A Director Needs “to Practice What They Preach”: An Interview with Milosh Andonovski, Theatre Director and Educator
Milosh Andonovski (1989) was born in Kumanovo, North Macedonia. He graduated Comparative...
Read MorePosted by Ivanka Apostolova Baskar | 31st Jul 2022 | Directing, Education, Interview, Macedonia
Milosh Andonovski (1989) was born in Kumanovo, North Macedonia. He graduated Comparative...
Read MorePosted by Daily Sabah | 30th Jul 2022 | Festivals, News, Theatre and Opera, Turkey
Turkish opera’s great master, composer, and conductor Okan Demiriş’s ‘Murat...
Read MorePosted by Vanessa Smith | 29th Jul 2022 | Adaptation, Australia, Review, Theatre and Gender
Review: The Tenant of Wildfell Hall, directed by Jessica Arthur for the Sydney Theatre Company...
Read MorePosted by Usha Raman | 28th Jul 2022 | India, Interview, Management, Theatre and Film
Karnad spoke about his life as a writer and cultural administrator, his accidental foray into...
Read MorePosted by Lisa Monde | 27th Jul 2022 | France, Musical Theatre, New York, Review, United States of America
At the turn of the century, in 1998, Luc Plamondon created one of the greatest musicals Notre Dame...
Read MorePosted by Ivanka Apostolova Baskar | 26th Jul 2022 | Education, Interview, Macedonia, Producing
Ana Stojanoska (1977, Prilep) is theatrologist, writer, and full professor at the Faculty of...
Read MorePosted by Aleks Sierz | 24th Jul 2022 | London, Review, Theatre and Decolonization, Theatre and Gender, United Kingdom
I live in Brixton, south London. A few days ago, the borough’s aptly named Windrush Square hosted...
Read MorePosted by Ivanka Apostolova Baskar | 23rd Jul 2022 | Interview, Playwriting, Serbia, Theatre and Art
An Interview with Katarina Saric – poet, writer, performer, activist-feminist (Montenegro)...
Read MorePosted by Emily Cordes | 22nd Jul 2022 | Devised Theatre, Interview, New York, Transcultural Collaborations, United States of America
“The Aliens Make Thanksgiving Dinner” is a new devised play, co-written, co-directed...
Read MorePosted by Alvina Ruprecht | 21st Jul 2022 | Canada, LGBTQ+ Theatre, Review, Theatre and Politics
Heartlines closes the spring season of 2022 in the Great Canadian Theatre Company in Ottawa. It is...
Read MorePosted by Jonathan Kalb | 20th Jul 2022 | Musical Theatre, New York, Review, Theatre and Politics, United States of America
On the way to a play one day in early 2019, I climbed out of the subway at 8th Avenue and 44th St....
Read MorePosted by Jonathan Kalb | 19th Jul 2022 | Adaptation, New York, Playwriting, Review, United States of America
The first ten minutes of Robert Icke’s 3 ¾-hour Hamlet had me worried. Icke is a British directing...
Read MorePosted by Aleks Sierz | 18th Jul 2022 | Directing, Musical Theatre, Review, United Kingdom
Is gig theater the latest sugar rush? Okay, it ups the brain’s serotonin levels and charges around...
Read MorePosted by Kadry Al-Haggar | 17th Jul 2022 | Egypt, France, Interview, Theatre and Opera
I’m honored to be recognized by Egyptian and French presidents, says El Dibany. Egpytian...
Read MorePosted by Sarah Balkin | 16th Jul 2022 | Australia, LGBTQ+ Theatre, Melbourne, Review, Transmedia
Review: Set Piece, by Nat Randall and Anna Breckon, for Rising. Nat Randall and Anna Breckon’s Set...
Read MorePosted by Gowri S | 15th Jul 2022 | Festivals, India, News, Theatre for Young Audiences
The Little Theatre is set to unleash two years of pent-up creativity in its returning edition of...
Read MorePosted by Daily Sabah | 14th Jul 2022 | Festivals, News, Theatre and Opera, Turkey
The festival will commence with the “7 Tenor” concert on July 16 and close with a...
Read MorePosted by Alexander Fatouros | 13th Jul 2022 | Design, Directing, Interview, Musical Theatre, Spain
Set at Barcelona’s IDEAL Digital Arts Center and crafted by British director Simon Pittman, “Next...
Read MorePosted by Dvir Avnon-Klein | 12th Jul 2022 | Musical Theatre, New York, Review, Theatre and Opera, United States of America
The new musical Penelope by the York Theatre Company was a fresh and hilarious comedic take on...
Read MorePosted by Andrew Agress | 11th Jul 2022 | Directing, Dramaturgy, New York, Review, United States of America
How is theater like a support group? This question struck me upon entering The Strangers Came...
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