Bodies of Knowledge – Facilitating Alternative and Humane Ways of Learning
Bodies of Knowledge (BOK) is a semi-nomadic classroom that facilitates alternative and...
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Month: August 2022
Acting Coach Bettina Lohmeyer In Conversation With Florentina Bratfanof: ”I Was Surprised To See Romanian Actors Were So Open”
Florentina Bratfanof, Casting Director, has been observed for five years in a row Susan Batson’s...
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Highlights from the Mladi Levi Festival in Ljubljana
The 25th edition of the international theatre and dance festival Mladi Levi (Young Lions) was...
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Learning From Scratch: Istanbul Theatre Through a Canadian-Armenian Lens. Interview with Art Babayants.
Dr. Art Babayants is a multilingual artist-scholar who lives and works in what is now called...
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“Kurios: A Cabinet of Curiosities” Helping You Dream with Your Eyes Wide Open!
I can prescribe the remedy if you need medicine to blow up your imagination! Get a ticket to...
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Mental Illness, Misogyny, and the Myth of the Male Genius in “The Butcher Boy”
This review contains spoilers. TW: suicide, homicide, mental illness The Butcher Boy, which opened...
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In Conversation with Regan Hicks: Part Two
This is part 2 of the bipartite interview. To read part 1, click here. Welcome back to the second...
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In Conversation with Regan Hicks: Part One
Regan Hicks is one of my dearest friends and closest collaborators. We’ve worked on a number of...
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Emerging Playwright Embarks on Gershwin Era Musical
American playwright and concert pianist, William Robert Martin, is an emerging artist whose star...
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“Don’t You Hate It When Assholes Are Talented?”: “macbitches” at Chain Theatre
I went to theatre school. Know this before reading on. I went to theatre school, trained as an...
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“Chasing Hares” at the Young Vic
While Britain is experiencing a “summer of discontent”, with inflation, strikes and other...
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Honey, I’m Home! — Robert Icke’s “Oresteia”
If nothing else, you have to admire the chutzpah of Robert Icke’s Oresteia, which tries to...
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“The Cherry Orchard,” Portland Experimental Theatre Ensemble
What might Anton Chekov, that Russian master of the nineteenth century, have to say about the...
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Parastoo Theatre: Art, Refuge, Action
The pioneering theatre company, founded and run by Afghan theatre maker and refugee, Saleh Sepas,...
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Leveling Effects: Matthew Spangler’s Adaptation of “The Kite Runner”
Khaled Hosseini’s 2003 novel The Kite Runner is a vividly descriptive and often gripping tale of...
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Sacrament of the Sea: Houseworld’s “Bottom of the Ocean”
Whispering the word BOTO into the speakeasy-style window of a door, I felt a sense of trepidation,...
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Ivo Van Hove’s Water-turgy: “Ingolstadt” at the Salzburg Festival
Just over a hundred years since its founding (by impresario and theatre director Max Reinhardt),...
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Theatre After COVID: The 2022 Avignon Theatre Festival in Search for Theatrical Magic and Forms of Philosophical Transgressions – Part II
This is Part 2 of the bipartite report. To read Part 1, click here. Anaïs Nin au Miroir, written...
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Theatre After COVID: The 2022 Avignon Theatre Festival in Search for Theatrical Magic and Forms of Philosophical Transgressions – Part I
I arrived at the 2022 Avignon Theatre Festival seeking emotional rejuvenation after two years of...
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“The Hour of Death,” Bokshi Theatre Company
Pristina Prison, a notorious building in the centre of the city, was built during the Yugoslav era...
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