“Beware Of Pity” Is Beautiful To Watch, But Clashes With Modern Sensibilities
Review: Beware Of Pity, Sydney Festival 2019 Performances in the Roslyn Packer Theatre typically...
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“Churning Waters”—Muffled Voices Flow
A white, feathered string in hand, Sylvia Nulpinditj begins to explain each action in the...
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The First Middle Eastern Theatre Photo Exhibition At The University Of Toronto, Spring 2019
On January 11, 2019, the Centre for Drama, Theatre and Performance Studies at the University of...
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“The Tempest” At The Pittsburgh Public Theater In Pittsburgh, PA, USA
A couple of decades ago my then-colleague Jan Hagens introduced me to a genre categorization that...
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Truth And “True West”
Sam Shepard’s True West has always been a magnet for celebrity hamming, particularly in the role...
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Post-Apocalyptic Ambiguity Of The Inner Light: A Conversation With The Creators Of “When Angels Fall”
ArtsEmerson is honored to host the New England premiere of When Angels Fall, a riveting tale of...
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The Sight of Sound: Samson Young Explores the Audio of Authenticity
For an artist known for engaging the political in his work, it’s perhaps impossible for Samson...
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Decoding The Music Masterpieces: Alban Berg’s “Wozzeck,” An Apocalyptic Descent Into Madness
Alban Berg’s Wozzeck is arguably the most important opera composed in the first half of the 20th...
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Two Bold Shows by Women of Color at Mabou Mines
When I entered the theater at Mabou Mines for Edisa Weeks’ performance of Three Rites: Liberty, my...
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Shakespeare’s “Othello” In The Trappings Of Twenty-First Century America
An updated version of Othello now playing at the American Repertory Theatre in Cambridge...
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“One Infinity” Explores Tension and Connection Between China and the West
In an age of growing mistrust, the Chinese-Australian artistic collaboration One...
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“Frankenstein” In The Age Of Artificial Intelligence
A futuristic freezing laboratory where naked human avatars hang for research purposes. Doctor...
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A New Eliza: Bedlam’s “Pygmalion” At The Central Square Theatre
After a critically acclaimed run in New York City, Bedlam Theatre Company has brought their...
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China, Liberia, America: A Suite Of Women’s Stories
In an intimate performance space in New York’s East Village, a quietly consequential experiment is...
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“The Petty Bourgeois‘” And “The Gambler‘s” Warnings About Anthropocentrism And Capitalism
For the first article about Czech theatre, I’ve selected works by two young directors, who belong...
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Interview with Festival Director Sarah Purdue: Short + Sweet Sydney Launches 18th Season
The biggest little theatre festival in the world is all grown up! The popular staple of the Sydney...
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“Welcome To The U.K.” at The Bunker Theatre: Satire on Obstacles Facing Refugees
Refugees have an image problem—and it’s getting worse. But the widespread anger that their...
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“Ms. Smith Goes To Washington”-The Fountain Theatre At Los Angeles City Hall
On Thursday, January 24th a lucky group of citizens in Los Angeles was treated to a unique...
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Walking Alongside “Bitten: Return To Our Roots”
Taking a right turn towards Camp Kilo Charcoal Lounge (formerly Sam Tat Building) at Kampong...
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“Lungs” A Piece Of Stripped Down Theatre With A Fully Packed Message
What do you do when you’re rehearsing a show that has no set, no props, no costume changes, and no...
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