Featured Archives - Page 116 of 233

ASSITEJ SA Announces 2019 Playwriting Contest Winner

Posted by Alexander Nderitu | 30th Mar 2019 | News, Playwriting, South Africa

Each playwright on the shortlist was paired with an expert from the international ASSITEJ network of professionals for online mentoring, coaching, and dramaturgy.

Homegrown: Occupy Festival

Posted by Duška Radosavljević | 30th Mar 2019 | Festivals, Participatory Theatre, Review, United Kingdom

Homegrown: Occupy Festival Battersea Arts Centre March 18 – April 12 When it comes to arts venues,...

Sasha Velour’s “Smoke & Mirrors”: Long Live The Queen

Posted by Abigail Weil | 29th Mar 2019 | LGBTQ+ Theatre, New York, Review, Theatre and Gender, United States of America

Is Sasha Velour a drag queen? It’s debatable. She’s certainly a drag royalty, having won the ninth...

At the Barrow Group, “Perp” Is An Intimate, Challenging Look at Disability That Must Be Seen

Posted by Michael Appler | 29th Mar 2019 | New York, Review, Theatre and Disability, United States of America

We tend to think of disability as unlike other monuments of cultural identity, like race or...

“Love And Human Remains”: Excellent Production Explores Loneliness In The Modern World

Posted by Rajka Stefanovska | 29th Mar 2019 | Canada, Review

Love And Human Remains explores the everlasting questions of human existence–who we are, what we...

“La Reprise”: Startling Theatre And A Call To The Dead To Speak

Posted by Julian Meyrick | 29th Mar 2019 | Australia, Festivals, LGBTQ+ Theatre, Review, Switzerland

Review: La Reprise: Histoire(s) du théâtre, Adelaide Festival By chance, I happened to overhear a...

Hamilton Education Program on Broadway

Posted by Jack Wernick | 28th Mar 2019 | Education, News, Theatre and Politics, Theatre for Young Audiences, United States of America

Broadway’s Richard Rodgers Theatre is not only home to musical theatre sensation Hamilton but also...

“Circa” at The Old Red Lion Theatre

Posted by Aleks Sierz | 28th Mar 2019 | LGBTQ+ Theatre, London, Review, United Kingdom

There is a classic conflict in many gay plays: between characters who identify as gay (in the...

East Meets West In An English Retelling Of “The Legend Of The White Snake”

Posted by Zolima Citymag | 27th Mar 2019 | Adaptation, Hong Kong, News, Theatre and Opera

Why We Recommend it The opera Madame White Snake tells the story of a demon’s incessant pursuit of...

At Home In The Theater with Randall White

Posted by Jamie Salinger | 27th Mar 2019 | Interview, United States of America

A Stage Management Superhero Randall White is an exceptionally unique theatre creator, manager,...

The Immigrant Dragons – Part III: Creating A Dragon That Will Last 100 Years

Posted by Billy Potts | 27th Mar 2019 | China, Design, Hong Kong, News, Transcultural Collaborations

Under a busy flyover where the Island Eastern Corridor becomes Chai Wan Road sits an unassuming...

Interview With Olivier Py’s American Actors

Posted by Nicole Birmann Bloom | 27th Mar 2019 | France, Interview, Musical Theatre

The four American actors (Alex, Nadia, Whit, and Ben) of Olivier Py’s musical The Young Girl, The...

“Alys, Always” at The Bridge Theatre

Posted by Aleks Sierz | 26th Mar 2019 | London, Review, United Kingdom

Okay, so this is the play that will be remembered for the character names that have unusual...

“Behaviour” Is Essential And Traumatic-Socially Conscious Theatre At Its Peak!

Posted by Ryan Pepper | 26th Mar 2019 | Canada, Review

It isn’t easy to review a play like Behaviour, written by Ottawa playwright Darrah Teitel and...

A Conversation with Composer Ilya Demutsky: “I’m Excited”

Posted by Sergey Elkin | 26th Mar 2019 | Interview, Russia, Russian Theatre - Featured, Theatre and Dance

Sergey Elkin interviews composer Ilya Demutsky about the Joffrey’s new ballet of Anna Karenina

A Feminist Documentary Play From Toronto: “Grace”

Posted by Berna Ataoğlu | 25th Mar 2019 | Canada, Review, Theatre and Gender

Grace is one of two daughters in an educated family living in Canada. She loves her parents and...

“Secondhand” at the Örkény István Theater: Soviet Nostalgia

Posted by Judit Csáki | 25th Mar 2019 | Hungary, Review, Theatre and Politics

Every episode of the show called Secondhand is about the ingloriously deceased (?) Soviet Union,...

Choy Ka Fai: Dr. Dance Trips The Light Fantastic

Posted by Eleonore von Bothmer | 24th Mar 2019 | News, Singapore, Theatre and Science, Transmedia

Media artist Choy Ka Fai experimentally explores movement, art, and technology with some science...

“The Bourgeois Gentlemen” at the City Garage Theatre, Santa Monica CA

Posted by Christine Deitner | 24th Mar 2019 | Los Angeles, Review, United States of America

The City Garage once again shows its audiences in Santa Monica, CA how much Moliere’s work is both relevant and necessary with their revival of “The Bourgeois Gentleman”. Originally produced by the company in 2008 with a new English translation from the show’s director Frédérique Michel and the producer/production designer Charles A. Duncombe, the play centers on a wealthy merchant with dreams of becoming a member of the aristocracy.