Bodies of Knowledge – Facilitating Alternative and Humane Ways of Learning
Bodies of Knowledge (BOK) is a semi-nomadic classroom that facilitates alternative and...
Read MorePosted by Borisav Matić | 31st Aug 2022 | Applied Theatre, Belgium, News, Norway, Transcultural Collaborations
Bodies of Knowledge (BOK) is a semi-nomadic classroom that facilitates alternative and...
Read MorePosted by Florentina Bratfanof | 31st Aug 2022 | Acting, Germany, Interview, Romania
Florentina Bratfanof, Casting Director, has been observed for five years in a row Susan Batson’s...
Read MorePosted by Borisav Matić | 30th Aug 2022 | Festivals, News, Slovenia, Theatre and Dance
The 25th edition of the international theatre and dance festival Mladi Levi (Young Lions) was...
Read MorePosted by Eylem Ejder | 29th Aug 2022 | Canada, Interview, Theatre and Decolonization, Translation, Turkey
Dr. Art Babayants is a multilingual artist-scholar who lives and works in what is now called...
Read MorePosted by Azadeh Kangarani | 28th Aug 2022 | Design, Musical Theatre, Review, United States of America
I can prescribe the remedy if you need medicine to blow up your imagination! Get a ticket to...
Read MorePosted by Morgan Skolnik | 26th Aug 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America
This review contains spoilers. TW: suicide, homicide, mental illness The Butcher Boy, which opened...
Read MorePosted by Rhiannon Ling | 25th Aug 2022 | Dramaturgy, Interview, Musical Theatre, New York, United States of America
This is part 2 of the bipartite interview. To read part 1, click here. Welcome back to the second...
Read MorePosted by Rhiannon Ling | 24th Aug 2022 | Dramaturgy, Interview, Musical Theatre, New York, United States of America
Regan Hicks is one of my dearest friends and closest collaborators. We’ve worked on a number of...
Read MorePosted by Alexander Fatouros | 23rd Aug 2022 | Chicago, Musical Theatre, News, Playwriting, United States of America
American playwright and concert pianist, William Robert Martin, is an emerging artist whose star...
Read MorePosted by Rhiannon Ling | 22nd Aug 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America
I went to theatre school. Know this before reading on. I went to theatre school, trained as an...
Read MorePosted by Aleks Sierz | 14th Aug 2022 | India, London, Playwriting, Review, Theatre and Politics, United Kingdom
While Britain is experiencing a “summer of discontent”, with inflation, strikes and other...
Read MorePosted by Jonathan Kalb | 13th Aug 2022 | Adaptation, Directing, New York, Review, United States of America
If nothing else, you have to admire the chutzpah of Robert Icke’s Oresteia, which tries to...
Read MorePosted by Justine Nakase | 12th Aug 2022 | Adaptation, Design, Review, Russian Theatre Abroad, United States of America
What might Anton Chekov, that Russian master of the nineteenth century, have to say about the...
Read MorePosted by Deborah Augustin | 11th Aug 2022 | Afghanistan, Applied Theatre, Interview, Malaysia, Theatre and Politics
The pioneering theatre company, founded and run by Afghan theatre maker and refugee, Saleh Sepas,...
Read MorePosted by Jonathan Kalb | 10th Aug 2022 | Adaptation, Afghanistan, Directing, Review, United States of America
Khaled Hosseini’s 2003 novel The Kite Runner is a vividly descriptive and often gripping tale of...
Read MorePosted by Andrew Agress | 9th Aug 2022 | Directing, Immersive Theatre, New York, Review, United States of America
Whispering the word BOTO into the speakeasy-style window of a door, I felt a sense of trepidation,...
Read MorePosted by Duška Radosavljević | 8th Aug 2022 | Adaptation, Austria, Dramaturgy, Festivals, Review
Just over a hundred years since its founding (by impresario and theatre director Max Reinhardt),...
Read MorePosted by Yana Meerzon | 7th Aug 2022 | Avignon 2022, Directing, Festivals, France, Theatre and Politics
This is Part 2 of the bipartite report. To read Part 1, click here. Anaïs Nin au Miroir, written...
Read MorePosted by Yana Meerzon | 6th Aug 2022 | Avignon 2022, Directing, Festivals, France, Review, Theatre and Religion
I arrived at the 2022 Avignon Theatre Festival seeking emotional rejuvenation after two years of...
Read MorePosted by Florida Kastrati | 5th Aug 2022 | Applied Theatre, Kosovo, Review, Theatre and Politics
Pristina Prison, a notorious building in the centre of the city, was built during the Yugoslav era...
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