouver, British Columbia Jocelyn Pitsch reviews King Arthur’s Night, Neworld Theatre’s...
Read MorePosted by Iris Winston | 8th May 2018 | Canada, Review, Theatre and Age
Jones And Barry In The Home by Norm Foster; a 3P Productions, Directed by Derek Ritschel As we...
Read MorePosted by Kathy Tao | 8th May 2018 | New York, Review, Theatre and Opera, United States of America
In the world of piano, J.S. Bach’s Goldberg Variations is a siren’s call. Countless pianists have...
Read MorePosted by Russia Beyond | 7th May 2018 | News, Russia, Theatre and Opera
Soprano sang highest ever note by a human, and also the most notes in a single second. On April 11...
Read MorePosted by Hayley Malouin | 7th May 2018 | Festivals, Hong Kong, Review
Kelsey Blair reviews Hong Kong Exile’s Foxconn Frequency (no. 3): For Three Visibly Chinese...
Read MorePosted by Aleks Sierz | 7th May 2018 | London, Review, United Kingdom
The Orange Tree Theatre is a champion of new writing. Under artistic director Paul Miller, the...
Read MorePosted by Rajashree Das | 7th May 2018 | India, Review, Theatre and Gender
Theatre Nisha’s Gallantly Fought the Queen took us on a voyage into the life and times of the Rani...
Read MorePosted by Vikram Phukan | 6th May 2018 | India, Playwriting, Review, South Africa, Theatre and Gender
At a staging in Kerala in January, Sara Matchett’s Walk: South Africa proved to be a harrowing but...
Read MorePosted by Michael Schweikardt | 6th May 2018 | Design, Interview, United States of America
The Crucible (1953) is Arthur Miller’s harrowing play about the 1692 Salem witch trials. Set in...
Read MorePosted by Heather Waters | 5th May 2018 | Acting, New York, Review, United States of America
The lights never go down on the audience, the result being we all play a part in the production, and there are no spectators. La MaMa E.T.C. is a beautiful, decrepit, wonderfully haunted space; to redefine audience roles and do away with spectators is an adventurous, fun design for this stage.
Read MorePosted by Christine Deitner | 5th May 2018 | Los Angeles, Playwriting, Poland, Polish Theatre Abroad, Review
In 2017, Los Angeles’ Center Theatre Group launched a new, and frankly exciting, idea known as...
Read MorePosted by Jessica Rizzo | 4th May 2018 | New York, Review, United States of America
On March 24, 1945, there was a party in Rechnitz, an Austrian town on the Hungarian border. The...
Read MorePosted by Jonathan Kalb | 4th May 2018 | New York, Playwriting, Review, Theatre and Age, United States of America
My reaction to Edward Albee’s Three Tall Women when it first arrived in New York in 1994 was...
Read MorePosted by Álvaro Vicente | 3rd May 2018 | Interview, Playwriting, Spain, Transcultural Collaborations, Uruguay
The acclaimed Franco-Uruguayan playwright Sergio Blanco was in Madrid to stage his play Ostia at...
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