“Brave Space” By Chicago-Based Aloft Circus Arts (At Iron City Circus Arts On Pittsburgh’s South Side)
The intimate and mesmerizing Brave Space is a circus performance unlike any other you may have...
Read MorePosted by Wendy Arons | 2nd Apr 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
The intimate and mesmerizing Brave Space is a circus performance unlike any other you may have...
Read MorePosted by Michael Appler | 1st Apr 2019 | New York, Review, Theatre and Politics, United States of America
In Heidi Schreck’s hands rests a divine power which only the best of storytellers wield to purge...
Read MorePosted by Alvina Ruprecht | 1st Apr 2019 | Canada, Review
The title of the play (Love And Human Remains) by Brad Fraser, written in 1989 and currently...
Read MorePosted by Zolima Citymag | 1st Apr 2019 | China, Hong Kong, News, Theatre and Dance
This article is brought to you by The Hong Kong Ballet. 25-year-old Garry Corpuz is one of Hong...
Read MorePosted by William Peterson | 1st Apr 2019 | Festivals, Review, South Africa
In a world where so many are escaping brutality, war, persecution, and loss of land, is it...
Read MorePosted by Wendy Arons | 1st Apr 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
A large–one might venture to say, deliberately oversized–dark blue door dominates the elegantly...
Read MorePosted by Wendy Arons | 1st Apr 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
The detailed open-plan kitchen that greets you as you take your seat at City Theatre’s production...
Read MorePosted by Wendy Arons | 31st Mar 2019 | Pittsburgh, Review, The Pittsburgh Tatler, United States of America
Mumburger The tagline in the publicity for Sarah Kosar’s new play Mumburger reads “a surreal play...
Read MorePosted by Maria Delgado | 31st Mar 2019 | Review, Spain
Carme Portacelli’s current season at the Español theatre has focused on stories about women by...
Read MorePosted by Abigail Weil | 31st Mar 2019 | Adaptation, New York, Review, United States of America
You know The Thousand And One Nights both better and worse than you realize. You may know it by a...
Read MorePosted by Marié-Heleen Coetzee | 31st Mar 2019 | News, South Africa, Theatre and Politics
World Theatre Day reminds us that theatre offers a means through which to make meaning of our experiences in our historical, social and political contexts by storying and re-storying modes of human (dis)connection.
Read MorePosted by Aida Rocci | 31st Mar 2019 | Immersive Theatre, London, Participatory Theatre, Review, United Kingdom
Recollection takes up to six participants in a thrilling journey about the importance of memories and personal data. Going beyond the sensational premise, the budding Any One Thing ambitiously explores the ideas of ‘personalized’ and ‘immersive’ theatre in depth, taking the genre to the boundaries of what is real.
Read MorePosted by Lisa Harper Campbell | 31st Mar 2019 | Acting, Australia, Review
In a new one-man production, Renato Musolino brings George Orwell’s classic novella, Animal...
Read MorePosted by Christine Deitner | 30th Mar 2019 | Los Angeles, Review, United States of America
It is the Odyssey Theatre’s 50th Anniversary Season and in honor of this wonderful accomplishment the company starts off with an intimate and powerful bang with Brian Friel’s “Faith Healer” as directed by Ron Sossi, the company’s artistic director. In the program notes Mr. Sossi points out that though the theatre launched in 1969 and the play didn’t appear on the scene until the late 1970s, the play seems a “most apt prelude to the[ir] retrospective” season due to its innovative role in developing what we now know as the ‘monologue play’. It was also the first play the company performed when they opened their new/current space 30 years prior on S. Sepulveda Blvd in Los Angeles.
Read MorePosted by Abigail Weil | 30th Mar 2019 | Adaptation, New York, Review, United States of America
Creating riveting theater out of the problem of a bureaucratic oversight is no easy feat. Luckily...
Read MorePosted by Alexander Nderitu | 30th Mar 2019 | News, Playwriting, South Africa
Each playwright on the shortlist was paired with an expert from the international ASSITEJ network of professionals for online mentoring, coaching, and dramaturgy.
Read MorePosted by Duška Radosavljević | 30th Mar 2019 | Festivals, Participatory Theatre, Review, United Kingdom
Homegrown: Occupy Festival Battersea Arts Centre March 18 – April 12 When it comes to arts venues,...
Read MorePosted by Abigail Weil | 29th Mar 2019 | LGBTQ+ Theatre, New York, Review, Theatre and Gender, United States of America
Is Sasha Velour a drag queen? It’s debatable. She’s certainly a drag royalty, having won the ninth...
Read MorePosted by Michael Appler | 29th Mar 2019 | New York, Review, Theatre and Disability, United States of America
We tend to think of disability as unlike other monuments of cultural identity, like race or...
Read MorePosted by Rajka Stefanovska | 29th Mar 2019 | Canada, Review
Love And Human Remains explores the everlasting questions of human existence–who we are, what we...
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