A Director Needs “to Practice What They Preach”: An Interview with Milosh Andonovski, Theatre Director and Educator
Milosh Andonovski (1989) was born in Kumanovo, North Macedonia. He graduated Comparative...
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Month: July 2022
“Murat IV” Opera to tell Ottoman Sultan’s Story in Istanbul
Turkish opera’s great master, composer, and conductor Okan Demiriş’s ‘Murat...
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With “The Tenant of Wildfell Hall” at The Sydney Theatre Company Gives Us a Brontë Adaptation for Our Moment
Review: The Tenant of Wildfell Hall, directed by Jessica Arthur for the Sydney Theatre Company...
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Girish Karnad Speaks to Arshia Sattar and Anmol Tickoo just a Few Days Before His Death
Karnad spoke about his life as a writer and cultural administrator, his accidental foray into...
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The Musical “Notre Dame de Paris” Returns to the United States
At the turn of the century, in 1998, Luc Plamondon created one of the greatest musicals Notre Dame...
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An Interview with Prof. Ana Stojanoska—Theater Scholar, Writer, and Poet
Ana Stojanoska (1977, Prilep) is theatrologist, writer, and full professor at the Faculty of...
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“The Fellowship,” Hampstead Theatre
I live in Brixton, south London. A few days ago, the borough’s aptly named Windrush Square hosted...
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The Death of Madam Dupin: Is the Balkan the Sub-Saharan Africa of Europe?
An Interview with Katarina Saric – poet, writer, performer, activist-feminist (Montenegro)...
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“The Aliens Make Thanksgiving Dinner:” An Interview With Co-Creators James Clements, Derya Celikkol, and Maamoun Tebbo
“The Aliens Make Thanksgiving Dinner” is a new devised play, co-written, co-directed...
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“Heartlines”: An Engaging New Drama That Opens the World for Women Artists in Europe
Heartlines closes the spring season of 2022 in the Great Canadian Theatre Company in Ottawa. It is...
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Post-Factual Theater: “MJ” on Broadway
On the way to a play one day in early 2019, I climbed out of the subway at 8th Avenue and 44th St....
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Unmanly Griefs: Robert Icke’s “Hamlet”
The first ten minutes of Robert Icke’s 3 ¾-hour Hamlet had me worried. Icke is a British directing...
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“Bangers,” Soho Theatre
Is gig theater the latest sugar rush? Okay, it ups the brain’s serotonin levels and charges around...
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Farrah El Dibany: First Egyptian and Arab to Perform at Paris Opera
I’m honored to be recognized by Egyptian and French presidents, says El Dibany. Egpytian...
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Comic Anticlimax in Nat Randall and Anna Breckon’s “Set Piece”
Review: Set Piece, by Nat Randall and Anna Breckon, for Rising. Nat Randall and Anna Breckon’s Set...
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Chennai’s The Little Theatre is Back on Stage with a Theatre Festival for Young Audiences
The Little Theatre is set to unleash two years of pent-up creativity in its returning edition of...
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Int’l Istanbul Opera Festival to Start in July with Captivating Shows
The festival will commence with the “7 Tenor” concert on July 16 and close with a...
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Barcelona Art Scene: “Next to Normal Immersive” at Grec 2022 Festival
Set at Barcelona’s IDEAL Digital Arts Center and crafted by British director Simon Pittman, “Next...
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“Penelope”: A Fresh Take on Homer’s Classic Epic Poem
The new musical Penelope by the York Theatre Company was a fresh and hilarious comedic take on...
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Comfort in the Unknown: SOCIETY’s “The Strangers Came Today”
How is theater like a support group? This question struck me upon entering The Strangers Came...
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